Man may well have covered over and, so to speak, encrusted the truth with the errors he has loaded onto it, but these errors are local, and universal truth will always show itself.
I suppose I shouldn't go around admitting I speak untruths on the radio.
It is only the young and callow and ignorant that admire rashness. Think before you speak. Know your subject.
I would love to support Hillary for president if she would come out against the travesty in Iraq. But I don't think she can speak out against the occupation because she supports it.
I know some people who never have any difficulties to speak of. The moment I understood your premisses, I felt sure you had a real foundation to hold on.
Scientists in different disciplines don't speak the same language. They publish in different journals. It's like the United Nations: You come together, but no one speaks the same language, so you need some translators.
It's a problem sometimes when you speak to journalists. They quote you, and then they read what they wrote, and then they even explain it. It's dangerous.
Language most shows a man, speak that I may see thee.
Great art speaks a language which every intelligent person can understand. The people who call themselves modernists today speak a different language.
I said to the almond tree, 'Friend, speak to me of God,' and the almond tree blossomed.
I speak truth, not so much as I would, but as much as I dare; and I dare a little more, as I grown older.
When angry count to ten before you speak. If very angry, count to one hundred.
I've always liked texts that you immediately understand. I suppose the playwrights who really speak to me are Edward Bond, Joe Orton and Harold Pinter. I've been in six different Pinter productions - I love the clarity of his language. He has this way of using words - there's a thrill to them.
Painters must speak through paint, not through words.
I do not speak frequently or otherwise to the press.
Sometimes when I'm talking, my words can't keep up with my thoughts. I wonder why we think faster than we speak. Probably so we can think twice.
Maids in India have egos. Big egos. They do not like being spoken to curtly, and they do not like to be abruptly instructed by a woman they do not know. They come with the feeling that they already know everything. So while training them to do things your way, speak gently, and when they do it right, appreciate it.
I do crazy amounts of research. I want this stuff to 'work,' so to speak. I need to be, at least to me, believable - because if I feel - if I cannot invest some element of verisimilitude, the reader is absolutely not going to buy in.
Write to be understood, speak to be heard, read to grow.
It is a fool's prerogative to utter truths that no one else will speak.
But a lot of my training can be done in Aston - a lot of the hard work, so to speak. But a new atmosphere, a new place, and it's good for me because I didn't want to get stuck in one spot, so coming home is good, back and forth, you know, where my roots are.
When I was 18, I left Dublin and moved to Paris. I didn't speak French. I didn't know anyone. I felt like a fish out of water.
A man may speak very well in the House of Commons, and fail very completely in the House of Lords. There are two distinct styles requisite: I intend, in the course of my career, if I have time, to give a specimen of both.
I cannot speak for more than an hour exclusively about poetry. At that point, life itself takes over again.
We are driven by the same fears and the same loves and the same ambitions and the same desires, whatever language we speak.
Words impress me. If a man can speak eloquently and beautifully to me, I just melt on the floor.
Stranger, if you passing meet me and desire to speak to me, why should you not speak to me? And why should I not speak to you?
I'm a middle-aged dad, which means I have no social time or life to speak of, and so I connect with my buddies with my Xbox.
When I speak to students and they ask how much money you can make in art, as if that is a reason to persue it, I tell them to do something else.
Commissions suit me. They set limits. Jean Marais dared me to write play in which he would not speak in the first act, would weep for joy in the second and in the last would fall backward down a flight of stairs.
My buildings don't speak in words but by means of their own spaciousness.
I probably should be a little more cautious with how I speak, and I think my delivery needs to be a little softer.
One of the main things about Cockney is, you speak at twice the speed as Americans. Americans speak very slow.
It is terrible to speak well and be wrong.
Education happens to be something that all people, all cultures, need to embrace. Math, science, the words of the world. To be able to speak and be able to have clarity and to be able to think. Those are the greatest of gifts.
Do people have an idea of who they think I am? Yes, and that's fine with me. My music will speak for itself.
