Most cop movies and TV shows are fantasies.
At 13 years old, I realized I could start my own band. I could write my own song, I could record my own record. I could start my own label. I could release my own record. I could book my own shows. I could write and publish my own fanzine. I could silk-screen my own T-shirt. I could do this all myself.
I know other actors who are relieved when their shows get cancelled, and I've never felt that way about 'Community.'
At the end of the day, a playback singer has to depend on live shows as their source of income.
When you Google someone's name, it matters to me what shows up. Not the lies, but like, did you change lives? Did you do something while you were here?
I was thinking recently about the popularity of TV shows about people shopping for houses. I wonder if part of their appeal is the chance to vicariously imagine our lives playing out in a variety of spaces. We have a sense that the shape and style of our dwellings affects the shapes of the lives that unfold within them.
A lot of the TV shows, they do long hours, and they do a lot of days, and you don't get a lot of time. But the good thing is, if you get one that's made in L.A., or made in a place you want to be, you get to go home every night.
If people can find something that they love about themselves after going to one of my shows, then I am so addicted to that feeling. It's the most gratifying thing on earth.
It is up to the public to stop attending these theatrical, and aquatic shows, and circuses with wild animals. The rhetoric about how the animals are happy and well cared for are lies. Don't be swayed by them. The money behind these shows is huge; there is nothing good about them.
I never skimp on TV. I watch an embarrassing amount of TV shows. I don't even know how I do it.
I'm insanely proud of every single one of my credits until the people who created the shows are dead.
Designers want their clothes and their shows to be absolutely perfect, exactly as they imagined, and there is a great deal of work that goes into doing that. Some collections can tell a whole story, from the first look to the last. The way the colors and the clothes transition is very interesting.
Come on, we would be foolish to say that there's never been African-American leads in some capacity, people of color in some capacity, leading shows or what have you. But it hasn't happened enough and in a manner that is an accurate reflection of the world that we live in.
There's generally a couple of months' gap between shows. And I am rather glad it's been that way because I am a workaholic.
I did get to hang out with my dad for a little while. I went with him to summer stock. I watched him be a real king of the world. He'd ship out as a star in summer stock. He sometimes directed the shows. I learned a lot from him - not just about acting, but about everything, how to handle a woman.
As a viewer of TV shows, I always like shows more when I just feel like the people in charge have a plan. You can just tell sometimes, 'Oh, there's a plan there. They have an idea for how this is going to unfold.'
When I'm on the road for fashion shows, I love room service. I think it's one of the greatest things in the world. I usually like to keep it simple with soup, but my big indulgence is French fries or chicken fingers.
Let's face it: there's still a certain amount of racism in human beings, so that shows up in Hollywood.
I have a lot of good stories for talk shows about the conditions in which I worked.
Shows like 'Top Chef,' 'Hell's Kitchen' have helped bring attention to the culinary world on a whole, but you have to be cautious it doesn't get out of hand.
Research shows that women at that mid level tend to get promoted based on performance, and men tend to get promoted based on potential.
When I was a child I liked watching shows about bounty hunters and Canadian Mounties. I liked the 'Lone Ranger,' I liked shows where the guy saved the girl from the villain. I just liked those kinds of things and I wanted to be a guy like that, you know, that would save the damsel in distress.
I think you can totally be a totally normal kid from the suburbs of Chicago and go off and play shows. It's one of those things that when you go home, you're still the nerd you were when you left, and your parents still get to yell at you about cleaning up your room, and your girlfriend still drags you to the pet store.
Oh my God, the graduate shows in London are so important! I still remember going to see John Galliano's graduate collection - that was an event I'll never forget.
In most shows, there's usually a hero or a protagonist, and even if there are multiple heroes or protagonists, most shows try and make it so you really always know who's the good guy and who's the bad guy.
In '92, I got my first Broadway show as a performer - 'Crazy for You.' I was in the ensemble. In fact, I was in eight Broadway shows as a dancer. Seven of them were original shows. That's how I learned to create something from the ground up.
It just tends to be that the grass is always greener. If I'm doing a movie, I suddenly think, 'Oh God, I wish I could just get a play script I could get my teeth into.' If I'm doing eight shows a week in a West End musical, I think, 'God, how lovely it would be to be in a TV series right now.'
I often play characters on TV shows that are more sweet and naive and just kind of puppy-dog eyes, and I don't think I am like that as a person.
The more I learned about real pirates, the more exciting they seemed to me. They appeared to be even more dramatic than pirates of the movies or TV shows.
I've always wanted to pull off 'No One is to Blame' by Howard Jones. I've done that a couple times in solo shows, but I can't figure out how to do that with a full band and make it work.
I came to Mumbai in 2000 to do a hotel management course. Following this, I worked as a marketing executive with Hotel Sheraton in Muscat for a year. It was in 2004 that I participated in the Gladrags Mr. India contest and bagged the most popular model award. After that, I did few ramp shows and ads.
I always wish the hotels were like they are in movies and TV shows, where if you're in Paris, right outside your window is the Eiffel Tower. In Egypt, the pyramids are right there. In the movies, every hotel has a monument right outside your window. My hotel rooms overlook the garbage dumpster in the back alley.
Anytime you want to hear about graph partitioning, I will be glad to tell you what I know about graph partitioning. It remains a standard problem. I think it's an interesting problem, because it shows up in a variety of guises in real life.
My parents would say, 'Why don't you go out and play?' and I would say, 'I can't! I'm putting on my shows!'
My interest in acting came from seeing Broadway shows on summer trips to New York as a child. It was the original production of 'A Chorus Line' in an easy tie with the first 10 -15 minutes of Dustin Hoffman in 'Tootsie' that hooked me on the romantic idea that the impossible, difficult life of a struggling actor was for me.
To do eleven fights in four months is pretty crazy. In some shows that we do in Asia, there are three or four fights over a six-month period, so you have time to recover and gain your stamina.
