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I love curves; I'm all about curves. I don't have many, which is really sad, but I think the more the better.
I am really conscious about what I wear and how I look. I am glad that media has acknowledged this. Over the years, I have really groomed myself.
English food writer Elizabeth David, cook and author Richard Olney and the owner of Domaine Tempier Lulu Peyraud have all really inspired the way I think about food.
Most of us, I think, are conscious of history swirling around outside the door, but when we're in the house, we're usually not dealing with history. We're not thinking about history.
I think once you've finished a movie you really have to detach from it so that you can come back and watch it as an audience member.
I like to write about women, not so much about the way they relate to men, but about the way they relate to each other. And I don't think anyone's really doing it.
On 'Swingtown,' I think that's when I was able to blend the character-slash-leading lady roles, and that's what I'm doing on 'Once Upon a Time' as well. She's a leading lady, but she's also this character.
I think I have stopped being nervous about the outcome of a film. The five consecutive flops in 1997 and the five consecutive hits in 1999 have mellowed me in many ways.
One Moment in Time because I think it describes me as a person and how I felt about being on the show.
