I'm not the guy who does slo-mo, or I'm not the guy who does splashing rain or doves flying or anything; that's not me. Every film, I try and make it the way I see it in my head, and it really just depends on the script and the people I'm working with or whatever interests me at that particular time.
I no longer feel attracted to the well-made novel. I want to write the story that will zero in and give you intense, but not connected, moments of experience. I guess that's the way I see life. People remake themselves bit by bit and do things they don't understand.
I've always been a producer - that's how I see myself first. The DJing came second as a way for me to be able to perform.
I don't see a sea change by 2020, but I see migration in the direction of modernization and more flexibility in the generating system going forward.
I see the new Latin artist as a pioneer, opening up doors for others to follow. And when they don't open, we crowbar our way in.
I have photographs taken of me at the time I was addicted, and thought I looked good. I see them today and realize my eyes were dead.
I see no reason to quit. I can't imagine walking away from being Big Bird. I mean, that's an awfully good job that there's not too many of them. So I just want to keep doing it till I can't do it anymore.
I think a lot of us are a lot more cautious with marriage because of what we saw happening with our parents. I see a lot more healthy marriages in my generation than they probably saw in theirs.
The way I see it, the third series of 'Downton Abbey' is all about change and how each character adapts to those changes.
I would say I see myself as a psychiatrist in remission.
When you have Candidate A saying the sky is blue, and Candidate B saying it's a cloudy day, I look outside and I see, well, it's a cloudy day. I should be able to tell my viewers, 'Candidate A is wrong, Candidate B is right,' and not have to say, 'Well, you decide.' Then it would be like I'm an idiot.
Someone once said about me that I talk to everyone the same, no matter what age they are. I don't see kids and adults. I see everyone the same.
I see what other people do and what songwriters don't. They don't get out and take care of themselves. Producers turn themselves into a massive brand. Songwriters tend to be under someone else's umbrella. If you're building your own legacy, it can't be under an umbrella.
I see my body as an instrument, rather than an ornament.
When I see a white piece of paper, I feel I've got to draw. And drawing, for me, is the beginning of everything.
If you are going to be serving a living thing, you have to honor that living thing with some kind of care and thought and preparation to rationalize the taking of that life in some way. Where if you're just grinding up hamburger at McDonald's, I see that as a bit of an affront to living things.
So as I look at transitioning to the communication platforms of the future, I see that the beauty of Internet protocols is you get the separation of the layers between service and technology.
My childhood memories are amazing; I had freedom in every way - but I see everything from a different perspective now that I live outside.
It's not that I bounce ideas off of my children as much as it is that having children has had a profound effect on the way I see the world. They have mined my soul. They've made me a better person and therefore a more empathetic writer.
If I had to look at 'Now He Sings'... from outside myself, I see it as a natural part of the growth of the jazz culture, which I've always been so happy - honored, really - to be a small part of.
One of the biggest things I struggle with is people's opinions. As much as I would like to say that I don't care, I see those comments. And sometimes it affects you more than others, or may completely change your mood.
When I get up in the morning and put on a pink or a green wig, I see myself as a piece of animation. It lets me be the person I want to be, a person who's not embarrassed to have fun.
I'm different, and I have to be a warrior to be that way. But I have had some success; I hope I have touched the lives of some wonderful people, all by being what I see as myself but some others people see as different.
I see people who work on their look and they work on their poster and their website and you know, the music will speak for itself no matter what. So if you put maybe like 95% of your energy on music and 5% on playing out and telling people about it. That's kind of a good equation.
Without Merlin, there would be no Gandalf, so I see them as the same thing, one a continuation of the other.
I'm not an impulse shopper. I will wait three days after I see something. Am I still thinking about it? Then I'll get it.
The way I see it, it doesn't matter what you believe just so you're sincere.
Maybe it's because I look into the future professionally, but I see great possibilities for both humanity and our planet. I don't believe the thriving of one has to come at the expense of the other, and I'm deeply concerned to find out whether other people do think that.
There was a week where I was depressed with the rain, and people were telling me to get a light box. But I live on the 14th floor of an apartment complex, and I see the Broadway Bridge and Mount Hood, and it keeps me such company. And like true Oregonians, I don't carry an umbrella anymore.
I see how the Midwest distrusts the East Coast. The Midwest sees itself as morally superior. The Coast sees itself as intellectually superior. And the two are actually the same thing.
I thought I was okay in my first film, and then I was really, really bad in some films. I really cringe when I see some of my scenes. There's a scene in one film where a dog is biting me; the expressions I have made should be qualified as the most over-acted scene in the history of the cinema. The dog's expressions were more real than mine.
My closest friend, who died not long ago, is buried near Marx's grave in Highgate cemetery, so I see the gaggle of admirers laying roses at the foot of his tombstone regularly. I have never been tempted to leave flowers there myself. Great theories, shame about the practice. Marx did many things. But inventing class was not one of them.
I'm trying to focus on my job as I see it, which is to write the next thing and to remain, to the degree that I ever was, a noticer.
I see myself as a perennial expatriate because, frankly, I don't think I fit comfortably in any conventional form of filmmaking, and I feel at the same time, depending on the project, I fit into many different ones.
I never consider myself a minority. I see people who look like me in Barbados, in Trinidad, in Haiti, in London, and in Brooklyn. So I don't know what the heck anyone means when they call me a 'minority.' There's something about that word to me. It just minimalizes people.
Every season, I absorb everything around m:, the people I see on the street, the discos, the art, the music, and the energy of places from my travels. I mix all of this together, and then I begin to create.
