Zitat des Tages von Conor Oberst:
I enjoy recording and performing, but it's the songwriting that I love most.
There's all body types, but there's just one size.
Screaming is bad for the voice, but it's good for the heart.
Now I believe that lovers should be draped in flowers and laid entwined together on a bed of clover and left there to sleep, left there to dream of their happiness.
I don't really premeditate what I write my songs about; you know, they just kind of happen, and I can't start writing songs to please a certain group of people or propagate a certain message all the time. That's just not how my songwriting works - it just sort of comes out, and the songs are what they are.
The fact that anytime you think you really know something, you're going to find out you're wrong - that is the rule. The moments where you think you have something figured out, those are the exceptions.
I think there's a danger, for me at least, in retreating and going inward and depression. I have to stay diligent against that tendency.
Considering our history, I can think of nothing more American than an immigrant.
I think there's so much about Rasta culture that's interesting. Just the idea of preaching one-ness, that we're all in this together.
Why are you scared to dream of god when it's salvation that you want?
People resist change; if they like something, then they want you to keep doing it over and over - but I think if you like what a particular band or artist does, then you should want to see what they're going to do next.
I like ideas, but I don't like being preached to.
It's human nature to wonder.
You can do a lot to shape the feeling of a song by the way you record it.
In many ways Bright Eyes is really a studio project. We form bands to tour, but it really is - you know, we take the songs and we figure out how to decorate them and it's all in the studio; we build the songs that way.
To outsiders it probably seems like splitting hairs, but to me, Bright Eyes is a simply the collaboration between myself and Mike Mogis and Nate Walcott. What you hear is definitely the sum of all our ideas and represents all three of us. But I still write the songs myself.
No lies, just love.
The one recurring theme in my writing, and in my life in general, is confusion. The fact that anytime you think you really know something, you're going to find out you're wrong - that is the rule. The moments where you think you have something figured out, those are the exceptions.
You can't manufacture inspiration, so a lot of it is still a waiting game for me. There's still a lot of mystery to songwriting. I don't have a method that I can go back to - they either come or they don't.
I would prefer to be a little nervous, because when you stop being nervous is kind of when you stop caring.
I like to feel the burn of the audience's eyes when I'm whispering all my darkest secrets into the microphone.
I've thought about the idea of, 'Can happiness and creativity co-exist?' So much of what I've done, I think, has been based on being dissatisfied or incomplete or lonely. The answer is, 'There isn't an answer, necessarily.'
If there's a criticism of 'Cassadaga' that I agreed with, it's that we left things in the oven too long, that songs were overstuffed, with too many ideas competing for space.
I really just want to be warm yellow light that pours over everyone I love.
When everything is lonely I can be my best friend.
The best feeling I ever get is when I finish a song, and it exists, and it didn't exist before, and now it's there, and it makes me feel a certain way.
I think that, with anything creative, you should have the freedom to experiment, and that experimentation means not feeling totally responsible for how other people perceive it.
I kind of go in waves with reading. Sometimes I read all the time, and sometimes I can't get settled enough to focus.
The first music I ever got into was the '80s alternative bands that my brother listened to, like The Cure and The Smiths and R.E.M. and Fugazi. I can remember specifically saying The Cure was my favorite band back in second grade.
I'm a real music fan, so I listen to all kinds of music all the time. I listen to a lot of what my friends or people I know are listening to. I'm always checking out new bands.
I'm always fascinated when people really fervently believe, because I have such a hard time believing anything. When people have real faith in something, it's fascinating to me. And the fact that so many people, in surveys, so many people say they do. It kind of blows my mind.
I like science fiction. Arthur C. Clarke, Philip K. Dick and Vonnegut, and I really like Margaret Atwood, 'The Handmaid's Tale.' And you know, so much of science fiction has to do with predicting what's to come, so I think that's really interesting.
There's a major underlying idea as you grow up that you need to just save your money and get that affordable housing at the edge of town where you're away from the city where all the crime happens or whatever.
I've cried, and you'd think I'd be better for it, but the sadness just sleeps, and it stays in my spine the rest of my life.
It's glorious to be able to go onto the Internet and hear any kind of music anywhere, from anywhere, and get it instantly. But there's also something glorious about having a record with a sleeve and looking at the artwork, putting it on the turntable and playing it, there's still something romantic to me about that.
They say it's better to bury your sadness in a graveyard or garden that waits for the spring to wake from its sleep and burst into green.