I love playing different characters all the time, so I'm concentrating on doing other stuff.
I've always been obsessed with bad, awkward television and bad public access. Before YouTube, it was a treat coming across that stuff. When I moved to New York, I used to love watching public access late at night.
I'm the ugly sister. I'm the fat one. I'm the transvestite. I have had those mean things said about me at least twice a day for the last five years. It's horrible, you know? But I can brush that stuff off.
Gory stuff can be shocking but it doesn't really scare me. I'd say the kind of stuff that gets under my skin is the unknown. You hear a knock behind a wall and you don't know what it is. Is there something there or not?
I wanted to be just a normal girl flirting with a normal guy. It's like, you meet people, and they know this stuff about you. It's why you want to meet somebody who's in the same business, only because they understand more. But you don't necessarily want to be with another actor.
For me, writing a historical novel was really hard. I love history as a subject and majored in it in college. I think, in a way, my training made it worse for me because I knew how important it was to focus on document-based analysis, and I really didn't want to get stuff wrong.
I am never happy with what I do, so I try not to watch stuff that is filmed with me in it because I am always like, 'Oh, I could have done that a little bit better,' or, 'I could have done that differently - that riff could have been a little better.'
I've done a lot of period stuff but that's mostly because, in England, we get off on a lot of period stuff, but it's not any kind of particular choice. That's where a lot of the work is.
I'm blessed with three children who actually aren't terribly impressed with pandering to my ego, and one of my children has a bit of a problem with the sex scenes because when she reads the stuff, she hears my voice in her head, and apparently reading a sex scene written by your mother with her describing it is rather off-putting!
I've been around the music business for a long time now, and I've had a lot of chances to do movies. But I didn't really want to do any until I found stuff that started to hit me in the right place.
I like to play the grey areas in life - that's the most uncomfortable place to be. Nobody likes to be in that in-between state where there don't know what's going to happen. There's a lot of tension in that, and a lot of stuff to play with - where it's uncomfortable and awkward and sad and scary.
Many ingredients are called 'earthy,' but none comes as close to fitting the bill as buckwheat. I'm mildly obsessed with the stuff.
Shop often, shop hard, and spend for the best stuff available - logic dictates that you can make delicious food only with delicious ingredients.
Well, there's much more time to do a weekly show, and much more coverage - as it turns out, it was all preparation for the stuff I'm doing now - but it was interesting to see how much time was spent on how little airtime, compared to knocking out a show a day on the soaps.
When I ran for the Senate the first time, I ran against the wealthiest guy in the state of Vermont. He spent a lot on advertising - very ugly stuff. He kept attacking me as a liberal. He didn't use the word 'socialist' at all because everybody in the state knows that I am that.
I grew up listening to so much different pop and stuff other than just aggressive music.
While all the other kids were out playing ball and stuff, I used to stay in my room and imagine that there was a camera in the wall. And I used to really believe that I was putting on a television show and that it was going out to somewhere in the world.
I do crazy amounts of research. I want this stuff to 'work,' so to speak. I need to be, at least to me, believable - because if I feel - if I cannot invest some element of verisimilitude, the reader is absolutely not going to buy in.
I love listening to old school stuff. I listen to some new cats out here, but I'm really into, like, Tech N9ne and his clique; I really like Eminem and those guys - cats that got real flow: I really connect with that. But I do love rock. I love a lot of electronica because I love programming synthesizers.
My fridge is usually pretty empty. If I can get it together to order FreshDirect, I will have some fruit and yogurt in the fridge. But there isn't a ton of stuff you would cook with.
When you get all this stuff on and you put on the guns and the hair, it has an effect on the actor. It tends to lend a certain something to the way you feel as you're just walking around looking that way.
I went to school for about 2 years on a technical course, and I learned a lot. I learned about air mixture ratios and all the stuff; I learned how to draw blood.
I like to do little obsessed losers, or people who are in over their head, or people who are trying to figure stuff out, or guys whose girlfriends leave them and they don't quite get it. Guys who just don't quite get it.
As I get older and maybe a little bit wiser, you realize how much stuff affects your body and what it can do. Cutting out carbs and sweets and trying to eat just proteins and fruits and stuff like that, more natural stuff, is what I have found has had the biggest impact on me.
Baking makes me focus. On weighing the sugar. On sieving the flour. I find it calming and rewarding because, in fairness, it is sort of magic - you start off with all this disparate stuff, such as butter and eggs, and what you end up with is so totally different. And also delicious.
For about seven years. I really like it there. There are a lot of great musicians. The scene is very open. A lot of stuff going on. People's ears are really open, they are not closed. A lot of scenes here, people just get tunnel vision and are into one thing.
I always feel like I wasn't the best trainer, because I'm really good at teaching people stuff, but I'm not good if people aren't super psyched - if they're not like me.
It's really cool to see how many people try to imitate me or wear my stuff. I get a lot of Instagram videos of people doing my entrance. I think that's so cool. To see the variety of people, little girls, guys, doing it. I never really thought that would happen. It's amazing.
My whole musical life has been an educational process, and I'm just furthering my education and filling in the blanks. There's stuff that I want to know that I don't know.
There's this tendency to be like, 'Where's the negative stuff? How valid is the criticism?' But honestly, what people think of me is none of my business. If I live on the Internet looking for public approval, I'm going to be miserable.
Professional humorists and cartoonists have to go through a stage in which they have to kill their own internal editor just so they can get stuff out. So whether they believe it or not, they need me on the other end to do that editing for them.
I can't talk about anything or write about anything if I don't understand it. So a lot of the stuff that I go through and a lot of the time that I spend is understanding.
I allow a lot of room for improvisation and funny stuff. I always feel planned.
In Australia I was seen as somebody who did only very modern, contemporary stuff. Then as soon as I went overseas I did two period pieces so it was like, 'When are you going to get out of the corsets?' And I was thinking I just got into them!
Dost thou love life? Then do not squander time, for that is the stuff life is made of.
We had to be down early to get the best stuff for the pros we looked after and then get the rags that we were left ourselves for training. It seems very old school but it grounded me as a person and made me appreciate everything as a footballer, because all we got was a pair of boots.