When I did 'The Social Network', David Fincher told me that I managed to make a thankless character pretty awesome. I thought that was really cool because I think he's really cool.
There's no question that the '70s themselves were really wide open. There was just so much being done at that time. Every year, the major studios were commissioning things that they would never touch today or even thought of touching in the 1950s.
I thought I had a handle on my priorities before Elizabeth and I lost our oldest son to stillbirth.
I was too kind of brave and proud to want a dialect coach because I thought that showed weakness in my armor. But then you just learn it's a more efficient way of doing it. A dialect coach is really important because it takes a certain technical responsibility off your shoulders.
Then there is the further question of what is the relationship of thinking to reality. As careful attention shows, thought itself is in an actual process of movement.
I always thought I was sort of awkward and goofy-looking. I'm still kind of gangly.
Sometimes, someone you thought was your adversary is your ally.
I had discovered that I'm much less special than I thought I am. So whatever I find true for myself, other people might also relate to.
I think e-mail is representative of our fast food mentality in the United States, where everything has gotten faster and faster, and we're required to respond to inputs more quickly with less time for thought and reflection. I believe that we need to slow down.
I have always thought you could take the measure of a man by his sports manners - that is to say, the way in which he conducts himself on the playing field, or even over a game of chess or cards.
I had this story that had been banging around in my head and I thought, 'I'll just see if there's anything there.' So I wrote a few chapters of the book that became 'Year of Wonders,' and lucky for me it found its readers.
While I was writing 'The Spare Room,' I thought, 'I'm going to look really bad in this book - there's no redeeming this kind of awful, ugly emotion', and I thought, 'I'm not going to change it. I'll call the character 'Helen' and admit to those feelings.' I think this is a reason why people write.
When I was growing up in Ossining, N.Y., playing pool with the guys, the thought that any one of us might become an actor was as far-fetched as being knighted by the queen of England.
Sometimes I wish I were just magically a size 6 and I never had to give it a single thought.
I was living in Woodstock for a long time, and I thought, I got to get out of here, man.
Quite early on, and certainly since I started writing, I found that philosophical questions occupied me more than any other kind. I hadn't really thought of them as being philosophical questions, but one rapidly comes to an understanding that philosophy's only really about two questions: 'What is true?' and 'What is good?'
If you're a guy, you should get girls flowers all the time. They never get old and you can never get them enough. I'm never disappointed when I get flowers. I always thought guys who don't buy women flowers are such fools. All it takes is one. A little goes a long way with flowers.
I've often thought I'm a short music hall comedian stuck in a leading man's body.
As a heterosexual man, I've never really doubted my sexuality, but I've had men in my life and thought, 'If I was gay, I'd be with him' - you know?
Some of us are born with a weakness for music. As a baby, music would stop whatever thought I was having. If I was worried, it would stop me worrying; if I was crying, it would stop me crying. Music was a healing thing for me.
I'm lucky because my two best friends are from kindergarten so they never thought that it was a big deal that I was in acting; they don't even ever talk about it. They still act all confused, like, 'What's going on?' when we go places and people come up to me.
One day, I went to buy something for my dad at the shops, and I heard a song by Nat King Cole called 'Stardust Melody.' It was like I went into a trance or something. I forgot all about my dad sending me to the shop. When I got home, I explained to him what happened. I thought I was going to get a whipping, but he understood.
I thought all my life that optimists and pessimists pass away the same way, so why be a pessimist?
I always encourage people in the early parts of their career to focus on writing. If you can communicate clearly, if you can articulate a thought, if you can write a great story, then you're going to be successful.
I looked at my daughter's face and thought, it's lovely to be beautiful but better to be healthy.
I seem to be thinking rationally again in the style that is characteristic of scientists. However, this is not entirely a matter of joy, as if someone returned from physical disability to good physical health. One aspect of this is that rationality of thought imposes a limit on a person's concept of his relation to the cosmos.
On more than one occasion, the camera has cut to me after a break as I'm still trying to swallow the last bite of cookie. Those of you who have thought to yourselves, 'That guy talks like he has marbles in his mouth,' should know that they are not marbles, but oatmeal cookies.
I'm not the type of guy to go so deep with the concept songs, but there's deep thought in everything. Maybe it's not just a repetitive hook telling you what the song is about - you have to use your brain a little bit.
I think all these pop cultural media often reflect conversations we're having in the real world at that moment in time. I think one of the big conversations we're having as a culture is we thought we'd solved sexism and racism, and we're realizing more and more that we haven't.
I always thought that the fastest way for me to get ahead and get noticed and to do well was to make my act very accessible. When I first started, I talked about family stuff, my dog, my cat. It was all I knew back then; I wasn't forcing anything, but I wasn't like, 'Hey, don't you hate doing homework?'
My stepfather was a military man: he was in the Air Force. Reserve. You thought he'd seen front-line action, but he was stationed in Cleveland.
Science stands for rational thought, faith for superstition and unreason.
I've been fascinated by the world ever since I read 'Kitchen Confidential' by Anthony Bourdain. I've watched 'Top Chef' and watched interviews with chefs on 'Charlie Rose'... I thought they're really intriguing characters, and they really encapsulate that tension between vision and commerce, art and commerce.
I had a very strange career. I mean I went from playing to 150,000 people in 1983/84. Three or four years later I was playing to four people, you know, in Melbourne. I thought - bit strange, you know bit odd, bit erratic.
I have always thought - and a lot of people won't agree with this - that we're incredibly driven by fear, basically. Aren't we? It's awful to be frightened. I think it's a very strong, very powerful thing, fear.
I knew that 'Next Thing' was an angry album while I was making it. But I thought that it was angry the way that you get in a fight, not angry as a huge life change.
