Zitat des Tages von Anthony Doerr:
Great writers probably shouldn't be ranked, at least not by me.
I've always been so interested in both the visual beauty of mollusks and the tactile feel of them. As a kid, I collected them all the time.
My ribs ache from all the texts I'll never make time for.
I always told my dad I'd play professional football.
I guess whatever maturity is there may be there because I've been keeping a journal forever. In high school my friends would make fun of me - you're doing your man diary again. So I was always trying to translate experience into words.
Anyone who has spent a few nights in a tent during a storm can tell you: The world doesn't care all that much if you live or die.
In my students, I'm always dispelling the notion that characters come like a light bulb over the head in cartoons. For me, it's like a shapeless big lump of clay. You just build it into something, and then you step back and go, 'That's not right,' hack it apart, put out a new arm, and say, 'Maybe this will walk around and work.'
I have always felt that it's a little artificial to divide the sciences and the arts on college campuses.
Basketball games - and seasons - make great narratives; they feature distinct acts, heroes and villains, and guaranteed resolutions.
Short stories are wonderful and extremely challenging, and the joy of them, because it only takes me three or four months to write, I can take more risks with them. It's just less of your life invested.
Without always meaning to, I write really long short stories, 60-pagers, 90-pagers, pieces of fiction that are too long for all but the bravest magazines to print, and too short for all but the bravest book publishers to publish.
What I tell young writers is to find those things that you're so passionate about that your energy doesn't run away.
We live through life, but we live through art, too. And in art, as in life, nothing is generalized. No one thing is a copy of the next. Everything is individual.
Travel definitely affects me as a writer.
I never played inside as a kid - even in the rain I'd go out.
I'm terrified of cliches.
It took me about three years to write About Grace. I wasn't teaching two of those years, so I was working eight-hour days, five days a week. And it would include research and reading - it wasn't just a blank page, laying down words.
If your mind is anything like mine, it can stumble through a half-dozen different thoughts in a heartbeat.
Science and literature are both ways to ask questions about why we're here.
For me it was perfect, because it wasn't a very competitive environment, and it was a studio program. They basically send you off, and say, bring us some work, and we'll help you improve it. It really rewarded self-discipline.
I think some people think that writers read and read and read, get the information, and then write. That's not how it works. Often, you write yourself into a dark place where you don't know what you need to know, so you go get the information.
I guess you could say I've been writing all my life.
Lewis Robinson's first novel, 'Water Dogs,' is stuffed with snow. Open practically any page of this book, and crystals will shake out.
My parents would drive us to Florida every spring in this big old, rusy Suburban, and we'd collect stuff on the beach for our aquarium back in Ohio; we had this big saltwater aquarium back in Ohio. Every time we found anything, any mollusk, my mom would bring out the guidebook and quiz us on what it was, so that stuff was built in early.
The world is so fundamentally interesting that it makes me fall in love with it a dozen times a day.
I do fish. I think there is a connection between thinking and fishing mostly because you spend a lot of time up to your waist in water without a whole lot to keep your mind busy.
But then of course you reach a point where you have to say, I've got to figure out how this book's going to end. Otherwise, you're going to write yourself into so many dead-ends.
I feel like you are allowed in fiction to embrace imagination and try to enter other worlds. And I feel like you should push yourself to try to persuade your reader that you have the authority to engage with people who, you know, lived in the past, who live in the future, other genders, other places, other cultures.
My sister-in-law is a painter, and I'll say, how long did it take you to paint that painting. She'll say, It took me maybe three days, but it took me all my life to get the skills to paint that painting.
I write reviews of science books for the Boston Globe, so I like to give science books.
Fridays after school, especially when the weather was lousy, Mom would take me to the library. She'd let me check out whatever I wanted, and I checked out a lot.
I studied history and English in college, got a master's in writing, but I was always sort of an autodidact in science.
I've been getting into Nick Drake lately, the folk singer. Sad, gorgeous stuff.
You don't say, I'm going to be a writer when I grow up - at least I didn't.
I originally got very interested in memory in high school when my grandmother came to live with us. She had been diagnosed with dementia. It was the first time I had heard the word 'Alzheimer's disease.'
'Never do the dishes without music,' my brother Mark once advised me - the same brother who once ate a spoonful of refrigerated dog food to escape his turn at the kitchen sink. And really, it may be the most sensible advice I've been given.