Zitat des Tages von Daveed Diggs:
Being with a bunch of people who never take a day off means that you're not taking a day off.
I warm up a lot harder for a Clipping show than I ever did for 'Hamilton.'
The fact that I got to do the 'Hamilton' BET Cypher is a totally crazy thing because I've watched the BET Cyphers since it started. I've seen every one. I study them. Because I'm a rapper. It's what you do.
Being on stage, I know my function. I just do the thing.
TV is really about keeping things fresh and making sure you have the most energy possible for these very short spurts of time.
That's the great thing about being a teenager. You think you're a genius.
I think rappers spend a lot of time trying to figure out what is new. 'How can I say this in a way that no one has ever said it before?'
The act of being nice to somebody at Starbucks is actually a huge thing. It's a real change you can effect in somebody's life every day.
I went to Hebrew school but opted out of a bar mitzvah.
I've always been a fan of 'Black-ish.'
I've always been very supported. I've never really been sad. I've just been broke. They are very different things.
As a kid, I was very shy.
I majored in theater. I did plays. But musicals were not my thing.
It wasn't until I got out in the world and started worked professionally when I realized that the people I admired were the ones who had taken the little snippets of what they learned that worked for them - and strung them together in their own technique.
I can jump really high, yeah. I'm proud of that. I'll take it.
I'm aware that not everybody gets that feeling of ease walking through the world that I have.
I have this thing. I can rap really fast. I can rap really, really fast. It's a thing I'm good at and I've trained myself to do; it's a thing I do in the Bay Area.
I think people understand I'm not actually the real Thomas Jefferson.
I have a recognizable silhouette.
I felt so loved and taken care of, and that's a huge part of the reason I'm able to do what I do.
I get excited to create things that don't exist in the same world as 'Hamilton' because that world is really well done and doesn't need me to inform it anymore.
There's this thing about authenticity when you rap, right? Whether or not it's real, it has to feel real.
We're very used to seeing a huge diversity of white people. You never just expect two white people on TV to feel the same way.
At some point, I'll do more McDonald's commercials if I have to.
If you do enough rap shows, you get a pretty good sense of an audience. You start to develop this sense of what a feeling of a room or a group is.
As a kid, you don't have a ton of spaces where you are honored, where what you think is honored and what you say is revered.
I've been sort of gentrification-obsessed. Right before I left Oakland in 2012, I was feeling it. Now I go back sporadically, and the change is drastic.
The tricky thing about fast raps is not really the delivery of them; it's the writing of them, with consonants close enough together that you don't trip up over them.
I sort of have this feeling about change in general. We can make baby steps on a macro level. We can try to shift policy, voting and changing who's in office. But we can make huge, sweeping changes on a personal level and in your immediate circle, or just the people around you.
That's the great thing about how 'SVU' works. They work with so many Broadway actors, they are very used to getting us out in time for the show.
Learning how to get a point across is pretty useful in any situation.
Being an emcee onstage is mostly about crowd control, about monitoring energy levels.
That's what hip-hop is - it's about meeting the music where you are, and then you add on top of that. It's about coming at it with your full self.
Broadway was weird.
I'm from the Bay Area, so I know a lot about granola.
There's no reason for somebody who's good at writing rap to be good at freestyling. They're different parts of your brain. You can develop both skills. I'm a much better writer.