I really love 'Bridget Jones's Diary' - and I love the book, too. You wonder how it ever got made into a movie. She's supposed to be chubby, and two of the hottest guys ever are straight-up fighting over her?
On 'Whose Line,' we had six, seven, eight scenes per show, so everything was pretty quick. And there's a lot of games that we just got tired of, like 'Hats' and 'World's Worst' and 'Hoedown' and stuff.
Good dreams don't come cheap, you've got to pay for them and If you just dream when you're asleep this is no way for them to come alive... to survive.
I was nervous. I was thinking, 'Gee, he's Ralph Fiennes. What an amazing actor, and I can have this scene with him.' But I enjoyed it, you know. That's what I got into acting to do - to push myself and see if I can do these things.
Just give it everything you've got and bowl as fast as possible.
I got caught up on drugs for a few years, I'm off it, I'm very happy, got two kids and a family and everything. And like I said I'm making the underground music, and keeping it real.
At first I was always cast as the girlfriend. It was a long time before I got to play characters who were people.
Christ, he was paranoid about criticism. I used to say: why doesn't he worry about the team and forget what people are saying? He got Phil Thompson, who was a kid coming through when I was a Liverpool player, to have a go at me. So now I don't talk to him.
I was one of seven, and we took a lot of road trips - long road trips. And this was before iPhones and iPads and DVD players in cars. I remember how novel it was when I got my own Walkman so I could listen to music.
People either think I'm this totally savage, idiot-savant genius guy who's lucked out or they think I'm a super-manipulative crafty businessman, this kind of MBA guy who's spotted a gap in the market and knows how to create a product for it. It's flattering, but I've not got that much of a gameplan.
I'm going to introduce you to a revolutionary thought - you can go slower and get there quicker. And that's to do with flow. As soon as you made it two lanes and brought in the 70 (mph) and 50 (mph), you got there quicker. It meant the flow of the traffic was better, there were less accidents, less deaths, I think that's an important factor.
We had a lot of riots. We came under attack from many of the police departments. It certainly wasn't some publicity thing. I was afraid for many years. We couldn't play in LA for many years. A lot of people got very cynical.
The reflection of the world is blues, that's where that part of the music is at. Then you got this other kind of music that's tryin' to come around.
What you've got to do is recognize that you don't control everything for a start, you've got to play the cards you're dealt, the hand of cards you're dealt, as best you can, and that's what I always seek to do.
My boyfriend keeps telling me I've got to own things. So, first I bought this car. And then he told me I oughta get a house. 'Why a house?' 'Well, you gotta have a place to park the car.'
We are extremely private, and we really got sort of ambushed by the notoriety.
I often find the smaller, independent films are much more rewarding than the bigger stuff, but you do the bigger stuff because it's a business, and you've got to show your face a bit, get yourself around.
Hard work does pay, and you just have to continue to work, and you got two guys, when you're talking about Gary and myself, we have a God-given talent, but we worked at it and we're happy to be where we are today.
Because if you have a strong foundation like we have, then you can build or rebuild anything on it. But if you've got a weak foundation you can't build anything.
For my first gig, I got $75. I could make money being funny, so I pursued it as a career and have turned it into a lucrative business.
I got my first guitar when I was 15, and I just used to fool about with it, more or less, as time went by, though, I got more interested.
By the time I got home at night, my eyes were so chlorinated I saw rings around every light.
We've going to bring back thighs. Enough of these size zeros. Thighs, and back fat, and over-the-belt fat, it's all got to come back again, and we're the ones to do it.
Yes, we've still got more work to do. More work to do for every American still in need of a good job or a raise, paid leave or a decent retirement; for every child who needs a sturdier ladder out of poverty or a world-class education; for everyone who has not yet felt the progress of these past seven and a half years.
In the off season, you work out for two hours a day, and then you got all this other time off. I like doing other stuff. Football obviously isn't going to last a lifetime either, so it's always cool to get in front of a camera, do commercials, and do endorsements for products that you love.
Changing a diaper is a lot like getting a present from your grandmother - you're not sure what you've got but you're pretty sure you're not going to like it.
I got my degree in culinary arts in 1978.
It didn't seem remotely possible. I had no idea how people got those jobs, I didn't know what the steps were, it never even dawned on me. It seemed so outside the realm of possibility.
I got stuff that's going to hurt for the rest of my life.
We've got to keep an eye on the battle that we face - a war on workers. And you see it everywhere. It is the Tea Party. And there's only one way to beat and win that war - the one thing about working people is, we like a good fight.
Anything is possible. I've got a few more miles in me. I'm not going to feel sorry for myself.
I got out of high school, bought a recording studio and started operating it as an engineer and a producer.
We didn't have a garage to rehearse in. We had to aggravate the folks in the house. But I got a chance to play in a beer joint, and that's how it started.
There are many great writers out there and, actually, great scripts. The problem is - and this is what I've always felt, even when I got out of school and started reading scripts - the really smart, character-driven stuff tends to be smaller films, and they just don't get made.
We have to get very militant with some of these employers to say there's no shortcuts, our people have a right to a fair day's wage for a fair day's pay, and we've got to get that done. And that's going to happen.
As the plane got closer to Miami, I had this terrible feeling he was dying. Maybe he was telling me that he was going. I felt anger, panic, despair and helplessness.
