Zitat des Tages von Neil Gaiman:
I'm a fairly undisciplined writer.
I'll agonize over sentences. Mostly because you're trying to create specific effects with sentences, and because there are a number of different voices in the book.
What I'd love to do is every now and then go, 'Oh my God, I've got this amazing idea for 'Doctor Who.'
My theory on genre is that while there are people out there who believe that genre tells people what to read, actually I believe that genre exists as a marketing tool to tell you what to avoid.
There's a glorious sense of freedom in comedy, just allowing myself to tell jokes, allowing myself to interrupt myself and tell old African folk stories that I made up - or didn't - and Jamaican stories.
My stuff gets published in some countries as fiction and in some countries as fantasy. It's just where they think it will do best in the bookshops.
Great, big, serious novels always get awards. If it's a battle between a great, big, serious novel and a funny novel, the funny novel is doomed.
We all not only could know everything. We do. We just tell ourselves we don't to make it all bearable.
This is a work of fiction. All the characters in it, human and otherwise, are imaginary, excepting only certain of the fairy folk, whom it might be unwise to offend by casting doubts on their existence. Or lack thereof.
So the Comic Book Legal Defense Fund is out there preserving and fighting for, and sometimes winning and sometimes losing, the fight for First Amendment rights in comics and, more generally, for freedom of speech.
The joy of doing 'Sandman' was doing a comic and telling people, 'No, it has an end,' at a time when nobody thought you could actually get to the end and stop doing a comic that people were still buying just because you'd finished.
It is a fool's prerogative to utter truths that no one else will speak.
For me, the glory of my first 25 years as a writer was I could put things off as long as I wanted.
The world always seems brighter when you've just made something that wasn't there before.
Anything that keeps you happy and writing is part of my writing ritual: I like music, so I tend to have it playing in the background. But if I'm interested, I can write in an airport waiting areas.
Partly because I get such astonishingly nice fans.
I started writing when I was about 20, 21 maybe.
Have you ever been in love? Horrible isn't it? It makes you so vulnerable. It opens your chest and it opens up your heart and it means that someone can get inside you and mess you up.
'American Gods' was designed to be, if not open-ended, at least a trilogy kind of shape, so there's definitely one more book, probably another couple of books there to get written.
I lost some time once. It's always in the last place you look for it.
I had started to feel that somewhere in the second half of the 20th century, the idea of page-turning as a good thing had been lost. You were getting books that were the equivalent of absolutely beautifully prepared dishes of food that didn't taste like anything much.
In many ways, it was much, much harder to get the first book contract. The hardest thing probably overall has been learning not to trust people, publicists and so forth, implicitly.
And there never was an apple, in Adam's opinion, that wasn't worth the trouble you got into for eating it.
I'm one of those writers who tends to be really good at making outlines and sticking to them. I'm very good at doing that, but I don't like it. It sort of takes a lot of the fun out.
Is the chemical aftertaste the reason why people eat hot dogs, or is it some kind of bonus?
I like reading. I prefer not reading on my computer, because that makes whatever I am reading feel like work. I do not mind reading on my iPad.
So I went out and bought myself a copy of the Writer and Artist Yearbook, bought lots of magazines and got on the phone and talked to editors about ideas for stories. Pretty soon I found myself hired to do interviews and articles and went off and did them.
I loved writing a book in which, in some ways, it's very, very classical, and in some ways I'm breaking lots of rules about what you can do and what you can't do.
Like some kind of particularly tenacious vampire the short story refuses to die, and seems at this point in time to be a wonderful length for our generation.
A nice, easy place for freedom of speech to be eroded is comics, because comics are a natural target whenever an election comes up.
My guiltiest pleasure is Harry Stephen Keeler. He may have been the greatest bad writer America has ever produced. Or perhaps the worst great writer. I do not know. There are few faults you can accuse him of that he is not guilty of. But I love him.
American Gods is about 200,000 words long, and I'm sure there are words that are simply in there 'cause I like them. I know I couldn't justify each and every one of them.
I was always so relieved that anyone wants to publish anything I've written.
The current total of countries in the world with First Amendments is one. You have guaranteed freedom of speech. Other countries don't have that.
I don't know if proud is the right word, but I am somebody who does not, on the whole, have the highest regard for my own stuff in that when I look all I get to see are the flaws.
Life is always going to be stranger than fiction, because fiction has to be convincing, and life doesn't.