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I've got actor friends who didn't get breaks, who struggle and worry about things that I'm fortunate not to have to worry about.
At first I probably seem very abrupt, but I like efficiency. There's work and there's play, and I always think: 'Let's get the work over with so we can thoroughly enjoy the play.'
At first, I didn't want to do unicorns. The artist in me said no. Then I thought, 'Wait a minute: this is commercial art. Let's do what's going to sell.'
I sometimes get accused of being 'faux-naive,' but for me, it's really just about getting down to the basics of something.
Audacity is central to everything I do. A lot of times I think my work is about just seeing if I can get away with it.
The great thing about stage is that you have more control. The stage is yours. The time is yours. Film is really the editor's medium.
I have to work at tunes to get them to come out. Sometimes I'll sit there for four or five hours and get absolutely nothing.
The thing that I really love about film is that it is with you forever - it goes to your children, and they get to see it again and again and have it forever.
You hear about these shows where there are all these women are supposedly always in a catfight, and then you find out in reality that they're all getting along fine.
