I would never stay under circumstances where I felt I was a figurehead and might look good in your team media guide. I don't want to be that. I do want to contribute, and if I don't contribute, I'll walk away from it. If I don't feel welcomed, I'll walk away from it.
When I did 'Sex and the City,' it was like, 'Let's do a comedy where the humor is not coming from innuendo but from the a truthful place. This is a show where we're going to be able to say and do what we want.'
I think there are specific times where film noir is a natural concomitant of the mood. When there's insecurity, collapse of financial systems - that's where film noir always hits fertile ground.
There were moments where Supergirl gets a thrashing in the pilot, where if a man in the 'Flash' or 'Arrow' pilot got beat up, people didn't visibly wince. And I watched in testing, people in the audience really became uncomfortable by the fisticuffs and the action. But then, they were elated and cheering at the end.
Pictures artists staged their own images or copied or cut out others already in existence. The viewer took them in separately, in sometimes paradoxical waves: an original image, then the manipulations of it, then the places where image and idea intersected. This created a crucial perceptual glitch that irony and understanding filled.
I don't have Twitter, but Lady Gaga tweeted at me - like, reposted an interview where I was fangirling - and wrote, 'Katherine' with a love heart. And I kind of freaked out a little bit.
I've always liked TV shows that have slightly unlikable leads, where you root for them in spite of a lot of things. I know it's not common with shows with young people; they have to be so likable. But, I mean, teenagers just generally aren't very likable. I know I wasn't as a teenager.
Every so often when I'm writing, a character might actually be a distinct person in my head - often not an actor or a face, literally a person who just seems to exist in my imagination. Then the challenge is finding somebody who is close enough to that to make me feel like I've ended up where I wanted to be.
So often, we're expected to maintain some sort of standard - that won't get you where you need to go. One of the most daring things I've done is drop out of graduate school. I had no job, but something inside me was saying, 'Go! Be in the world!' I had to listen to myself, and it worked out. I still think, 'Who was that girl?'
We are quick to stick labels on others - especially those who don't fit in with the norm. 'Harold Fry' is about a broken marriage; 'Perfect' is about a broken person. They are both about finding kindness where you least expect it.
I'm a beneficiary of an extraordinary education, and I believe that no matter where you live, the access to education is key to social mobility.
Growth is painful. Change is painful. But, nothing is as painful as staying stuck where you do not belong.
I think that it will be the mobile technologies, both from the enterprise and the consumer side, where super unicorns will come from. I still believe that social networking in combination with mobile will create opportunities for super unicorns.
What's happening to movie critics is no different from what has been meted out to book, dance, theater, and fine-arts reviewers and reporters in the cultural deforestation that has driven refugees into the diffuse clatter of the Internet and Twitter, where some adapt and thrive - such as Roger Ebert - while others disappear without a twinkle.
'If I Can Dream' is my all-time favorite Elvis song. It was a big record, but not as big as it could have been. It was one of those records where you'd think it sold 10 billion copies, but it didn't.
I've certainly had a lot of experiences in my life where I was much too self-centered.
I read all of the stories that people write about me. The ones that are really interesting are the ones where they actually write their take on me as opposed to just printing what I said, because they're asking similar questions so often, sometimes it just sounds like I'm answering the questions different intentionally.
In baseball, you can hit 40 home runs on a single-A-league team and never get paid a thing. But in a hedge fund, you get paid on your batting average. So you go to the worst league you can find, where there's the least competition.
Thing is, I went to a born-again Christian high school, was brought up in a traditional Mormon family where these ideas about parenting are of structure and sacrifice. To think outside of that idea of family and parenting that I've grown up with is tough but also very freeing.
We are at the point where game designers have become celebrities due to the size of the market they serve.
On January 21st of 2017, the day after I take the oath of office, Americans will finally wake up in a country where the laws of the United States are enforced. We are going to be considerate and compassionate to everyone. But my greatest compassion will be for our own struggling citizens.
I think George R. R. Martin made fantasy grow up. He brought a level of reality into the storytelling where you realize the good guys don't always win and anyone can die, because that's how life works. Bringing that level of reality into the story I think forced the genre to mature in a lot of ways that it hadn't prior.
Many of my books are set in New Jersey because that's where I was born and raised. I lived there until my kids finished elementary school. Then we moved to New Mexico, the setting for 'Tiger Eyes.'
I was brought up in a household where I was not allowed to take the Lord's name in vain.
My guitarist husband, Mike, and writer me are the old-fashioned kind of bohemians. Not 'fro-haired hipsters gyrating in iPod ads, but the sort who, starting January 1 of every year, literally don't know where their next dime is coming from.
I am filled with so much sincerity and gratitude to know where I came from and what I'm doing now.
I don't see myself as a hero because what I'm doing is self-interested: I don't want to live in a world where there's no privacy and therefore no room for intellectual exploration and creativity.
I'm just basically trying to make music that feels good. Right now in the music industry there's a real lack of intimacy. You don't really connect with the artist as much anymore, and you don't really understand where they are. I'm basically doing music that illustrates who I am and where I am in my life.
Mathematics is a place where you can do things which you can't do in the real world.
All I can focus on is my performance, and that's going to help me be successful, no matter where I am.
I like stories about the world, where we're at. I like to explore humanity. I like to explore my own humanity.
The triathlon can be a very hard sport to train for. You see all the time when people try to improve - like their swim, for example: they train really hard for two to three weeks, and then when they go back to normal training, the swim goes back to where it was before.
Based on German prototypes, green walls and roofs are a natural idea in Singapore's tropical environment, where mosses, ferns, philodendrons, orchids and other epiphytes literally grow on trees.
If there is one issue where one could justifiably assume that Republicans are all in agreement, it is on lowering taxes.
The think that we hung the film version all on was 'Hedwig' on tour. On stage, it's one theatre, one show. It just seemed natural to change it. In the film, we were able to go to flashback rather than have her talk to the audience. And we had the play to practice and to see where we had made mistakes.
When actors have the opportunity to play a larger-than-life icon - my wife did it with Tina Turner, and Jamie Foxx did it with Ray Charles - you have to make a decision how you go in. What do you start with? Where do you begin?