I have always lived the way I wanted regardless of whether or not it was popular.
'Hamlet' is obviously a role a lot of actors want to portray or be involved with in some way and that I'd like to be involved in.
All we really have when we pretend to write about the future is the moment in which we are writing. That's why every imagined future obsoletes like an ice cream melting on the way back from the corner store.
I believe things are meant to be. It's the only way I can explain it because I had auditioned before to get on 'The X Factor' and 'Britain's Got Talent,' and I didn't get through - it was literally, 'No!'
I love the idea of something beautiful happening, and then it being abrasively cut into. Because in a way it's similar to switching channels or surfing the web; I like people getting lulled into something and then taking them somewhere else.
I simply can't do one-word message replies: Yes. Ok. No. Sure. Cool. None of these are options for me. I must write something extra. Something personal. I put kisses and emoticons. Emoticons, by the way, are my very best friends. They have removed all the pressure of thinking up something personal to say.
I wanted to be a part of telling women there is no segregation. There is no need to ever not feel beautiful or glamorous. There should be nothing that gets in your way.
Chick flick is not a term used to praise a movie. Nobody says 'it's a great chick flick.' It's a way of being derisive. I'm not clear why it's ok to do it.
I think if you speak to any creative person, there's something so powerful - so intoxicating, if you will - about discovering another voice, another instrument, another way of looking at things, another way of perceiving things.
We're trying to change the whole way our merch is viewed, in terms of just not a bunch of skulls interlaced; you know, every album can look the same, so they're going to be stylized and different.
I can say pretty confidently that I am not the right guy to do a superhero movie, just because I was not a comic book kid. I don't know that mythology, and I don't have it ingrained in me in the way that a lot of these other directors do.
As we mature and grow older we collect a lot of baggage, and a lot of that stuff you collect on life's journey gets in the way of acting. My kids can imagine a character and transform in the blink of an eye. It's so simple for kids, so complex for adults.
Our goal is to reaffirm that government by the people, speaking through their elected representatives, is the best way to keep us free and safe, protect our liberty, and make sure the promise of America exists for the next generation.
I think that art, and making music or comedy, is a way of positing yourself on the map and then trying to find other people out there with you.
Maybe I'm just purely lucky. If I've come up against obstacles I've always found another way around it.
I don't like to talk about things unless I have to. I don't like to talk a scene to death or overanalyze it, especially if I feel like I have some way in on my own.
Being the director - way fancier than 'just' being the writer. People call you 'talent.'
Creating characters is just another way to express a type and put that type to use.
Books and theater were the way I understood the world and also the way I organized my sense of morality, of how to live a good life.
I love the way I look. I'm fine with it. And if my body changes, I'll be fine with that.
The Australian way of affirmative action is setting goals and recognising discrimination and lack of opportunity and deciding to take action and setting some goals and targets. I guess I prefer that language to talking about quotas.
I do believe that power needs to be returned to the states. I think that we've got way too much power in Washington. This is where I'm focused: way too much power in Washington.
Hollywood has a way of making everything seem like an overnight success.
The old way of doing 'good business' was based on the principle, 'the ends justifies the means.' In the future, good business will invoke 'the means justifying the ends.' The E P&L can already serve as an important tool to help this shift in commerce from generating profits with collateral damages to profits with collateral benefits.
I think in London - and I don't wanna offend anybody in America, but this is a real statement - they still have the right approach to making music. In the U.S., people see it as a way to make money; they see it as a means to get out. It's a hustle, which is great - any way you can provide for your family that's legal is fantastic.
You can do crunches all day long, and you abs will indeed get bigger and stronger, but you will never see them. The only way to see the muscles you work so hard for is to lose weight globally - across your entire body.
I'm a humanist. I always believed, even with Cirque du Soliel, that this is my way to contribute to a better world. I believe I'm very privileged, but many people face the reality when they wake up in the morning of not having food or a glass of water. Life's been good to me, and I believe you have to feed the circle of life.
But for me, I thought you made a record, you got on a bus, went out and played your shows and made a lot of money. That was the way it was supposed to go down. But there's a lot more to it than that. There are a lot of early mornings, late nights, a lot of traveling, a lot of being away from home, being away from your family.
My life, in some ways, has been a half-measure. I didn't commit myself all the way to my marriage and family, because I would have given up more. And I didn't go all the way with just being completely selfish. I always wonder where my career would be if I was more selfish.
I'd go to clinics and hear coaches say, 'You block with your helmet. You tackle with your helmet.' I'd say, 'No way! You block with your shoulder. It's a lot stronger blow, and you don't risk nearly as much. Why be stupid?'
I wrote the text of the resignation. I cannot say with precision when, but at the most two weeks before. I wrote it in Latin because something so important you do in Latin. Furthermore, Latin is a language in which I know well how to write in a more appropriate way.
The way that we are going after ageing, I think, is a problem. The modern medical model is basically designed to attack one disease at a time. Independent of all other diseases and independent of the basic process of ageing itself.
The further away we got from 9/11, the more I wanted to find some way to recover. I wanted to talk about the more anonymous corners of the city, because I think it's very important that not all of that anger was turned to revenge.
I took inspiration from 'Fountainhead,' the way in which Ayn Rand conveyed her political philosophy through an immensely popular novel.
I did this film with Russell Crowe called 'The Water Diviner,' which took place just after WWI. It was fascinating because the weapons between WWI and WII were very different. I had to learn how to ride horses in a battle setting. It was important that we rode a certain way.
Probably in 2035 we will pass that mantle on to China. It will be the biggest economy in the world, and it will go way past us and way past India. Given the growth, the size, the opportunities, I don't think there's any other place in the world that can match it.