Fame, for me, is different. Fame, for me, is not seeing myself on big billboards: it is when I go on a street and people connect to me. If I going to walk on the street, I know I can get 100,000 people following me.
I set a Google Alert for myself, and now I'm seeing people say my music influenced them and how great it is all the time. Sometimes I listen to this stuff that's supposed to be influenced by me, and I can't hear myself in it. But I'd rather they say it than not.
Eventually, when I started studying Egyptology, I realized that seeing with my naked eyes alone wasn't enough. Because all of the sudden, in Egypt, my beach had grown from a tiny beach in Maine to one eight hundred miles long, next to the Nile.
How the visual world appears is important to me. I'm always aware of the light. I'm always aware of what I would call the 'deep composition.' Photography in the field is a process of creation, of thought and technique. But ultimately, it's an act of imaginatively seeing from within yourself.
Think about trailers you see in theaters. If you're seeing a Warner Bros film, the studio might have three of the five trailers. So having a hit helps you create the next hit.
The conductor has the advantage of not seeing the audience.
I like to say it's an attitude of not just thinking outside the box, but not even seeing the box.
I love retweeting things and seeing how many fans are on other people's pages.
Foreign audiences are used to seeing Mexico in other sorts of movies. 'Casi divas' is a step toward a more commercially successful cinema, without the violence, blood and exaggerations. The movie reflects a more human Mexico, while remaining a chick flick, although it is not a romantic comedy.
If anything is scary about my writing, it's that it's the product of a very particular vision and doesn't reference common speech that heavily. By 'common speech,' I don't mean language as much as an agreed-on way of seeing, or a shorthand.
Some of my happiest childhood memories are going to the movies with my dad and seeing whatever was out that week. In 1977, when I was 7, it was 'Star Wars.' That was a life-changer.
I'd love to be an astronaut. I bet you get a better understanding of our planet seeing it from a distance.
I used to think you should keep on experimenting and seeing new things. But after seeing a lot of the world, I now tend to return to the same spots. I enjoy the familiarity.
If I could live in one city and do every single thing I do there, I would choose Venice. You can't turn your head without seeing something amazing.
Pilates makes you feel good because you're doing something that's good for your body, and you start seeing it. It elongates the muscles.
We're seeing a reaction - and people taking to the streets with pots and pans - in areas where the independence movement isn't supposed to exist. People have to choose between one model and another. Everyone in Catalonia has realised that not taking part means ratifying the politics of repression of the Spanish government.
I love getting on You Tube to look at the old comics. I am in my element seeing guys like Jack Benny and Phil Silvers give interviews.
What's incredible about 'Hamilton,' and the reason you can't get a ticket, is because everyone's responding to it. Everyone is seeing a bit of themselves in it.
The act of seeing any film generally is you knowing more than the characters, even if it's the classic Hitchcock shot of two people talking and a bomb being under the table. Part of the pleasure of it is seeing where people go wrong, and the irony of situations.
When you work so hard on making a film, it's all worthwhile when you get to experience seeing that film with an audience who thoroughly enjoy it and react to the movie.
I think sometimes soap acting gets an unfair label for being bad and over the top. The lessons I learned there were so valuable. Seeing yourself every day on television, you learned what worked and didn't work, what was bad acting and what wasn't. Memorizing scripts became second nature.
I've never liked the moment of seeing something beautiful - a sunset, a moose, an elephant - and then raising a camera and trying to capture it for some future moment. That's always struck me as strange.
I write the occasional entry for the 'Times' Theatre blog, especially when I'm in London and seeing two shows a day, but I don't tweet. I don't want to have to express my opinion in 140 characters. That's like writing haiku. You need a certain amount of legroom to review a play properly.
We feel we have to put concrete on every inch of land. It disturbs the ecology, and it takes away the experience of a child going out into the woods and seeing all of nature.
In life, you see younger men and older women, and the majority of marriages don't have such a huge age gap as we're used to seeing in films.
The first year of the Boot Ride was an amazing experience. Seeing people come out from all over, ride and, most importantly, put on their boots, was an inspiration.
I want to meet Denzel Washington when I go to the Oscars. Every man wants to see Halle Berry in person. And, you know, Dolly Parton... I wouldn't mind seeing Dolly Parton. She's from Tennessee, I'm from Tennessee.
Headwise, I always kind of knew that everyone goes grey in our family very early - and I was like, it works for me. I started growing my beard, and it changes the shape of your skull and your face, and I started seeing my mother's side of the family in myself for the first time.
I don't hate being compared with female musicians. I don't mind that at all. I have no problem with seeing connections between women's work.
I think now what you're seeing is guys that are in the peaks of their careers anywhere from 27 to 35 years old, seems to be when they play their best hockey.
As an African-American, we stand on the shoulders of people who fought despite not seeing victories in their lifetime or even in their children's lifetime or even in their grandchildren's lifetime. So fatalism isn't really an option.
I was on Facebook. I was on MySpace. And somebody said to me, You should check out this thing called Twitter. I knew five people that were on it, so I started following those people and seeing what they were doing, and then I applied my own sensibility to it. The more that I shared, the more people started following me.
I think that the romantic suspense that you used to get between people like Ingrid Bergman and Cary Grant is much sexier than seeing people taking their clothes off and getting into bed, which is voyeurism.
I think you get the parts that people are comfortable with seeing you play.
Opera combines pretty basic theater and poetry, but the storyline itself is actually quite poetic and, after some digital research, taking that actual content and seeing it as undeniably poetic.
I really do try not to emote. I don't like seeing it on documentaries - it seems a bit unprofessional. I also need to be human being and be a kind of sympathetic presence for the contributors I'm with, so there' a line you have to walk.
