One of the problems in the biotech world is the lack of women in leadership roles, and I'd like to see that change by walking the walk.
Before the show, there's about two or two and a half hours of meet and greets with radio stations, promoters, people who I need to see and thank and talk to to make sure they remember me. And then, I get - out of all that day of talking and smiling and shaking hands and getting photos, I get to sing for two hours.
You can see my decision as either a distinctive factor or as a limitation. I don't feel it is a limitation.
I don't feel real confident expressing myself except when I'm writing. I feel kind of scatterbrained. I can see everything from both sides and that makes it hard to reach conclusions. Writing enables me to clarify things.
When I was a kid, it wasn't very often that I could go to the movies and see an entire movie carried on the shoulders of someone who looked like me.
I tell my students that with a 200-page novel, you are going to write 100 pages that don't make the final cut. See it as an opportunity, although it took me a while to enjoy that 'lost in the woods' feeling.
Most big popcorn movies are 'bad guy does something to good guy, good guy gets revenge on bad guy, sets the world right, and moves on.' And 'Ender's Game' is just not that simple, so it's an exciting challenge. It's a little terrifying, and let's see how audiences respond.
When I see David Attenborough talking about how chimps live, big apes, I just remember my dad and the way he'd look at you. He couldn't speak, but everything else about him was, 'This is us, a family.' Relationships are just as intense as they are for people who can speak. Probably more so.
I am diagnosed with what's called 'REM behavior disorder.' As far as the disorder goes, there's no cure, but it's going pretty well as far as these things go. I see a sleep doctor, take medication, etc.
Promise Keepers was looking for a movement that can actualize the hope of Jesus, the hope that we see. And 'Uprising' was what they were looking for.
There are billions of dollars spent every year on traditional media. The majority of people are spending more time every day on the Internet, especially on mobile. You're starting to see a shift of that spend go to mobile, especially to things like 'Instagram'.
I just always wanted to sit in a casting session and see all of the train wrecks that come in.
The older people that one admires seem to be fearless. They go right out into the world. It's astounding. Maybe they can't see or they can't hear, but they walk out into the street and take life as it comes. They're models of courage, in a strange way.
As far as the creative side of making great, great albums and really trying to go down in history? I don't see that happening lately, you know what I mean? You have a lot of guys is talented, but at the same time, timeless music is more important to me.
I don't see many explosions or ten-car crashes in the course of my life, so I don't put them into my movies. I would love to live in a society where 'My Dinner with Andre' made $100,000,000. Then I would be in the mainstream. I could do that stuff easier than I could do 'Meatballs.'
If you really want to see more work that reflects your values, you have to produce it. You have to be a contributor to the business.
What I've understood is that to be funny is not my job. To see funny is my job.
As kids, we did see the Disney movies and the kids' adventure stories of the day.
I just want people to know you can get through stuff. I hope people can see that in what my life has been and where it is going.
I like to learn the lines and not get any precontrived things in my head about the part. Just get on stage and see what the other actors are doing, and respond to them as honestly as I can.
When you study postpartum depression, there is a very clear understanding that in communities where you see more support, there is less depression.
I can't see where there is anywhere left to move. If you don't have a recount it's hard to receive any more votes.
We're trained to see the world in terms of charismatic organizations and charismatic people. That's who we look to for leadership and change, for transformation. We're awaiting the next J.F.K., the next Martin Luther King, the next Gandhi, the next Nelson Mandela.
The emotions you see when you watch 'Narcos,' they're pretty much my emotions and the way I would react if I were there. It's not something you create; all of us have everything inside ourselves.
Experience teaches that when the will and imagination are in conflict, the imagination usually wins. What we imagine may defeat our reason and make us slaves to what we taste, see, hear, smell, and feel in the mind's eye. The body is indeed the servant of the mind.
Here's the mark that a lot of people miss nowadays. Producers missed. They leave out the heart and soul. And that's what I learned from Sammy Davis, Jr., from Frank Sinatra, is when you went to go see those shows, you got to know them.
I'll be honest with you: before I heard Nicki rapping, I probably wouldn't have thought to rap myself. Just to see a female doing it and being in there with the guys, it was motivation.
I don't think about the gender thing very much. But when I speak at schools, I've had female students say to me afterwards, "I never envisioned myself being a director, since I've never seen women do it." But after seeing me, they can picture themselves directing, so maybe we'll see more female directors.
Sometimes I feel people can move past what they've grown up around and their surroundings while in a place and some people need closure after they've left and then coming back. I've seen it happen with people I knew growing up that hated each other, and then years later you go home and you see them walking down the street and they have babies.
I see myself as a traveller.
Here's the thing, men have to also mature in how they see women, too. Because they need to understand that it's not just about how we look, it's about who we are. And I am going to tell you like this, 'If you can't love me with short hair, and you telling me I got to have long hair to be loved, guess what, I ain't the one for you.'
I wish it was possible to do the work and not have to talk about it, but it is traditional in the theater to go into the village square and bang the drum and say, 'Come see this show, come see this show.'
The way I analyze a script, I don't look at how many days I have off. I see how far they're going to push me. That's just the way I am.
My kitchen in New York City is in the Richard Meier building on Perry Street, so it's ultra-modern: white, glass and transparent. It's 180 square feet, with an induction stove. Everything's hidden, so you don't see the microwave or the fridge.
Actors are programmed to see the worst. If you're talking about an actor's TV series, you say, 'I loved you last night.' And they go, 'What about the week before?' They immediately worry.
It seems that we're heading toward the day that films will be released in all platforms simultaneously, albeit with a cost premium to see it at home. But I hope that theater-going doesn't end - I think that watching movies on the big screen with an audience is still the best format and also an important one for society.
