In Hollywood, there's a network of creative executives, and when they hear something is good, it catches fire.
Ninety percent of the time, you're going to hear no. It took me seven years to make 'Once Upon a Time... When We Were Colored.' Nobody wanted to see the movie made. I got the movie made.
There are crimes occurring against senior citizens in this country that are horrendous, that we don't hear about.
I sometimes say that I don't make anything up - obviously that's not true. But I am uninterested in writers who say that everything comes out of the imagination. I would rather be in a room with someone who is telling the story of his life, which may be exaggerated and even have lies in it, but I want to hear the true story, essentially.
Despite what you hear in the news from the Obama administration and the military, our strategy of conducting infrequent airstrikes and re-taking pockets of Iraq and Syria terrain will only help us achieve short-lived tactical victories.
I like to have songs with me that have substance. That's missing from a lot of today's music. You might hear a song with a catchy beat, but what's it about? It's not empowering or helping anyone.
I was surrounded by women and all I would hear is of them complaining about their shoes. Back then, 'comfort' was a dirty word in fashion footwear. This was before fur loafers or sneakers. So, I wanted to create a shoe that was like slipping your foot into a glove - something beautiful, feminine, and sexy at the same time.
I overthink everything. I'm just like, 'Wait, why do they want to hear me?' I start doubting myself. Other times, I'll just get so emotional during a song. Sometimes I'll cry while I'm singing. It's so weird. I'm such a baby.
That's one of the problems with the Zeppelin stuff. It sounds ridiculous on MP3. You can't hear what's there properly.
When I'm writing a song, it gives me more actual pleasure to hear someone else sing it than do it meself.
It's really cool to hear your stuff in things like TV shows. It's a pretty cool feeling to hear what you did in the studio and then to hear it in places like that. It's definitely surreal.
One of the greatest experiences I ever had was listening to a conversation with Joni Mitchell and Wayne Shorter. Just to hear them talking, my mouth was open. They understand each other perfectly, and they make these leaps and jumps because they don't have to explain anything.
But I honestly don't read critics. My dad reads absolutely everything ever written about me. He calls me up to read ecstatic reviews, but I always insist that I can't hear them. If you give value to the good reviews, you have to give value to the criticism.
My mother had an incredibly strong accent - although I couldn't hear it - and she was the main person there, so I'll have learnt to speak English from her.
Let's choose to hear one another out.
I'm literally driving in the middle of the night, and my phone rings, and my manager says, 'How would you like to be the host of the Daily Show?' I get out the car, and I didn't have legs. You know in those movies where there's an explosion? But instead of the sound of the explosion, you hear the silence. That's literally what happened.
Stage actors are usually much more conscious of speaking up and making sure that everyone can hear in the back of the theatre; a film actor probably thinks of that a little less.
As a reporter, going around, you hear stories you can't prove, which means you can't put them in the newspaper. But they're good stories, and I would jot them down thinking maybe one day I could write that as a short story.
When I was 12, I went to boarding school, where I discovered the computer, which meant I no longer had to write something down and get someone to play it, I could just type it into the computer and hear it back.
When the business really works is when we hear clients say, 'I've never had jeans that fit me until I got a pair from Stitch Fix.' We'll also hear, 'I would never have tried this dress on in a store.' It's not just about convenience. They're happier in their clothes.
To me, the noise of a threshing machine is better music than a lot of music I hear nowadays. I took a man's place in the threshing crew when I was only 14 years old.
I've always been a spontaneous singer. And all the stuff that you hear on the end of the songs, what they call the ad libs - that just comes out of my head. That's not thought out at all. I have the verses and the choruses, and then after that it's total improvisation.
Quite often you want to tell somebody your dream, your nightmare. Well, nobody wants to hear about someone else's dream, good or bad; nobody wants to walk around with it. The writer is always tricking the reader into listening to the dream.
There are lots of actors who insist on speaking the lines themselves, and you hear the same thing from directors and the audience, but I don't think it's worth getting het up about. I think it makes more sense to use someone who speaks that country's language: that's what voice actors are for.
Hopefully it will be possible to get all our other albums in American shops one day so if people are interested they can hear it but I'm hoping that people are going to be interested in what we are going to do, not just what we've done.
Honesty lies in understanding our close and necessary relationship with not wanting to hear the truth.
In my experience, divorce takes you out for about 10 years, but you hear people talk about it lightly. The same with depression. You only have to have one good breakdown before you realize you need help. It's pretty frightening.
It seemed like I always did some great hitting in Brooklyn. The field there was close to the stands. Every time I started walking to the plate, I could hear the fans say, 'Here comes that man again. Here comes that man.'
I'm lazy. I don't practice enough. I do other stuff. I'm not a musician's musician, and I don't necessarily know if I want to be. When I hear something and want to work on it, then that's what my project will be.
The word that I constantly hear out of women is 'fear.' It's almost like a background melody. Women have excellent degrees and experience, but we are afraid we aren't good enough because we have such high expectations.
I don't want to steal anybody's story. I very much want to use the stories that I hear to get lost in my mind, to tell a larger story.
I have a lot of artists who I just love to hear their music, and I'm a fan of them.
Success for open source is when the term 'open source' becomes a non-factor in the decision making process, when people hear about Linux and compare it to Windows NT, and they compare it on the feature set and don't have much of an excuse not to use it.
Americans aren't good at accents, but the English are because their accents change. You go five or six blocks and the accent is different, so they are used to hearing different pitches. In America, you gotta travel maybe 10 states before you can really hear a difference.
Predating the Internet and predating videos, you had an active imagination. You would hear sounds and then get mental pictures of what these sounds felt like to you. It engaged you and made you more invested in it. It made you want to get tickets to the show, buy the album, put the poster on the wall. Now it's sensory overload.
I'm learning, but I'm getting better at it because I'm learning how to hear God in worship.
