Unite liberality with a just frugality; always reserve something for the hand of charity; and never let your door be closed to the voice of suffering humanity.
Oh, stuff the critics. I don't care. Too many people are snooty about classical. Look, I wasn't brought up in a home where we listened to classical music. It was a singing teacher that thought it would be best for my voice. Then I moved into crossover. And if that makes the music accessible to more people, then great.
My voice? Yeah, well, I used to drink a lot of beer when I was a kid and I sounded like a drunk in a choir. I don't drink anymore.
A mother and a little boy were walking along, and I could tell the minute the recognition hit the little boy. As he walked by holding his mother's hand, he said in a real loud voice, 'Look, Mother. There goes an old Gomer Pyle.'
I'm trying to enlarge what I do with my voice, not through technique but just through the sounds. I think we all make noises, and particularly when we get involved or emotional about something, the colors and the tones of those noises change.
I had a teacher who stressed for me the importance of diction in terms of... I want to be very careful about how I say this... in terms of supporting one's voice when one is singing. In other words, if you hold on to your words, your voice will pull through for you when you're singing. So be true to your vowels.
I have a deep, scratchy voice. Boys would call me Froggy, and my father would often tell me to shut my 'big bazoo.' I remember standing in line for confession. After I walked out, the other kids were like, 'You punched your sister in the face?' Because of my voice, my confession was like speaking into a loudspeaker.
Everybody gets through a phase where it's, 'Ah, if I could just sound just like Vince Gill.' Then you figure out that you have your own voice, whether you like it or not, and that's what you should stick with.
A lot of artists don't like the sound of their voice. They're put off by it.
Some readers may be disturbed that I wrote 'The Secret Life of Emily Dickinson' in Emily's own voice. I wasn't trying to steal her thunder or her music. I simply wanted to imagine my way into the head and heart of Emily Dickinson.
The human voice deployed to recite the Vedas and later aid the temple dancers was paramount before any instruments emerged.
I feel like, in my 20s, I was putting my hair in a ponytail and pinching my cheeks and raising my voice an octave. So I feel more comfortable being a woman than I did being a young ingenue.
If somebody from the past doesn't rise up from the grave and start talking to me, I haven't got a book. I have to hear that voice, the voice of the narrator. How she sounds will tell me who she is, and who she is will tell me how she will act - and that starts the plot in motion.
I've always believed in speaking my mind, and I think the technology has made it more prominent. Even a common man's voice is heard prominently now, much to the chagrin and surprise of politicians. They aren't used to that.
I have a crush on Steve Tyler. He's funny, he rocks, and has a voice like a god. There is another one who I have discovered can sing. I should try and make an album with him... it's Barack Obama!
Europe should speak more effectively and clearly with one voice in the world.
I prefer to sing in the shower vs. the car. The shower is just steam, you know, its just you, and nature, and no clothing. You know, there's nothing separating you. It's just you, and the voice - you, and the water.
It's really exciting to be a voice for girls with curls.
I don't care that people thought I was one way for my whole career because now that I am not attached to a team, I can have my own opinion, I can have my own voice. I can link myself to my own thought process rather than a generic message most teams try to get across.
You have to find an identity that's true to yourself. You really have to find your own voice.
I've been writing all my life, and playing bass came later on, when I was about 26. What I recognized with poetry and music that I had a different voice - there were things I wanted to express that I could not as an actor or even as a director. It was another avenue of expression that my soul needs.
I went to see 'Phantom of the Opera' with my grandma and my mom when I was very little. The stage, the voice, the music... Composer Andrew Lloyd Webber has been a massive inspiration to me for some time - the storytelling, that deliciously somber undertone in his music.
The first person is a tradition I relate to and that I use; historically, it's been the voice I work in. But the hair on the back of my neck stands up when I'm referred to as a 'confessional' writer.
I was with Tina Turner when she first saw Janis Joplin, and she said to Janis, 'Honey, you can't continue to sing like that, or you'll have no voice,' and Janis' response was just to laugh and take a swig on her Southern Comfort.
An early editor characterized my books as 'romantic comedy for intelligent adults.' I think people see them as funny but kind. I don't set out to write either funny or kind, but it's a voice they like, quirky like me... And you know, people like happy endings.
Perhaps when music has been shouting for so long, a quieter voice seems attractive.
Each author has his or her own voice. I read each book slowly so I can see the patterns they use to spread out the garden of earthly delights.
As conservatives, we know the media is stacked against us. We know popular culture is often stacked against us. We know the narrative has been written without our voice despite our best efforts.
I would say my voice is actor-neutral.
I wasn't intending to create a comic strip to begin with. So I think I wasn't aware that when the strip started, there had never been a woman's voice quite like this in the newspaper.
Not a day goes by where I'm not reminded of Gollum by some person in the street who asks me to do his voice or wants to talk to me about him. But because 'The Hobbit' has been talked about as a project for many years, I knew that at some point I'd have to reengage with him.
David Attenborough... has that wonderful, breathy voice, and he's always so fascinated by what he's seeing. There's nothing about him that I can't find attractive.
I'm not trying to represent all Muslim women. I'm trying to give voice to the silent majority. Unfortunately, I'm a bit loony.
People want to have a voice and a say in what is news.
To be honest, I'm not really prepared to do a musical, simply because I think I have a pretty atrocious voice.
There are not many intellectuals left of Harold Pinter's stature who dare raise their voices - and with such force - against the menace of U.S. and the unrestricted use of its power. Pinter's voice is an unceasing thunder.
