Zitat des Tages von Irvine Welsh:
It's different in Scotland. People who come to readings are more interested in literature as such, but the readership in general is really quite diverse. It's a cliche, but it's said that people who read my books don't read any other books, and you do get that element.
There is a kind of mysticism to writing.
I'm always watching people over a short time frame, putting them in an extreme position. Sometimes you don't see the humanity in a person because the time frame is so short and the circumstance so extreme.
I used to sit on the Circle Line and go 'round and 'round and write.
I think young writers should get other degrees first, social sciences, arts degrees or even business degrees. What you learn is research skills, a necessity because a lot of writing is about trying to find information.
For 'Filth,' we had about 12 producers on the thing. The opening credits go on for months. Most of them are actually financers rather than producers. And the only way that we could raise the budget without interference from a studio was to have a lot of different financers on board.
I tend to read more nonfiction, really, because when I'm writing I don't like to read other fiction.
From 'Trainspotting' to 'Acid House,' I moved from urban realism into fantasy.
There is nothing, really, that I wouldn't write about, and I do write about a lot of grim things.
I'm not really a mainstream novelist!
There's all this stuff that is happening in Edinburgh now, it's a sad attempt to create an Edinburgh society, similar to a London society, a highbrow literature celebrity society.
Every kind of book I've written has been written in a different way. There has not been any set time for writing, any set way, I haven't re-invented the process every time but I almost have.
When I'm not writing, I read loads of fiction, but I've been writing quite constantly lately so I've been reading a lot of nonfiction - philosophy, religion, science, history, social or cultural studies.
'True Detective' was the last show I got crazy about, with its 'Silence of the Lambs'-style landscape and those strip mall badlands of America.
Everybody that writes has their own area of inquiry. And mine has always been kind of, why is it that when life can be so hard and difficult, we compound it by self-sabotage, doing terrible things? That's always been my main area of inquiry, and it does lead you to dark places.
When I started off with Trainspotting, it was the way the characters came to me. That's how they sounded to me. It seemed pretentious to sound any other way. I wasn't making any kind of political statement.
Holy Joy were a cult '80s band led by the wonderful songwriting genius that is Johny Brown.
I just write the stuff I want to at the time, what feels right for me.
Sometimes there's a snobbery among literary types that these people don't really get it, but in a lot of ways they get it more than the literati. There's a culture in the background that they understand and know. They get that deeper level.
I created something that became a phenomenon without becoming a prisoner to it.
It's been a good thing for me to try and understand America.
The first job of a writer is to be honest.
I enjoy the freedom of the blank page.
People should be able to express their culture without getting into all that chauvinistic thing.
Writing is about culture and should be about everything. That's what makes it what it is.
How can you be inspired by Cameron and Miliband? These guys are just drabness personified.
I just want to get on and tell stories.
I grew up in a place where everybody was a storyteller, but nobody wrote. It was that kind of Celtic, storytelling tradition: everybody would have a story at the pub or at parties, even at the clubs and raves.
I come up with a blurb at the beginning, but the book will always be completely different by the time it's finished. They say, 'Where's the book you were going to write?' And I say, 'Forget about it. It doesn't exist.'
People either think I'm this totally savage, idiot-savant genius guy who's lucked out or they think I'm a super-manipulative crafty businessman, this kind of MBA guy who's spotted a gap in the market and knows how to create a product for it. It's flattering, but I've not got that much of a gameplan.
It's very difficult to be objective about yourself and your own circumstances, but one thing I do know about is that I grew up surrounded by storytellers.
I think the silences we have on some issues are inductive of the fact that we need to write about them more, but I think there are some issues you have to write in a sensitive way and in a way that respects the reality of the situation. If you can't do that, you should leave them alone.
What worries me is the professionalism of everything.
I wanted to capture the excitement of house music, almost like a four-four beat, and the best way to do that was to use a language that was rhythmic and performative.
Writers in Britain aren't really celebrities. You become kind of a darling of a small set.
People in Scotland want the parliament but don't give a toss about the elections.