There are always going to be hospital dramas because if you're sitting in an emergency room for two hours, I guarantee you you are going to see something that makes you gasp. That's where drama comes from.
It only takes a room of Americans for the English and Australians to realise how much we have in common.
I am aware that one should always make room for renewal in politics. A democracy is the healthier for the turnover of the depth of talent there is in its community.
Sometimes I think my writing sounds like I walked out of the room and left the typewriter running.
I like films that are well-written and concise and with not a lot of room for improvisation.
I would try to promote something that I loved, and the entire interview would be about my personal life. I would leave a room feeling defeated, feeling embarrassed, but I would always make sure to put that smile on my face because I wasn't going to let them get to me.
I know what not being able to pay your bills feels like real well... I know that way better than a room full of beautiful people and Tony awards and Grammy awards.
There's room for boys' and girls' football in the world-that's what I believe.
Being a songwriter does not rely on an audience or other band members or a camera. I can just sit in a room and write songs.
All you're trying to do in an improvisation is get as much material as possible for the editing room.
I spend around two and half hours on the track every day running and another 2 hours in the weight room lifting weights with my strength coach.
I think anything we do outside of Gym Class Heroes still falls under the Gym Class Heroes umbrella. There's really no method to the madness. With Gym Class, it's more of a democratic process, and when I'm working on solo stuff, it's just me, either working with producers or sitting in a room by myself. They balance and complement each other.
I never go back and listen to the recorded document. The thrill comes when the balance can be attained. Everyone in the room can have a shared, communal rock experience.
What do I do when we're not taping? Sit in a dark room and refine my plans for someday ruling Earth from a blimp. And chess.
I like causing trouble. It's the teddy boy in me. I used to be a teddy boy. Feeling slightly inferior and wanting to cause a bit of bother and get some action going on in the room rather than get bored stiff. Does that make sense?
I loved being on the set with my stepfather. I loved the magic of movies. I went on the set of 'The Mod Squad' - I mean, can you imagine? Just walking into a living room and then walking behind the living room, and it's just flat. There's nothing I love more than being on a sound stage.
I still like to sit in a room and play games all day, so I'm a kid, really.
I've always been shy, but I see that as a good thing because it kept me focused on music. When I was in seventh grade, I asked my parents for a mobile recording system for Christmas, and I got it. I didn't come out of my room for years after that. I'd get invited to the movies and I'd say, 'I'm gonna finish a couple of demos.'
You can get help from teachers, but you are going to have to learn a lot by yourself, sitting alone in a room.
In Tehran, the 444 days of the Iran Hostage Crisis was the first world event in which you could literally have live events beamed into your living room. Now, every world event plays out on its own, and as a media event.
Eventually I got the call for 'Iron Man,' and I read sides that had nothing to do with what I did in the movie, and I performed it once while no one was in the room - it was videotaped, and I'm sure Shane Black was watching it from his helicopter or something. And then I got a call the next day that I was going down to shoot it.
What we're seeing early on is Democrats rallying around Al Gore, Republicans rallying around George Bush and the difficulty of anybody else to get any room in the race.
I know, for me, that I have always been very conscious of how I dress when I go to the studio, I'm very conscious of my body language when I'm working - a lot of times, I'm the only female in the room. It's a very male-dominated profession. I'm always around guys. Guys are going to try you all day, and they're going to flirt all day.
I try to work out with my personal trainer for an hour, four times a week - we mainly concentrate on weights and running. If I'm on the road I sometimes do DVD work-outs in my hotel room - P90X and Insanity are a couple of my favourites.
Without the aid of prejudice and custom, I should not be able to find my way across the room.
I prefer to leave a little room in my bag to grab goodies when I'm travelling, but otherwise you need one good pair of shoes that can be worn day or night, a pair of black jeans, and a nice dress.
The thing with sculpture is, 90% of the time, when I pass a piece of sculpture, it's in public or somewhere, and it's just, how inconvenient that that's there. It takes up so much room, and it's so oppressive.
My sister and I had resolved never to become teachers because the job seemed to demand so much. My mother always seemed to be working. Our dining room table was cluttered with papers waiting to be read and graded.
I wake up every day thinking, 'I just can't do it anymore.' There's nothing left to say, and I'm completely dry. And then I get in the room with somebody and they say the right thing, and I'm on again.
I come from a political family. My father was a freedom fighter. He was a prominent leader of the locality and member of the Congress party. He spent 10 years in British prisons. In the evening, in our living room, the only subject we used to discuss was politics. So politics was not unfamiliar to me.
There were some things that I found I really enjoyed singing about; like, on the title track, there's this film-noir character of a woman who's sort of losing it in a room.
When we were making KONG, I went into the sound room and made an aria of horror sounds. I was in charge of it; there was no one there to listen to me. I was totally in charge of what I wanted to do.
I don't spend a lot of time thinking of what they'll do musically, I try to imagine being locked into a windowless room with this person for twelve hours at a time. If you can look at that and think it might be fun then maybe you've got the right musician.
A room full of great sportsmen is so much better than a room full of actors.
I talk to myself. It's my worst habit. I often muse aloud, or, when people drive me crazy, I curse them aloud. I might do a ranting monologue about how pissed off I am about them, occasionally forgetting that they might still be in the room; now, that's weird!
Even before it opened its retail arm, Beigh was renowned among pashmina cognoscenti for the quality and complexity of the work produced in its workshop, a large, airy, sunlit rectangle of a room directly across from its second-floor shop.
