Zitat des Tages von Carrie Brownstein:
Rock Band is more like Stairmaster than it is like rock 'n' roll - it's the same steps with different degrees of difficulty.
It turns out I'm not very good at working with a traditional boss.
For a while I had somebody that came to clean my house that turned out to be in a band that I really loved.
Well, in some ways I had sort of the opposite experience of other people that are sort of dreaming of being in a rock band. I was dreaming of like corporate lunches and just like, and I'm not really joking. Like the whole idea to me was really appealing.
Rihanna has guts and she always seems to be singing from someplace honest, dark and fierce.
I associate Taylor Swift with some pretty kinky stuff.
I grew up outside of Seattle and have lived here my whole life, and I think that there is a culture of questioning and guilt. Almost an 'anti-ambition.'
I don't think I would live outside of the Northwest. I think the quality of life in Portland is really good. People move from intense, high-powered jobs, and move to Portland, work half as much and live twice as good.
I think hip-hop does a very good job of infusing comedy and humor and wit into music, a lot more than other genres.
The game Rock Band has been haunting me like a bad ring tone. It gets stuck in my head and momentarily effaces all that I love about music.
Music was a means through which I could meet people and sort of begin the process of exploring who I was or who I could be.
I love James Baldwin's autobiographical writing.
I read a lot; fiction and non-fiction are the mediums I find most edifying and inspiring. I watch movies and listen to music and take lots and lots of walks. Nature is a nice reset button for me, it's how I get a lot of thinking done.
I will say, as a woman, when you put a mustache on, you find out a lot of things about yourself.
I think that half of us feel fraudulent in our lives anyway. There's that strange disconnect of not really knowing what we're doing sometimes, or why it matters. It's our existential crisis.
So many things can be filtered through fandom - joy, compassion, love.
Music has always been my constant, my salvation. It's cliche to write that, but it's true.
I'm pretty horrible at relationships and haven't been in many long-term ones. Leaving and moving on - returning to a familiar sense of self-reliance and autonomy - is what I know; that feeling is as comfortable and comforting as it might be for a different kind of person to stay.
There was a clarity to the Nineties. It was pre-9/11, before that anxiety kicked in that exists right now about the financial crisis or terrorism. We were all just going to move forward into the millennium and everything was always going to get better. Then, whoops, that didn't happen.
I wrote so much about fandom and participation for NPR that I eventually realized my most fertile way of participating in music is to actually play it, at least in a way that made the most sense to me.
I've been trying to immerse myself in the narratives of other people. I try to not isolate myself as much. It is really hard. People that are sensitive, you just feel too porous sometimes. There's this inertia that sets in, and it's hard to get out of bed. I think knowing that other people go through it is really reassuring.
I was always drawn to performing. I took improv and acting classes during the summers and was involved in middle and high school plays. But when I discovered indie and punk music in high school, those things sort of took over.
I think one of the scariest things about depression is that it exists along with the happiness and the joy, and it kind of plays with it and sucks the color from it.
Nutty fans are fine with me, as I have no known nut allergy. In general, though, it's best to carry an EpiPen to deal with outbreaks of fan nuttiness.
I think that there is something about the ritual of making things more difficult that people find meaning in.
One of my earliest childhood memories is my father taking me in the evening to Samena Swim & Recreation Club in Bellevue.
I get mad at myself when I get news from Twitter before I get it from a regular news source. Then I'm off to a bad start: getting the second-hand, filtered experience all day long.
With Sleater-Kinney, we did a lot of improvisation in our live shows, and even our process of songwriting involved bringing in disparate parts and putting them together to form something cohesive.
My sister's great. She's very bright; she's very private.
I am a horrible visual artist. I can't fix a car, sew, knit, cook, etc. Statistically, there is more I don't do than do.
I feel like I came in comedy's side door, and still feel very fraudulent in many ways.
With Portlandia, I don't think our intention is always to find something funny. Sometimes the humor comes from taking something really seriously. We're okay with making somebody feel uncomfortable or uneasy.
Over the years, music put a weapon in my hand and words in my mouth, it backed me up and shielded me, it shook me and scared me and showed me the way; music opened me up to living and being and feeling.
When my father came out to his mom, my grandmother said, 'You waited for your father to die; why couldn't you have waited for me to die?' I knew then that I never want to contribute to the corrosiveness of wanting someone to stay hidden.
With Rock Band, you can play along to Black Sabbath or Nirvana and possibly find new ways of appreciating their artistry by being allowed to perform parallel to it. Rock Band puts you inside the guts of a song.
That's so rare in the world of TV or film to have a genuine friendship turn into something that people watch, that people relate to. That's so unique.