I've seen people twitter in haiku only.
I basically use Facebook and Twitter and MySpace to communicate with the fans. I don't think it's necessarily about advancing my career, but I do want to be able to connect with my fans. They are so important to me, and a lot of them have stuck with me since the very beginning, and that means so much to me.
It feels like every day or two, people on Twitter and the Internet are outraged about something.
I don't have a Facebook or Twitter account.
Twitter is worth it if you like tweeting. Same is true of Facebook. Or Pinterest. Nothing wrong with having a social presence.
I'm obsessed with reality TV anyway - I use my knowledge of that stuff to make jokes on Twitter and Facebook to get more people to sign up to be fans.
I just went insane. I just, like, couldn't get off of Twitter. It was like, 'I guess this is where I live now - talking about Emily Gould on Twitter'.
I'm amusing and crazy on Twitter. I talk about important things, stupid things.
I think there are a lot of really positive aspects to social media for novelists. Even though our work is pretty solitary, through Twitter and Tumblr and Facebook and Instagram and blogging in general, we're better able to connect directly with readers.
I understand Twitter has become popular among politicians. This technology allows them to stay in perpetual contact with their constituents. The electorate now has instant information about what politicians have been up to.
I've been a lot more into Facebook and Twitter and Instagram, which was a bit complicated for me to understand the language of each social media, because they all talk in different ways. It's a nice way for me to tell people I appreciate them, which I forget to do sometimes.
It's almost better that Twitter limits me to 140 characters. There's only so much trouble I can get in.
I've been going on Twitter every week going, 'Guys, you have to watch '2 Broke Girls' because it's incredible.
I think most artists will experience a lot of negative people on Twitter but, thank God, I've got so many followers that I'm not able to see them that much. I'll see some from time to time but, for the most part, I always focus on something good.
I can't figure Twitter out. The way Twitter is formatted, I can't tell who is saying something and who's replying to something. I don't know who the tweeter is and who's responding to the twit.
Twitter should ban my mother.
The good thing about Twitter is that there's not so much of a wall between you and your fan base. They can interact with you, and it makes them more endeared to you when you interact with them. It's really fun in that way.
Twitter is short-form, real-time, and text-based. It's built for instant alerts and rapid consumption. It is an ideal system for delivering sips of information from an abundant stream.
Twitter is very impulsive and impermanent and you only have 140 characters. There is no greater 'Emperor' of Twitter than Stephen Fry.
I think Twitter is great.
I had some glamour models messaging me on Twitter and saying they think I'm hot, but I'm being careful.
I have 1.4 million followers on Twitter. I get very interesting, sometimes very diverse input from my followers. So it's sort of like this water cooler, digital water cooler, if you want to think about it, where you go and you listen to conversations that are happening that perhaps will shape your thinking.
I don't care what people are saying about me, good or bad, in blogs or on Twitter or in the media. There will always be people who don't like you and don't like your books. Ignore them.
In this day and age of texts, Twitter, and Facebook, we are very rarely surprised by anything anymore - something always leaks out and gets spoiled.
I do use texting as a great way to communicate quickly, but I don't Twitter or anything.
My office is on Twitter. I don't tweet myself - at least, not intentionally, but I probably should do.
I won't use Twitter. Twitter posts are thought-farts. I don't care about unconsidered thoughts of the moment.
Even though I have Twitter, I only use it to say, 'Oh, this is coming out.' I would never voice anything about me, really.
I think we have the attention span of a gnat. You know, with cell phones and Twitter.
Twitter, to me, works if you're funny. Twitter doesn't work as a promotional tool unless you do it very, very, very occasionally.
Social networking websites like Facebook, Twitter, and Tumblr provide an unparalleled ability for people to stay connected in new and unique ways.
Can you imagine if Babe Ruth had had Twitter?
Throughout the day, I frequently use my iPhone to check 'Deadline Hollywood' and my Twitter feed, as well as the 'Daily Beast,' the 'New York Times,' 'Metsblog,' and 'Thejetsblog.'
UKIP's success would never have happened without the invention of YouTube, Facebook, and Twitter.
Twitter has already birthed an entire ecosystem of other sites that extend its power or interact with it. But Twitter isn't just a platform for technological innovation: It's showing signs as an engine of creativity for the language, too.
I usually stalk fans because I think they're really funny on Twitter. They don't know it, but I'll just go through their timelines, and if something is happening in the media, I always read fan accounts instead of the news because they have all the info and make the funniest jokes about it, so that's how I get my gossip - by stalking fans.
