I listen to music to when I'm feeling a certain way or to make myself feel a certain way. So why not make my own music inspired by true emotions?
I did feel when my mother died if anyone was going to haunt me it would be her. And she hasn't, so I think it is possibly the end.
Although I've watched myself making the transition from being a girl to being a woman, I still feel 15 years old. My reflection disagrees.
I need both to feel good: the energy of the city and the quietness of the country.
I have the right to protect myself. I feel like I have very good aim. My wife is better.
I see so many activists... who are artists because they feel that they have the power of communication.
I feel like there are a lot of positives in my swing. I'm really going to work around the rhythm of my swing, being able to keep my rhythm and being more consistent. Consistency is what I'm looking for, performance-wise.
I know I'd feel emotional if one of my favorite bands was going out.
I always knew that St. Jude was an amazing organization but meeting the kids and seeing how the hospital works first hand was truly beautiful. It doesn't feel like a regular hospital all dreary and sad. It's a colorful, beautiful, comfortable, fun place to live and the energy is wonderful.
Let's be very clear: Strong men - men who are truly role models - don't need to put down women to make themselves feel powerful. People who are truly strong lift others up. People who are truly powerful bring others together.
A lot of advertising has gotten worse. I think it's kind of lost its nerve, to be honest with you. I feel like the advertising of the '60s, they were nervier. You know why? Because there was less at stake.
What I do for a living means that people look at me. As an actress, you are scrutinized. You are not just dealing with your looks privately, you are on display. I have never been 100 percent comfortable in my own skin. I go through different phases. But I don't feel beautiful all the time, no.
When you get to your mid-20s, you start to feel responsibilities for the things that you do and the people around you. It's a cool age.
When you move to New York, especially, you feel like you need to be something.
We feel really lucky at Disney to work with a great stable of artists.
I love the royal family. I even got up in the middle of the night to watch Kate and William's wedding. And I never miss the Queen's speech on Christmas Day. I feel it's my duty as an English-born woman to watch.
Well, I do feel that I carry the responsibility of representing my country wherever I am, and this responsibility came with the success that I had in last couple of years, not just myself but the whole group of tennis players that comes from Serbia. And athletes in general are, in this moment, the biggest ambassadors that our country has.
I love writing on trains. The joy of being a writer is it's all in your head; you don't need materials apart from the laptop. It's like taking your work home with you, so you can feel grounded in your own insane writerly realities wherever you are.
You know what? I've won the Tour de France, and now I feel ready to talk about it.
People who feel under-appreciated sometimes make desperate moves.
Sometimes you feel uncomfortable taking a photograph, but that's all part of the job.
I exercise every morning, no matter what. Sometimes it's tough to do right when you get off the plane, but after ten minutes you start sweating, and you always feel better.
If you feel like it's difficult to change, you will probably have a harder time succeeding.
The radio was my big influence. Comedy came from the instinctual feel I had for language.
There are women who can make you feel more with their bodies and their souls, but these are the exact women who will turn the knife into you right in front of the crowd. Of course, I expect this, but the knife still cuts.
If I'm slimmer, I feel better about myself, but I don't lose weight for anybody else or for a magazine.
I love working if it's with people who are capable of having a good time. People with a little bit of enjoyment of what they do. If it's enormous pressure, and people feel that their lives are at stake, then it's agony. So I try to pick projects where I feel like I'm going to avoid those traps.
In a way, novel writing is such a permanently student lifestyle. When it comes to movies, and you have to go to these meetings and try and impress people and get money out of them, I feel as though I'm playacting at being somebody who's grown up.
Magic to me is you make a movie and it's all great and it clicks, and at the end of the day you feel like you're having an experience that is positive and that you're learning from.
I feel like now is great time for a rom-com because the genre is sort of being opened up to being told by people that look different from each other or who have different orientations.
I don't feel any connection to Russia.
Some people like to purge out a draft and just let it go and then go back and fix it, but I'm a writer-rewriter. I can't move on until I feel like it's presentable.
I feel like part of me will die when John Goodman dies.
To me, blues is more of a feel and a vibe, rather than sitting there and saying, 'Well, I'm gonna play bluesy now.'
I don't think I realized right away that I was switching from being a fan into being a performer. I've always tried to maintain that duality, because I think fandom is a way of being porous and curious, but it did feel like a step forward.
You can feel yourself trying too hard, doing too much. Nobody wants to watch somebody when they're needy, and actors are in the unfortunate position of needing to be cast and needing to be liked.
