Zitat des Tages von Danai Gurira:
I've always been attracted to action stuff.
I love writing for other actors, women of African descent and people who are generally underrepresented.
I don't care about the quality of the film as a whole, but I loved 'Salt.' I loved it!
I'm all about getting the training. Don't roll out of bed and say, 'I can do this.'
I've always been extremely physically active.
I create fictional narratives, but it's based on literal people.
I went to grad school because I wanted to learn the rules so I would know how to break them. Breaking the rules is saying, 'I'm breaking in, OK? I'm breaking in your very comfortable little house over here, and I'm going to take a room.'
If my work is on the stage, you can be rested assured I'm going to make use of it as a platform for activism as much as possible.
I was in a very multi-racial, multi-cultural schooling system. I had a really delightful childhood. I was a jock. I became a very competitive swimmer in Zimbabwe. I was a swimmer, a tennis player, a hockey player. Then, when I was 13, I joined a Children's Performing Arts workshop in Zimbabwe.
I call myself Zimerican. I was born in the Midwest to Zimbabwean parents. My father was a professor at Grinnell College in Iowa.
I got an M.F.A. in acting from NYU, and part of our training is to learn how to use swords in combat situations in a performance and Shakespeare plays where you have to fight.
I always used to say hybrids would rule the world - people who have an understanding of many cultures and can relate to them with ease. And then along came Obama.
I work with writers whom I believe to be true storytellers. And because I'm a writer, I pay very keen attention to their vision. I find that so fueling creatively because, in telling those stories, you use everything you've got. You come away with battle scars. It's gratifying and invigorating.
I grew up in Harare, Zimbabwe. And I had a pretty idyllic childhood. I felt that I was kind of this outspoken girl, I was considered. I was a girl who talked a lot and didn't think my voice had any less value than anyone around me. Apparently, that was strange.
I never consider myself a minority. I see people who look like me in Barbados, in Trinidad, in Haiti, in London, and in Brooklyn. So I don't know what the heck anyone means when they call me a 'minority.' There's something about that word to me. It just minimalizes people.
I'm not only a person of color, I'm also a woman. And I'm not only a woman, I'm also a woman from the Third World. All those elements put together means I have a lot to do.
I went to Macalester in Minnesota to study social psychology, the study of why people do what they do. I was really looking at race, population, gender, and how we psychologically function in a way that affects our societal outcomes around those issues.
You have to remember that you are part of a craft, and you are constantly building your craft. Ultimately, we are artists, so it comes from us. And I think the tricky thing about being an actor is that we're looking for someone else to give us something... Thinking like an artist and thinking like an out-of-work actor are two different things.
A zombie apocalypse isn't the most jovial situation.
I'm a child of academics.