Here's a list of some of the folks who have written Swamp Thing over the years: Alan Moore, Len Wein, Scott Snyder, Brian K Vaughan, Joshua Dysart, Rick Veitch, Grant Morrison, Mark Millar. That's not even a full list, but you see my point - ol' Swampy has had some seriously brilliant people behind the keyboard in his time.
I just thought it made sense to call a book 'Not Garbage,' even though the majority of it was going to be the scraps from people's studios; like newspaper clippings, weird drawings and stuff they might not necessarily show as artists.
There are moments in 'Body Snatchers' that touch the sort of thing that I find scary... like isolation and the inability to trust even familiar things. But - is that a horror movie - or a thriller? I don't really know the difference.
I think a lot of writing, or a lot of young writers, especially, hold themselves back unnecessarily because they're so upset about the idea that they might be sentimental or so concerned about being criticized that way or even being that way that they just shy away from any strong expression or emotion.
For some reason, people find me funny. It's quite hard to define why a thought is funny. It's even harder to define why a person would be funny. It's a word that I can't define at all. But whether I know quite what it is or not, I seem to be it.
The difference between blues, jazz, rock n' roll and rap is that rap stayed poor. Even the white rappers are poor. It's scarier to look at poor people; it makes everyone uncomfortable. Their pain is something that people would like to see swept under the rug.
I don't consider myself a flashy director. A lot of times, people will look and don't even know what I do.
You may never learn the names of any of the people you talk to in a dog park, even after many, many hours spent there with them, and many hours of conversation. But if - knock on wood - anything should ever happen to your dog, these nameless non-strangers will rally, sympathize, offer to help, and hold your hand. I know this from experience.
I was way behind physically in high school. They had weight bars that were about forty-five pounds. I couldn't handle them. Couldn't even put the weights on. It was embarrassing. So I always figured out ways to avoid lifting when I was young.
The thing that fiction can do is look from the inside out rather than from the outside in. Even memoir leaves me somewhat frustrated. I think now we need a poet to uncover what isn't on the surface.
I go four- wheeling in my truck. I also like to fish, cook, do stuff around my house. I even studied fencing for awhile.
I'd rather go to a flea market than just about anything. It's the process I like - the same with getting dressed. If I've got someplace to be, I'll spend more time getting dressed than I spent at the actual event. Sometimes. Even in my own closet, I love to dig and search and find.
Certainly in North Korea, man is always superior to woman. Even the government treats women horribly. What is the slogan? Woman is a flower.
It's a very confusing experience living as a woman in Japan. If your husband is white-collar, the wife is blue. Even if you marry a person of status, the wife inevitably remains a rung below.
The last hundred years have been retinal; even the cubists were. The surrealists tried to free themselves, and earlier so had the dadaists, but unfortunately, these latter were nihilists and didn't produce enough to prove their point, which, by the way, they didn't have to prove - according to their theory.
I learned jazz; that comes from blues. I learned rock; that comes from blues. I learned pop; that comes from blues. Even dance, that comes from blues, with the answer-and-response.
The language 'It's too late' is very unsuitable for most environmental issues. It's too late for the dodo and for people who've starved to death already, but it's not too late to prevent an even bigger crisis. The sooner we act on the environment, the better.
It's a rare thing when you read a role and have this immediate ownership over it, you have this take and this connection, and it's not even that you feel that you're gonna do a good job, it's that you feel like you've found it. It fits, it's natural; it's like putting on a good shoe or something.
To write long pieces - or not even long pieces - to write stuff like the columns of Red Smith and people like that - they're different then what it is today. Everything today is based on x's and o's. Inside baseball, it's all, 'Who's gonna win?' or you're comparing things - it's not as thoughtful as it used to be.
How much is an hour of your time worth? It's worth whatever wage you would get if you spent that hour working. If you work for an hourly rate, this is an easy calculation. Even if you work for a salary and a fixed number of hours, the principle is the same: It's whatever your salary works out to per hour.
The follow your dreams thing is really important because so many people are railroaded into taking other paths by their family, their friends, people who should be supportive going, 'What are you talking about?' Even just seemingly regular career paths, but if it's not what people expect for you they kind of react funny.
My dog has the intellectual capacity of a lime wedge, yet even he possesses an elaborate set of assumptions, based on his ability to control my behavior through a combination of slavish devotion and incessant howling.
Hindi is my mother tongue. Even though I do not get to use it as often, it's still a part of me.
First impressions matter more in basketball than in any other sport, and they can be savored only in person. Players can't hide behind pads or helmets, so we can stare at them, evaluate every move they make: running, jumping, walking, even ogling the cheerleaders. We can see every ripple and tattoo. If they're lazy, we can tell.
My aunt Caroline was really a character. She lived and worked in my grandfather's old house and even wore some of his clothes.
Get yourself into every audition that you can. Even in those for smaller roles, you'll never know when someone may recommend you for a bigger one.
I just think it's quite remarkable that everyone says they want to add more commentary to their news pages. In some ways, I think, 'Well, how is that even possible?' It seems sometimes that that's all that there is.
One thing I loved when I was growing up, you maybe saw one review from a magazine like 'Rolling Stone,' but now there are 150 reviews before an album even comes out. There are so many opinions out there, but the only one that really matters is your own.
I can probably earn more in an hour of writing or even teaching than I could save in a whole week of cooking. Specialization is undeniably a powerful social and economic force. And yet it is also debilitating. It breeds helplessness, dependence, and ignorance and, eventually, it undermines any sense of responsibility.
But I didn't ask to have somebody nose around in my private life. I didn't even ask to be famous. All I asked was to be able to earn a living making people laugh.
For me, I never take a job thinking it's going to grab ratings or that it's even going to be a success. I don't. I just take the job because I love the character. Or I love the script. Maybe I love the director. But whatever I do, I never think about how it will do. That is not in my hands.
Keeping score of old scores and scars, getting even and one-upping, always makes you less than you are.
Fiscal policy is not just, or even not even principally, the purview of the president.
Once you allow yourself to identify with the people in a story, then you might begin to see yourself in that story even if on the surface it's far removed from your situation. This is what I try to tell my students: this is one great thing that literature can do - it can make us identify with situations and people far away.
True, most Americans give lip service to the proposition that even the most exalted among us have their flaws, but we are eager to believe that presidents manage to rise above the limitations that beset the rest of us.
I think Valentine's Day is one of those holidays like New Year's where people develop such high expectations that even if it's a decent day, it doesn't live up, and it's disappointing.
