The millennial generation wants to express every feeling to feel like you're connected to it, and there's something very dark about tragedy that people are drawn to.
The joy of YouTube is that you can create content about anything you feel passionate about, however silly the subject matter.
I come from a folk tradition where you just dance however you feel comfortable.
In Sweden, there's a lot of talk of gender equality. That discussion isn't as prevalent in the U.S. I feel that successful American women are tougher than Swedish women - they create their space.
It's a rare thing when you read a role and have this immediate ownership over it, you have this take and this connection, and it's not even that you feel that you're gonna do a good job, it's that you feel like you've found it. It fits, it's natural; it's like putting on a good shoe or something.
Some people feel stronger in their 30s. I'm 34. I've noticed I do feel stronger now than when I was 24. But I'm also more sore in the mornings. If I have a bump or a bruise from practice, it takes me a little bit more than just an ice bath to get rid of it. At the end of the week, my body's ready for a day off.
Women have said the most malicious, disgusting things about me. But I know that when somebody comments about you, good or bad, it is 99 percent of the time their projection of how they feel about themselves.
Watching a film should feel like you just tore a hole out of the air and the void caught fire.
French pharmacies probably feel like CVS to French people, but to me, they feel like a real-life version of 'Willy Wonka & the Chocolate Factory.'
To my mum, I owe security in a very insecure young life. We lived in about 10 different places because of my father's chequered career, and she always made me feel a sense of consistency and security. I was a well-mothered boy.
No matter how dark things may get in a story, I feel it's the responsibility of the storyteller to leave the audience with at least a shred of hope.
I think every album you have, especially if it's done well, you feel like you're competing with yourself.
When I'm in the studio, I like to be in there by myself because if I'm in the mike room, and I look out and see people talking, or they're not nodding their head or rocking to the music, it makes me feel like it don't sound good, or I'll be scared to really open up vocally because I might mess up, and they might be in there laughing.
Limitations are something that I latch onto - like working in genre, or if you're writing TV, there are act breaks, there's a length of time it's supposed to be. The restrictions of budget and sets can be really useful. When you can have everything, it's very hard to make things feel real and lived in.
I feel like music is sort of therapy for myself.
I watched a couple of films I was in and thought, 'Those are pretty close to what we wanted them to be. I feel actually weirdly OK with it all. I can still see flaws in what I'm doing, but I think I delivered. I think I improved the film with my presence.'
I don't see myself in the ring as a high flyer or brawler or technical guy, but I feel I can do everything, work with everybody, and bring out the best in different people.
Some people with blogs are never going to get famous, and they've been doing it for, like, over a year. I feel bad for them.
I feel that Italy's a country that's constantly looking out and constantly following what's happening in other cultural centers. What is being written in America, what is being published in England, what is being published in France. It's a culture that's always wanting to absorb and inform itself of other works, other writers, etc., etc.
I feel like every conversation with my father is like an M. Night Shyamalan movie; 90 minutes of build-up to no payoff.
I feel like my comedy voice is to take the news and everything that's happening and put a funny spin on it or to pick out the things I find funny about it.
A lot of people say about 'Gossip Girl,' 'Well, how do you feel about gossip?' Well, who really likes gossip? No one likes to be talked about if it's not flattering or a compliment.
I'll admit a little something: If I go to one of those hotels where there's, like, a $50 omelet, I'm taking the silverware home with me. I'm not saying it's right. I just feel like it's an unspoken agreement where the mug and the silverware are just part of the deal.
Hamp would ask me about tempos in the band: 'Jacquet,' he'd say, 'knock off that tempo.' A lot of jazz musicians didn't prefer to play for dancers, which was their loss, really. But good jazz has always had that dance feel.
I won't call my work entertainment. It's exploring. It's asking questions of people, constantly. 'How much do you feel? How much do you know? Are you aware of this? Can you cope with this?' A good movie will ask you questions you don't already know the answers to. Why would I want to make a film about something I already understand?
It's different being a director. I suppose, especially if it's a story you've written and you feel compelled to tell, in some ways it's a lot easier than acting because you're orchestrating the piece. As an actor, sometimes you're trying to second-guess what people want.
Let's get one thing straight: I am not an adrenaline junkie. Just because you cover conflict doesn't mean you thrive on adrenaline. It means you have a purpose, and you feel it is very important for people back home to see what is happening on the front line, especially if we are sending American soldiers there.
I think in society we tend to put ourselves in boxes and corners and restrict ourselves, and we constantly feel the need to not say this or not wear this.
We all want to feel spiritually vigorous, and we hurt when we don't. This pain is intensified for people who lead church ministries.
When fear makes your choices for you, no security measures on earth will keep the things you dread from finding you. But if you can avoid avoidance - if you can choose to embrace experiences out of passion, enthusiasm, and a readiness to feel whatever arises - then nothing, nothing in all this dangerous world, can keep you from being safe.
I don't have the feeling that I need to add a lot to my collection, because I have an incredibly wide range of things. This is a part of the secret of my things, that they are still valid. When I feel a need, I do something more.
I find it very endearing when a girl is dorky because it takes a very brave person to act that way in front of people. And in every girl that I've been attracted to, I recognize the dorkiness about her because I think I have some in me. That makes me feel a lot more comfortable with her.
The mist was so challenging and the winds hit me, definitely more than I expected. It was definitely those winds, you can't re-enact them, you can't recreate them. Then my forearms started to tense up and you feel like running.
Rules like 'don't wear white after Labor Day' or 'shoes matching the handbag' are antiquated. Modern women should feel free to experiment.
Dividers seek to make themselves look or feel better by making others feel worse. They damage relationships, fracture teams and organizations, and create havoc in people's lives.
When I'm not working, I go for runs. I live around many parks, so it's nice to feel like you're not surrounded by the city.
