At that time I was making the largest salary known on television and I didn't want to see it die because those were the years paying off when I wasn't making anything.
I was never very interested in boys - and there were plenty of them - vying with one another to see how many famous women they would get into the hay.
Truth is quite constricting, in a way. You endlessly see at the start of a film 'This is a true story'.
I don't see the point in signing on to do something and then leaving.
Some people still see me as a kid, but I'm a 23-year-old woman now.
I know some people see it as this success when the book is finally made into a movie - that marks its success. I don't see it that way.
I just see myself as just an ordinary chick from Florida, not some beautiful woman.
My grandmother, whom I adored, and who partly raised me, loved Liberace, and she watched Liberace every afternoon, and when she watched Liberace, she'd get dressed up and put on makeup because I think she thought if she could see Liberace, Liberace could see her.
I loved Mal Evans holding one note down on You Won't See Me from Rubber Soul.
I didn't know what kinds of questions to ask in mathematics. In physics, I could see there were things that were known and things that weren't.
We live in worlds that we have forged and composed. It's much more true than any of the species that you see. I mean, it seems to me that one of the most distinctive features of human intelligence is the capacity to imagine, to project out of our own immediate circumstances and to bring to mind things that aren't present here and now.
If I don't see my kids for six days, I start to get withdrawal pains.
When the President makes something a priority, we see action.
Blessed are they who see beautiful things in humble places where other people see nothing.
I played this character twice in live action, and now I've become an animated character. It was actually fun to see myself drawn - I've never been a drawn character before.
I went to the Heidelburg Castle, a 1200-year-old castle, looked around. It was pretty awesome, but you know, they've got a coffee shop in there, and they have some sections closed off. I wanted to see the part where they tortured people, but it was cool, though.
If I had grown up in London, I wouldn't have been as keen to become a comedian or a writer. I'd have been able to see a lot of good films and music and comedy. I'd have been distracted. As it was, I had to make it.
I've always said I can't tell sometimes that people even have an album out until I see them nominated for a Grammy. I think country gets dumped on across the board by the Grammys.
Never mind a world that can't see past brutality.
As I wrote I began to see more strongly that there were inescapable analogies. You couldn't really live through the '80s without feeling how crass and distasteful some of the economic doctrines were. The slave trade is a perfect model for that kind of total devotion to the profit motive without reckoning the human consequences.
This nation has always struggled with how it was going to deal with poor people and people of color. Every few years you will see some great change in the way that they approach this. We've had the war on poverty that never really got into waging a real war on poverty.
'The Names' is a story about a woman who might feel that she's in a kind of maze. She's unable to find her way forward or out because she can't see the whole picture.
We see them when they come to New York. They stay at my wife's apartment. We have quite a correspondence with them at all times. They play a very important role, the authors in the firm, because so much of the material we publish is suggested by them.
I don't write about the same thing every time, everyday, different things are happening out there and if you take the time to look around, you can see that, then you can put it all together and tell the story.
It doesn't matter to me if I'm in love with my performance, so I watch all of my performances to understand and learn from them and figure out what's working and what's not. And I see the movies that I'm in in the theater a lot.
Anywhere I see suffering, that is where I want to be, doing what I can.
During my 8 years as chairman, I had the privilege to peer into the future to see dynamic citizen astronauts returning to and from the heavens which we can expect in the future.
To see the world for a moment as something rich and strange is the private reward of many a discovery.
When I look up at the screen and see myself I always have to laugh. Not because I think I'm doing a horrible job, quite the contrary, I just feel it's so surreal to feel like one person can entertain so many at one time.
I think most of the people, once you see a Kiss show, you kinda get spoiled because I don't think there's anybody out there that's doing a bigger or a better show than us.
I think the 'New York Times' reviews overall tend to overlook popular fiction, whether you're a man, woman, white, black, purple or pink. I think there are a lot of readers who would like to see reviews that belong in the range of commercial fiction.
When you're teaching a hard concept and the students all have puzzled looks on their faces and then suddenly you can see that 'aha' moment, that they got it, that's just an incredible thing.
Let come what comes, let go what goes. See what remains.
Before now, I've always taken my mixes out to the car and listened to them in the parking lot. I still do that, but more so now I'm listening to it on the Beat box, and I think people should give it at least a listen and check it out and see what it is.
When I was in my teens and twenties, I could see friends expressing how radical they were, and I envied them, the way they lived, the way they dressed. Maybe there is a part of me that is reserved, even in rebellion.
You need to be honest and always see new opportunities coming. So I call it intuition, innovation, execution - these are my working principles.
