Global warming has become a new religion. We frequently hear about the number of scientists who support it. But the number is not important: only whether they are correct is important. We don't really know what the actual effect on the global temperature is. There are better ways to spend the money.
My dad got into this group, Commission, with Fred Hammond, and that was my biggest gospel memory. I would hear that all the time, and listening to their voices helped me develop my voice because I would try to emulate them as a kid. It taught me tone, and it gave me a balance.
When the Beatles wrote 'Paperback Writer,' it couldn't have been the same old thing. You can hear so many influences in it, from the blues to Bach, and it's not just verse, chorus, verse, chorus, bridge chorus. They start off singing a cappella, almost like a Bach chorale, and the song goes into this bluesy guitar riff.
Rock will never be dead for me. Do I like a lot of what I hear on rock music radio? No, not for the most part. I'm not a fan of the regurgitated Pearl Jam and Nickelback crap that's the biggest thing in the Midwest. There isn't that big of a market for rock anymore. Every once in a while something happens and you like it.
My biggest influence is rap. It spoke to me, probably because of my upbringing in Christiania. You listen to 'The Chronic' and you can hear that anger and frustration.
At 11, I went to live with my maternal nan and granddad temporarily, after my parents separated, and Nan would let me have a go on her piano. My grandparents were like something out of the Noel Coward play, 'This Happy Breed,' and it was magical to hear them sing music-hall songs.
'Job Killer.' Those are the two words you are most likely to hear uttered by most American CEOs when confronted with proposals to enact family-friendly work policies.
When I hear someone, instantaneously, I'm like, 'Who's singing?' You're giving people so much of yourself, and my voice is the most natural, distinctive tool I have. It's up to me to express myself on a wider scale than just writing vocal melodies and lyrics.
I always used to say I'm definitely not a straight-ahead jazz singer, because then there's people who would hear what I do and say, 'Is it jazz? I don't know...' Whatever it is, it really comes down to creating music that makes people feel something.
You hear again and again that audiences want to see movies that are different, and critics say we make the same thing again and again in Hollywood, then you go and make something different, and you get kicked in the gut for it.
I think it is easier to hear my voice than see myself onscreen, particularly as the years progress. Watching myself onscreen becomes less and less enthralling.
We all know that much of what we hear in life is not really so. Canned laughter and 'sweetened' applause have been TV staples for decades, and all the slamming doors, breaking glass and squealing tires you hear in movies are sound effects.
Every day, I hear a song and I think, 'This would be great to cover on Glee.' I like Led Zeppelin, of course, and Pink Floyd, Alice in Chains.
I'm well in touch with my family, my children. I keep them on my answer phone, so if I want to hear one of their voices, all I have to do is punch it up and it will be there.
When you turn on the TV, you hear bad stuff, all the time.
I thought of my father and felt a deep sorrow that he should no longer be alive, and that I could not go to him and tell him that I had been awarded the Nobel Prize. I knew that no one would have been happier than he to hear this.
I'm fascinated with myself and love hearing the sound of my own voice. I'd like to hear what I have to say. A lot of people don't like being alone because they truly don't like themselves, but I love me.
We have more voices from more points of view on the C-SPAN call-in show than I've heard anywhere else. You can literally tune us in every day and hear it all. You can't control it, and you shouldn't control it.
Once you hear the details of victory, it is hard to distinguish it from a defeat.
Being 90 is not simple, but it's interesting, very interesting. Before I was 90, I could walk, I could see well, I could hear terrific, and now, I can't hear or see or walk.
Don't get me wrong: there are aspects of buying music online that I love. Instantly being able to hear a song the moment it crosses your mind? Where's the downside? However, I do feel for those too young to remember the thrill of going record shopping.
I believe 'love' is very nice to hear, but it's used so much that it's come to a point where it's almost meaningless.
If you look at the map, there's Thrace, Greece, Bulgaria, and there's tiny Gallipoli. It is such a small part of the whole peninsula, and yet you only hear about this little tiny bit.
In the mid-'60s, AM radio, pop radio, was just this incredible thing that played all kinds of music... You could hear Frank Sinatra right into the Yardbirds. The Beatles into Dean Martin. It was this amazing thing, and I miss it, in a way, because music has become so compartmentalized now, but in those days, it was all right in one spot.
Actually, if you listen to the vocals on my grandfather's records, you will hear we sound similar. We both sound kind of dry. We have a dry voice, and we both love harmony - he was a man of harmony, I'm a man of harmony. I think it just runs in our blood.
Like when I'm singing live I can't hear myself. I'm just listening to the rest of the band. To listen to my voice, it doesn't even feel like it's me.
If you are a responsible scientist, you are going to present your new results in a paper, and maybe if, over time, things are established, and it's prime time for the public to hear about it, then you include it in a book.
A young person, or someone who's writing in a different way - in some ways you could say, eventually someone will find them. Eventually someone will hear them. But it's good a lot of young people persevere. Because sometimes you have to send something out a thousand times before anyone recognizes your value.
I think sometimes I write to impress my influences. Whether they're actually acquaintances of mine, people that I think will hear the record or not, I still write - not to imitate my influences - but to write something that would live up to their standards.
I'm so hard on myself. I play these sketches in my computer for friends and they say 'Gee whiz, the vocal's beautiful.' I hear, 'It needs to be better.'
As a fiction writer, all I need is a laptop, and when I'm not teaching, I travel as much as I can, applying for every research grant and overseas gig I hear of, then trying to extend those trips as far as the stipends will go. I love to travel alone.
I'm not one who can get by on six hours sleep night after night. You can see it on my face and hear it in my voice. When working 14-hour days, I have to go home, go to sleep, and wake up in time for crew call. I hate naps. They throw me off the rest of the day.
It's one thing to hear that someone likes your show; it's a completely different thing to have them come take their time and film something with you on a sidewalk.
There's something really powerful when I, for example, hear Bob Marley's 'Exodus' - we know where we're going. We know where we're from.
I love pop music. I listen to it; I think you can hear it in my songwriting and my album. I'd definitely say it's country-pop music, but it's country first.
It gives a fellow an awful shiver to hear the first shovelful of dirt and gravel rattle down upon the coffin; but after it is covered, it falls gently and makes no sound. The feeling of rest is perfect. There's no more nagging, no more pain!
