Zitat des Tages über Verlag / Publishers:
As repressed sadists are supposed to become policemen or butchers so those with an irrational fear of life become publishers.
I left for New York expecting to repeat my success, only to be turned down by almost every publisher in that city, till the Viking Press, my American publishers of a lifetime, thought of taking me on.
Thanks to the comic book publishers. Batman and Captain Marvel were responsible for my learning to read at least a year before I showed up at school. They got me interested in writing. Started my first novel at about eight. The title: 'The Canals of Mars.'
There are a lot of people who really abused sampling and gave it a bad name, by just taking people's entire hit songs and rapping over them. It gave publishers license to get a little greedy.
I had several publishers, and they were all the same. They all wanted salacious. And everybody is writing autobiographies, and that's one reason why I'm not going to do it. If young Posh Spice can write her autobiography, then I don't want to write one!
The comedians all finished their acts with a song. They would get a certain amount of money from the song publishers and would use that money to pay the writers. None of them paid very much for their comedy material, but it all added up.
I don't write for publishers, certainly not for critics, and not for readers, But I am delighted that so many people have found my books enjoyable and want to continue to read them.
When I started in the business, there was a thing called adult fantasy, but nobody quite knew what it was, and most publishers didn't have an adult fantasy list. They had science fiction lists, which they stuck a little bit of fantasy into.
Game studios, developers, and major publishers need to vocally speak up against the harassment of women and say this behavior is unacceptable.
The real effect of the WTC calamity has been depressed spirits, anxiety, and uncertainty among publishers, and of course those emotions are not restricted to publishers.
I believe that all brands will become storytellers, editors and publishers, all stores will become magazines, and all media companies will become stores. There will be too many of all of them. The strongest ones, the ones who offer the best customer experience, will survive.
Comics fans want new stuff that looks exactly like the old stuff. It is hard for the publishers, and even the audience, to change something.
Authors change publishers because it's like being married for a long time and suddenly you want to go out and have a wild affair! No, not seriously, sometimes the deal is more interesting with a new publisher, and other times they have more enthusiasm for your books.
Companies with aspirations to be larger publishers - Kabam, Kixeye, even Zynga - are moving aggressively off the Facebook platform to mobile and the open Web. Publishers aren't convinced that the costs of being on Facebook are worth it.
If you look at the publishers I've worked with, generally, they're a great bunch. Creation is unlike any other publishing house you can think of. The people I've worked with have integrity and intelligence and, almost always, less money than ideas.
Once publishers got interested in it, it was a year in developing, and it was launched, I think, in 1960. But Willie Lumpkin didn't last long - it only last a little better than a year, maybe a year and a half.
Publishers, naturally, loathe used books and have developed strategies to depress the secondhand market. They bring out new, even more expensive editions of popular textbooks every three to four years, in a classic cycle of planned obsolescence.
No agent/publisher is in a position to create across a spectrum of media and distribution what major publishers can accomplish for authors.
After being Turned Down by numerous Publishers, he had decided to write for Posterity.
Publishers often push women in a subtle way to focus on fantasy and paranormal writing.
Relationships between writers and publishers are of course very strange and change all the time, rather like a see-saw.
It is important to send your work to as many publishers as possible. For every one publisher who may show interest in your work, there will be at least five who will reject you.
And books that were published in much larger numbers than Selfish, Little are hard to find. And publishers who wanted to publish my last few works have them stuck in limbo while new distribution ideas and legal issues and fears are blown away.
After an author has been dead for some time, it becomes increasingly difficult for his publishers to get a new book out of him each year.
Writers are essential. Readers are essential. Publishers are not.
You know, it's sort of common wisdom among New York publishers that short story collections don't make money.
Writers keep writing and publishers publishing - it never grows boring.
I have a problem with censorship by the lawyer - by legal people by the publishing firm, and I may be changing publishers. They don't seem to want to take too many risks with living people.
I try to keep all my novels in print. Sometimes publishers don't agree with me as to their worth.
You can get a subjective and highly factual dossier on most anyone in the public realm almost instantly. It's why publishers don't worry about author photos any more; people just Google a person and get on with things.
I'm delighted about the track's success in the sports world, but the frustrating thing is, I don't think I got rich on it. The labels and publishers did very cheap deals on our songs.
For inexperienced, small developers, getting funding from big game publishers can be a Sisyphean task.
My kind publishers, Toby Mundy and Margaret Stead of Atlantic Books, have commissioned me to write the life of Queen Victoria.
All of the changes in publishing since 1960 are significant. There are far fewer publishers.
Without always meaning to, I write really long short stories, 60-pagers, 90-pagers, pieces of fiction that are too long for all but the bravest magazines to print, and too short for all but the bravest book publishers to publish.
In the past the publishers I've worked with have been extremely generous. And in almost every case, have been people who believed in the work rather than the sales and marketing.