Marriage is becoming sort of fake. It's almost like a handbag. Everybody wants the newest, greatest and latest. It becomes an event, and it's definitely a status symbol in our society. I'm not saying it shouldn't be; it absolutely should be - but you shouldn't be focusing on that.
I did years of summer stock. I sort of only wanted to be an actor. And then at 19, I was funny, and I had some of these bits that I did for friends, and I immediately could get on television.
I listen to all sorts of music, but I'm not musically talented. Everyone expects me to be a good singer or musician, but I really am terrible. I'm a great dancer, though.
There's this whole new grammar Twitter skill set that I do not possess. I'm not a very good person to follow. I never tweet, and when I do, it's about some sort of sporting event that I'm watching.
It's nice to go back and look at the original version of Cyborg in the 1980s, when he was created, and seeing how politically and socially charged they were: it was no holds barred. If DC ever made a return to that social awareness and that sort of context, I'd be super-thrilled to see that.
I've always been a big guy, whether it's been a fat kid, a fat young adult, or a fat adult. I was always sort of... I guess the term would be 'popular.' I never dealt with a lot of name-calling or any of the bullying you'd think a fat kid might have to deal with.
My general sensibility is most certainly comedic. But when I signed with my manager, he said, 'I think you could do dramatic stuff as well.' So, rather than making the choice to do it, I sort of agreed and deferred. By no means does it feel close to home, but I was willing to explore it.
When I was a kid, I wrote to the BBC, and the producers sent me a huge package through the post with 'Doctor Who' scripts. I'd never even seen a script and couldn't believe that they actually wrote this stuff down. It sort of opened a door.
I've always just admired women who were able to navigate through dramatic and comedic waters and sort of do it all.
The model I came up with in 1964 is just the invention of a rather strange sort of medium that looks the same in all directions and produces a kind of refraction that is a little bit more complicated than that of light in glass or water.
I look at Samoa Joe, and I've told him a number of times that I see his stuff at 'NXT' and think to myself, 'Man, I could have a great deal of fun with you.' He's a guy I have sort of enjoyed, and one of those sleeper guys that no one talks about.
I don't see myself as an artist, as a writer. The sort of writing that I do, which is popular fiction, it's work. I have contracts to fulfil, and I have deadlines to meet.
There's all sorts of terrible things that happen around the world. And comedy's one of those few things where you can discuss those things.
In an amusement park, you can go on a roller coaster that carries you up and down, or you can go on another kind of ride that whirls you around in a circle. Similarly, there are different sorts of entertaining experiences in the theater.
My father died from a heart attack. He was the sort of person who wouldn't complain. The symptoms are not heavy - a bit of chest pain, arm strain, or indigestion. People ignore those symptoms because they think it's trivial. Don't feel afraid to come forward.
I tend to sort of over-accessorize, but to feel empowered, I strip it all down and become minimal so that it's almost counterintuitive.
I enjoy countless hundreds pursuing me. I love those who love me the most. I am sort of flattered by men showing attention to me.
I glory in the distinguishing grace of God and will not, by the grace of God, step one inch from my principles or think of adhering to the present fashionable sort of religion.
Hugo Strange is interesting in the sense that he's a master manipulator. He doesn't really engage Batman in any sort of physical way. His weapon is his mind, and he's very incisive and clever: he reads people and sizes them up almost instantly.
There are a lot of historical novelists who do the research about the clothes and maybe even the eating utensils, but they're basically taking modern people and putting them in old drag - it's sort of the 'Gone With the Wind' approach.
Obama supporters pretended that his 2008 campaign was some sort of populist uprising even as Wall Street overwhelmingly supported his candidacy.
There is a very definite Russian heart in me; that never dies. I think you're born and you live your life with it and you die with it. I'm very much an American - my books tend to be about American things, but inside there's that sort of tortured, long-suffering, aching, constantly analysing Russian soul underneath the happy American exterior.
My first job on the radio was writing jokes for a Baltimore DJ called Johnny Walker, who was sort of a '70s era shock jock who all the teenage boys listened to in my school.
I had never written anything. And I had never studied writing. So my motives were pure: I had a great story... a courtroom drama that I sort of fictionalized, and that became 'A Time to Kill.'
Being a director is almost like being another sort of character, but you're out of view.
I feel that nudity is sort of what we do as actors.
By the time you have your protagonist attempting to assassinate the Pope, you've sort of signaled that everything is on the table.
So much of a stand-up's life is doing live radio and having to be funny and quick on the spot with these strangers, and sort of surgical in terms of how funny I can be in three minutes.
I sort of have this feeling about change in general. We can make baby steps on a macro level. We can try to shift policy, voting and changing who's in office. But we can make huge, sweeping changes on a personal level and in your immediate circle, or just the people around you.
I always used to pretend to be different characters - cowboys, that sort of thing. I used to think that the Indians lived over the mountains that I could see out of my bedroom. As I grew up, I started to understand that acting was actually a craft, and there was no question about it, that was exactly what I was going to do.
My background is Indian, so I believe in a spiritual idea that there is another level, another layer or layers, if you will, above us. I believe that there are elements that allow things to be drawn together, a sort of energy.
You don't have to sort of enhance reality. There is nothing stranger than truth.
After working for a while, I realized that acting was only satisfying about 30 percent of what interested me about the filmmaking process. Somewhere around age seventeen, I started to realize that if I'm very particular about the people I work with, then I can have the best sort of master class possible.
On a deeper level, there's a level of privacy that I need in order to work, and if there's been a time when there's been a lot of publicness in my life, it can be a little bit difficult to sort of rebuild that private space.
I'm the sort of person that starts digging a hole and doesn't stop until it's finished.
I think it sort of dawns on you that if you're not gigging constantly you're not actually relevant. You may be relevant to a different part of the media now, to television commissioners and editors, but to a young live-comedy audience you're not, really.
