Bearbeitung / Editing Erhalten / Get Improvisation Material Möglich / Possible Raum bearbeiten / Editing Room Sie / You Versuchen / Trying Viel / Much Zimmer / Room
What you write on the page has nothing to do with when you're on set. When you're on set, it has nothing to do with when you're in the editing room. And when you're in the editing room, it has nothing to do with the final movie. You just have to let it go.
You've got to bring it. You've got to make sure people feel the energy you're trying to bring to the game.
I try to be cognisant of when and how and what I eat and get as much rest as I possibly can, as that helps the vocal cords.
The thing about improvisation is that it's not about what you say. It's listening to what other people say. It's about what you hear.
I'm developing some other things in other genres, including one dramatic piece. So, anything's possible.
Sometimes when you're editing a movie, you have the thing that you don't expect - which is you make it longer and longer as you go along.
When you're at work, it's about being present and getting as much done as humanly possible.
It's a sort of bloom on a woman. If you have it, you don't need to have anything else; and if you don't have it, it doesn't much matter what else you have.
Directing, I get all kinds of inspiration. It's working with people. It's a lot more fun.
