When you come into the industry as an outsider, you need to have an entrepreneurial spirit to succeed. In Hollywood, it's very clear that you either play by the rules or make up your own. And I wanted to do it my way.
It is not good thinking - either at the corporate level or at the personal level - to believe you can simply walk away from your circumstances.
I was one of the first people in the Palestinian world, in the late 1970s, to say that there is no military option, either for us or for them, and I'm certainly the only well-known Arab who writes these things - and who writes exactly the same things in the Arab press that I say here.
There's so many Chinese or Asian Americans that were either born in another country like I was and raised in America or born in America and raised in America. They're normal Americans, and they just happen to have a different heritage.
When you're supported by millions all over the world, you can either go nuts, or try to feed off the goodwill.
One must never assume that a character is sympathetic because of either the actor playing them or the fact that they're a lead. I think that's a recipe for failure, actually, because if they become unsympathetic, you lose your audience.
Given a chance, I would love to romance Tabu. I wouldn't mind doing a film with Manisha Koirala, either. Or Madhuri Dixit.
People don't call them horror movies, but Hitchcock, for me, is my favorite storyteller. He was really exploring dark themes, and I don't know what category you put his movies in. Thriller? Horror? Some of them go in either one.
My dream job was to work in an ice cream shop. Two weeks and five pounds later, I realized it wasn't for me. For many years, I had planned to be a corporate lawyer. As luck would have it, other than a summer internship, I didn't end up doing that either.
If you look at space companies, they've failed either because they've had a technical solution where success was not a possible outcome, they were unable to attract a critical mass of talent, or they just ran out of money. The finish line is usually a lot further away than you think.
You can't understand European history at all other than through religion, or English literature either if you can't recognise biblical allusions.
I attempt to create a form of seriocomic entertainment to either delight, enlighten, or disgust, whichever you'd like. In terms of making motion pictures, I write and direct and act. I guess you'd say I'm a filmmaker.
Since I stayed in a colony where either one was an engineer or a scientist, everybody thought I would be a scientist. This was the expectation everybody had apart from my parents. Honestly, I, too, wanted to be a scientist. I think it was the way Dad would explain us scientific theories and concepts that made the subject more intriguing.
The Muslim Brotherhood-affiliated media outlets in Egypt tried to sour the ties between our two countries, but our ties are very strong. No negative stance has been taken by either side against the other. Rumors are being spread by the enemies of our two countries. We pay no attention to them.
Either you write songs or you don't. And if you do write songs like I do, I think there's a natural desire to want to make records.
You either like something, or you don't; you won't change your opinion because somebody explains why you should like it.
The man is either mad, or he is making verses.
Vice, by comparison with terrible accidents, has its own peculiar explanation. For, in a way, it does occur in accordance with the rationale of nature, and its occurrence is not, so to speak, useless in relation to the whole world. For otherwise, the good would not exist, either.
Most people are living lives of sort of survival. And constantly posing an existential crisis, either through fantasy or oblivion, really has been pretty much explored in rock and roll. At least in the western version of rock n' roll.
I try not to have actors in mind when I write because the tendency then is to be influenced by either their last performance or your favourite of their performances.
I once wrote that anybody who believes the world is only 6,000 years old is either ignorant, stupid, insane or wicked.
Nothing - and, I repeat, nothing - can affect what you build with sheer hard work. You either wait for people to define your worth or you define it with your own actions. I believe in the latter.
I like to get the body temperature up, the heart rate up. I'll do anywhere from 10 to 25 minutes either on a bike, a rower, a StairMaster, or a combination of the three of those. And then I'll normally run through a 20- to 30-minute session either on the Pilates reformer, the Cadillac, or the Pilates chair.
People that I know, the vast majority, who are successful work really, really hard. Sure, there's some people that either get lucky or inherited it or don't have to work hard for some reason, but the vast majority who are successful work really, really hard.
My husband and I are either going to buy a dog or have a child. We can't decide whether to ruin our carpet or ruin our lives.
Growing up, I missed the whole 'Three Stooges' thing. Either they weren't on the station in my hometown, or we hadn't bought a TV set yet, or they came to town too late for me. I'm pretty sure that at the right age, I would have loved them.
I like the idea of a kind of eternal music, but I didn't want it to be eternally repetitive, either. I wanted it to be eternally changing. So I developed two ideas in that way. 'Discreet Music' was like that, and 'Music for Airports.' What you hear on the recordings is a little part of one of those processes working itself out.
I always think that period between the ages of 18 and 24 is such a bizarre stage, and the two people at either end are always very different.
There's a bunch of plays that I never got to do because I was either too young or too old for the parts, like 'Slow Dance on the Killing Ground' and 'Dutchman.' For 'American Buffalo,' I was the wrong color.
If we have to give up either religion or education, we should give up education.
There are a lot of things that fit on a bumper sticker in terms of either liberty or equality or progress that when made more concrete just don't pan out.
I think that artists, at a certain point, can either become defiant and say that the audience is wrong, readers don't get them, and they're going to keep doing it their own way, or they can listen to the criticism - and not necessarily blindly follow the audience's requests and advice.
Well, the responsibility for maintaining a reliable transmission grid is one that's shared by an awful lot of players who have a role in the grid: Companies that either generate and transmit energy or just play the role of being the transmission systems or monitoring them.
A dress is so great because you can grab a dress, then you either wear it with tights or no tights, depending on what the weather is outside. You can throw a little jacket over it; you can take the jacket off. It's very easy.
I go to Japan every November on vacation, and the one thing I never return home without is yuba, which is the thin skin that forms atop boiling soy milk. You skim it off and either eat it fresh or dry it.
Some journal writers choose to password-protect their site, which is either an incredibly responsible act or a paranoid one.
