I love 'Cheers.' I didn't watch it growing up, but I watched it getting ready to do the first season of 'New Girl.' It bowls me over every time I see it. The romance, the comedy, the performances - every bit of it is just so compelling.
I just don't want to live in the past. I'm really disappointed by so many people of my generation who - in order to promote their new work, they have to constantly lean on their past. I don't want to be that type of artist... I see a lot of people out here doing really marginal music.
I wanted to be a bus driver when I was a kid. I look at bus driving through the eyes of a little boy. I see it as glamorous.
I see women as oppressed, but I don't see them as victims; I see them rising all the time. I see them as very strong.
I see a lot of actors that are doing things to please their coaches, their teachers in the past. They say 'No' to parts they should have said 'Yes' to simply because of the opinion of people in their past. I have no one in my past who is judging me and saying, 'Maybe you shouldn't do that.' I'll do it all.
I feel so grateful when I see a movie and there's a woman who looks somewhat like me. I'm like, 'Thank you, Samantha Morton!' You know, a woman who feels like a human being. That means so much to me.
Growing up, I wanted to be a musician. My mother, in typical Filipino-mom fashion, would always make me go up in front of people at parties to sing. Back then, as a kid, I was mortified. In retrospect, I see that doing that as a child helped me get over my fear of being in front of people.
My first novel - the novel I wrote before 'Midnight's Children' - feels, to me, now, very - I mean, I get embarrassed when I see people reading it. You know, there are some people who, bizarrely, like it. Which I'm, you know, I'm happy for.
We are at a crossroads in the music business: with the rise of the internet, the world we live in has changed, and the past is not coming back. But I see the glass as half-full: the internet and social networking are new avenues for the next Bob Dylan to be born on.
Until I see an Arab country, a Muslim country, with a democracy, I won't understand how anyone can have a problem with how they're treated.
Feminism is a lens I see the world through and what I believe in. I don't ever use it as a tool of promotion.
Some people go off to an ashram or they, you know, have a midlife crisis and buy a sports car. For me, I do 'Hedwig,' and I see it's a midlife crisis maybe, and I see what's next. And it's a good trampoline, maybe, into the next part of my life.
I never leave my computer open. That becomes a big OCD thing. If I see people leaving their laptops open, I always close them.
I've tried, in my own life, to speak up when I see harassment occurring. But I want to acknowledge that there are probably situations and instances where I could have done more. I think that's an acknowledgment that all men need to make.
I see myself as a family man.
I don't have TiVo, but I watch a lot of 'Judge Judy' - it makes me happy about my life when I see what the people on that show do.
The role I see for my books is trying to think through the consequences of various things because a lot of the issues around technology and the nuances in it are not usually widely appreciated. That's how I view my writing as I sort of explore this terra incognita ahead of us in an effort to try to understand where we might be heading.
I want a family. I see my sister, and she's on her second baby, and I'm like, 'That's success.' Having a family - I can't wait for that.
I stand and rejoice every time I see a woman ride by on a wheel.
It's like an OCD thing, it's not as much something I enjoy. If I see a chapstick that I've never tried, I have to buy it. And then once that door's been opened, I have to check the whole store to see if there are more chapsticks that I don't have.
I got married at 19 and graduated from a commuter college in Texas that cost $50 a semester. The way I see it, I'm a janitor's daughter who became a public school teacher, a professor, and a United States Senator. America is truly a country of opportunity!
Food brings back memories. I had a mom that wasn't a good cook, so I would eat my grandma's food. It was amazing because it brings back a time almost in Technicolor. I see her house, I see her stove; I think about what it felt like when I was sick, and it felt like love.
It is with great pleasure that I see the political system of almost every power in Europe changing in our favor since the news of our late successes.
I see society as something dangerous, and you have to save yourself from the rules. I think acting is the way I save myself.
For me personally, I'm an activist, so I see a lot of turmoil and heartache in the world and tragedy.
I'm always happy for people when I see God blessing them the way he's blessed me.
I know that what I see in every religious person is not something I want to teach my kids.
On a regular basis I go over in my mind some of the most troublesome things I see about how people approach eating, and the wonder mess we have made out of a very simple thing.
If I see a great performance on television, onstage, in the movies, I go to work the next day with a renewed energy and less fear. These great artists take me out of my life and make me want to go there.
My style is confrontational: when I see evil, I want to remove it right away.
I see fans all the time. They're always very complimentary, and they're always very eager to talk and to share their experiences or get a selfie. They're really, really loyal. And intense.
Usually, when I see films that don't have any score attached to them, I think they're beautiful. I love just the naked sound of the voice. That's already music.
I can no longer walk. I can no longer swim. But I'm lucky when I see how animals suffer.
I see the Calvin Klein girl as strong, fun, and confident.
What I wish to show when I paint is the way I see things with my eyes and in my heart.
I don't see my singing for films as a transition from singing my own songs because I see it as part of the same picture.
