Zitat des Tages von Greg Berlanti:
Especially with DVRs nowadays, people have their roster. More and more, it's not just, 'I'll watch what's on at 9 P.M.' They have their backlog of the shows they always watch, that they record every week, and it's a matter of, how do you get into that list?
To me, there's still nothing more thrilling than, every week, people getting to see another chapter in this story that you're telling.
I didn't happen to be one of those gay kids who knew definitively by the time I was 13.
You have to always try to think about them like real people first, and not just heroes. They have to be real characters. As people do more and more superhero stuff, the characters are what distinguish it, just like in cop shows.
'Everwood' I think provides a unique feeling, an emotional experience. And other shows on TV don't have the acting talent to do that. Each one of our actors can do a serious scene and a humorous scene, and can do it all within the same sequence. They can go from a heartbreaking moment to a humorous moment.
Television is ultimately a business of failure. You try a lot of things, and most of it fails.
I love telling stories. Creating a character, a world, a whole universe out of nothing. That part I can't get enough of.
I can remember when there were storylines with gay characters on shows like 'Family' and 'Dynasty' and thinking, I have something in common with that person. This was way before the Internet and all the visibility that has brought with it.
There were moments where Supergirl gets a thrashing in the pilot, where if a man in the 'Flash' or 'Arrow' pilot got beat up, people didn't visibly wince. And I watched in testing, people in the audience really became uncomfortable by the fisticuffs and the action. But then, they were elated and cheering at the end.
'Flash' has a family drama element, 'Arrow' has a epic saga/crime element, 'Supergirl' has a young-woman-in-the-city and a workplace element, and 'Legends' is like the Dirty Dozen teaming up.
The most important decision you can make as a showrunner when you're doing a pilot is who's in it and who's directing it.
TV's job is to make you lean in, and a film's job is to make you lean back.
That's part of what always fascinated me about the Flash. Yes, he had superpowers, but he wasn't superhuman. He was vulnerable. He could be hurt or killed. He's not getting in a jet. He actually is the jet. So he had this gift, but with it came this risk. And I think that's what makes the character relatable.
For most of my childhood, even through college, there was a lot of feeling very alone. I loved TV, so when those very special episodes of anything came, or when certain characters reflected the world I lived in, I felt connected.
It's one of the things that 'Everwood' - what makes a great 'Everwood' episode is when it makes you laugh and cry, sometimes at the same time. From the first season, we've always had the chance to deal with death in a very real way, in a way that a lot of other shows can't or don't.
