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I think the most experimental way to a film is to tell the story the traditional way, because everyone is doing the other thing.
I think the theater work and the on-camera work feed off each other. My theater work has become more simple, and my on-camera work has become more energized or more spontaneous.
Quite often, while I'm getting up in the morning, I think my warranty is running out on these body parts because it's not working quite the way it used to.
I think the situation in Toronto is such that there are funding organizations which make it easy for a film to raise more money than it needs and very often that works against a film.
I do think novels are overlooked. I did write one some years ago that I think is quite good, called 'The End of the Story,' not to blow my own horn.
My older son who is, I think, here tonight, is forty-one years old. Which is odd because so am I.
I think, in my life, there've been three times I've broken down into tears on a set because I was happy.
I've always been worried about the band but I've got to the point now where I think it's time to start thinking about myself a bit more.
For me, there's no dichotomy between being shy or a performer, because I think it's more a way of slightly presenting a version of things to the world.
