Zitat des Tages von Chinua Achebe:
Once a novel gets going and I know it is viable, I don't then worry about plot or themes. These things will come in almost automatically because the characters are now pulling the story.
People create stories create people; or rather stories create people create stories.
One of the truest tests of integrity is its blunt refusal to be compromised.
The relationship with my people, the Nigerian people, is very good. My relationship with the rulers has always been problematic.
When I began going to school and learned to read, I encountered stories of other people and other lands.
I liked Yeats! That wild Irishman. I really loved his love of language, his flow. His chaotic ideas seemed to me just the right thing for a poet. Passion! He was always on the right side. He may be wrongheaded, but his heart was always on the right side. He wrote beautiful poetry.
When the British came to Ibo land, for instance, at the beginning of the 20th century, and defeated the men in pitched battles in different places, and set up their administrations, the men surrendered. And it was the women who led the first revolt.
I think back to the old people I knew when I was growing up, and they always seemed larger than life.
My parents were early converts to Christianity in my part of Nigeria. They were not just converts; my father was an evangelist, a religious teacher. He and my mother traveled for thirty-five years to different parts of Igboland, spreading the gospel.
I don't care about age very much.
The only thing we have learnt from experience is that we learn nothing from experience.
People say that if you find water rising up to your ankle, that's the time to do something about it, not when it's around your neck.
I've had trouble now and again in Nigeria because I have spoken up about the mistreatment of factions in the country because of difference in religion. These are things we should put behind us.
The whole idea of a stereotype is to simplify. Instead of going through the problem of all this great diversity - that it's this or maybe that - you have just one large statement; it is this.
Nigeria has had a complicated colonial history. My work has examined that part of our story extensively.
Art is man's constant effort to create for himself a different order of reality from that which is given to him.
There's no lack of writers writing novels in America, about America. Therefore, it seems to me it would be wasteful for me to add to that huge number of people writing here when there are so few people writing about somewhere else.
When old people speak it is not because of the sweetness of words in our mouths; it is because we see something which you do not see.
Nigera is what it is because its leaders are not what they should be.
Stories serve the purpose of consolidating whatever gains people or their leaders have made or imagine they have made in their existing journey thorough the world.
Democracy is not something you put away for ten years, and then in the 11th year you wake up and start practicing again. We have to begin to learn to rule ourselves again.
I think an artist, in my definition of that word, would not be someone who takes sides with the emperor against his powerless subjects. That's different from prescribing a way in which a writer should write.
My position is that serious and good art has always existed to help, to serve, humanity. Not to indict. I don't see how art can be called art if its purpose is to frustrate humanity.
Each of my books is different. Deliberately... I wanted to create my society, my people, in their fullness.
Many writers can't make a living. So to be able to teach how to write is valuable to them. But I don't really know about its value to the student. I don't mean it's useless. But I wouldn't have wanted anyone to teach me how to write.
When suffering knocks at your door and you say there is no seat for him, he tells you not to worry because he has brought his own stool.
Once you allow yourself to identify with the people in a story, then you might begin to see yourself in that story even if on the surface it's far removed from your situation. This is what I try to tell my students: this is one great thing that literature can do - it can make us identify with situations and people far away.
I was a supporter of the desire, in my section of Nigeria, to leave the federation because it was treated very badly with something that was called genocide in those days.
Once you allow yourself to identify with the people in a story, then you might begin to see yourself in that story even if on the surface it's far removed from your situation.
People from different parts of the world can respond to the same story if it says something to them about their own history and their own experience.
The last four or five hundred years of European contact with Africa produced a body of literature that presented Africa in a very bad light and Africans in very lurid terms. The reason for this had to do with the need to justify the slave trade and slavery.