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I think plays, like books, are endemic. They grow out of the soil of the writer and the place he's writing about. I think, you just can't move them about, you know.
It's good to have a foothold in reality, a base somewhere that's always been a base. Sharman Macdonald once said she needs life to write; she can't write if she's just in theatre all the time. I'm the same way, I think. I've always felt that if my life was all about the job, I wouldn't be so good at the job.
For so long, I have been an outsider because of my size. And I think that fashion has always, in some way, catered to celebrities or to a thinner idealistic model.
Kids still can be said to live in their own little world. Even if their parents are helicoptering around them, assigning play dates and so forth, I think they're still living in some sense of their own little perceptual worlds.
I think about what I say. I don't give stock answers. I'm not trying to cultivate an image with the public, like several of the top players do.
When I think about the books I've written, it probably takes 150,000-200,000 words to get a 50,000 page book. Highlighting something and hitting Cmd-X is second nature.
I think the writing of literature should give pleasure. What else should it be about? It is not nuclear physics. It actually has to give pleasure or it is worth nothing.
I'll talk all this craziness in my music, but when I have your attention, and you're listening to me, I'll talk about what I want to talk about and what I think we need to address.
I always wrote about things that were important to me. I think our past success showed that it was also important for a lot of others.
