Zitat des Tages von Jill Soloway:
I took all my TV experience and what I learned about - by writing and directing and bringing a movie to Sundance - about the realities of the independent film market: 'Transparent' is the marriage of those two situations.
You just have to say over and over again: 'I am a director.' Nobody gives it to you. Nobody anoints you.
When I write, I lose time. I'm happy in a way that I have a hard time finding in real life. The intimacy between my brain and my fingers and my computer... Yet knowing that that intimacy will find an audience... It's very satisfying. It's like having the safety of being alone with the ego reward of being known.
I think I've always had that struggle my whole life, of feeling a little bit more gender-neutral, feeling more comfortable as a creative person when I'm dressed like a boy, when I'm dressed more masculine.
I'm constantly confused about how to dress.
I'm a minimalist Jew, but on Friday night, I celebrate Shabbat. At sundown, we light candles, say the blessing, and I don't turn on my computer for 24 hours.
I love the Army-Navy surplus store Surplus Value Center. They have really good long underwear and multicolored bandanas, cool camo jackets, and really, really scary-looking knives. If you're into that sort of thing.
It's a struggle every day to get people to invest financially in portrayals of women that aren't satisfying to straight white men.
My purpose as an artist is to heal the divided feminine in our culture. Well, okay wait, that sounds incredibly cheesy and like something a massage therapist might do at Esalen.
All writing is propaganda for the self.
The network shows have this very commercial voice that you have to adhere to, and the cable shows, it's kind of like winning the lottery. The independent film world is a world you can actually get to. You can get the under-a-million-dollar film by finding a good cast and financing.
I always wanted to do a family show.
If you're in a room and can be seen by actors, you need to understand that you can be felt by them.
Normally, you cast a pilot, and you have to make compromises about being political about who you cast.
I think of myself as a producer. As a producer and as a showrunner, I already understand what it meant to gather people into a room and step back, to create the boundaries of 'everything's okay' to allow TV writers to go to their craziest places.
After 'Nikki' and 'Steve Harvey,' I had written on a show called 'The Oblongs,' which was pretty well respected and had a lot of 'Simpsons' writers on it. So I was a TV writer with an interesting voice at that moment.
We're a whole culture of people who have a really hard time seeing beyond themselves.
Every project is a race between your enthusiasm and your ability to get it done. Go fast. Don't slow down. A year from now, new things will interest you.
I'm a fan of Louis C.K., I'm a fan of Lena Dunham. I love shows about people that other people would consider unlikable, or, like, the work of Woody Allen and Albert Brooks.
Years of my life were lived knowing that I'd get a book out of them one day.
So many features at Sundance seemed to be powered more on the director's need to be a director than any particular story.
There's always been something about Jeffrey Tambor, not only as an actor but as a person, where his ability to embody a sort of very dignified feminine way of being just - this was just very clear to me.
Some of you guys are going to boo, but I'm going to say it anyway. I don't like dogs.
Guys, there's only one thing I hate more than bloggers who start sentences with 'guys' - and it's those mealy-mouth hipsters who crochet codpieces and their ye-olde-sideburned friends who pickle stuff and slaughter their own gluten-free goats.
On Sunday morning, it's Brooklyn Bagels on Beverly Boulevard. We get them hot. Then we walk some of the famous Silver Lake steps or hike in the hills to the highest vantage point to see the reservoir.
Perfection would be something that you see in 'Architectural Digest.'
What I have to offer as a writer/director is the stuff with the feeling in it.
As much as possible, I put my family first.
In most shows, there's usually a hero or a protagonist, and even if there are multiple heroes or protagonists, most shows try and make it so you really always know who's the good guy and who's the bad guy.
If you can laugh with your friends over something, you own it.
I'm a naturally open person - some might say radically open.
If there's a woman who is exhibiting her femininity or performing her femininity, it's always seen as meant to pull in the male gaze.
I'm embarrassed that people will know that I can't ride a bicycle. For years, I have been feigning bad ankles and saying I wasn't in the mood for a bike ride.
I was the kind of Jew who'd be in a bar, somebody would say it's Yom Kippur, and I'd go, 'Really?'
For me to be able to punch above my weight creatively, to actually take a stand for what I was doing, I had to take on everything. I had to be the person who says, 'I wrote it. I directed it.'
I always wanted to find my voice and claim my tone, but I was doing it through the steps of being a TV writer. I had the executive producer title. I was running the room.