People often think that reporters write their own headlines. In fact, they almost never do. The people who do write headlines are the copy editors who are the front and last lines of quality-checking in a newspaper before it goes to print.
I work a lot in the summers. My family goes to Maine, where we have a little house. My wife's a writer, too, and we can write for six hours a day and then play with the kids.
I am a bit prudish, I think. It's hard for me to write about sex, and I don't really care to read about it, either.
I have to write because if I don't get something down then after a while I feel it's going to bang the side of my head off.
I write what I like to read, and I enjoy love triangles in YA and adult fiction - not to mention in other media like TV, opera, theatre, and even in video games! I relish when dark and compelling characters compete for our protagonist's heart. The doubts, the uncertainty - the jealousy! - can be breathtaking.
With my writing, what I want to do is humanize the young people I write about.
What is important to me is that when I write something, people listen to me. I provide my wisdom to people, whether they agree or not.
My wife, Keisha, came home once, and I had these violinists playing for her, and I'd prepared dinner for her, and I write poems. She's pretty amazing, so I like to celebrate that. She's really taught me how to celebrate life; that's something I've learned.
Raymond Chandler managed to write about L.A. his whole career. Should I keep going writing about New York? Is that what I should be doing? Songwriting doesn't work that way.
I have to write in sequence and only in sequence.
I don't write poetry and then strum some chords and then fit the words on top of the chords.
Writing with kids is an adventure. It seems like someone always has the flu or pink-eye. I mean, you don't even have to be in direct contact with anyone to get pink-eye. But for parents who write, flexibility becomes essential, and as long as I have a pad of paper and a pen, I can write anywhere. Starbucks is fine.
No matter what, the way to learn to program is to write code and rewrite it and see it used and rewrite again. Reading other people's code is invaluable as well.
I don't think there's anybody I write about who I don't care for deeply in some way, no matter what their behavior is.
The audience today has heard every joke. They know every plot. They know where you're going before you even start. That's a tough audience to surprise, and a tough audience to write for. It's much more competitive now, because the audience is so much more - I want to say 'sophisticated.'
I don't know if any single book made me want to write. C.S. Lewis was the first writer to make me aware that somebody was writing the book I was reading - these wonderful parenthetical asides to the reader.
I really do love 'Panama.' But I'd also have to admit that right now, if I were driven to write another novel like that, I wouldn't even try to find a publisher for it. It simply wouldn't be published. I'd be writing it to put in my closet upstairs.
Grace is above praise and blame. I never read the bad stuff people write, but I never read the good stuff, either. Ever. I know who I am, and I know that God looks down on me and smiles. I know that - without a shadow of a doubt.
Even though I was trained in play writing and screenwriting, when I sat down to write a comic book for the first time, Alan Moore was first and foremost in my mind.
I have ventured to write more intimately about my personal life than is customary for a member of the Supreme Court, and with that candor comes a measure of vulnerability.
You read a book, write a detailed review as proof you've read it, and they give you a badge. That's where my competitive nature came out. Give me the badges! I would sit in the library all day, not 'cos I loved reading, just because I needed those badges.
Even if I see 300 'X-Files' fans together, I can't fathom - I cannot imagine - the audience itself. All I think about is the show and all I think about is why I like it and why I like to write it and why I like the characters and what I have to say through them.
Everything was so new - the whole idea of going into space was new and daring. There were no textbooks, so we had to write them.
Many writers can't make a living. So to be able to teach how to write is valuable to them. But I don't really know about its value to the student. I don't mean it's useless. But I wouldn't have wanted anyone to teach me how to write.
I vowed to myself that when I grew up and became a theoretical physicist, in addition to doing research, I would write books that I would have liked to have read as a child. So whenever I write, I imagine myself, as a youth, reading my books, being thrilled by the incredible advances being made in physics and science.
In every song I write, whether it's a love song or a political song or a song about family, the one thing that I find is feeling lost and trying to find your way.
I start writing at 7.30 A.M. and write till noon. I've never written a single word after 5.00 P.M.
I would like to write a movie and, if it wasn't too crazy, also direct.
I'm here because of what I write. Obviously, I must know something.
I used to write exclusively with one particular Montblanc fountain pen, although lately I have had to use a roller-tip fountain pen, because I find it harder and harder to control the fine muscles of my right hand during prolonged periods of work. I buy boxes of Deluxe Uni-ball pens, use them until they start to drag, and then change.
I believe an artiste is a reflection of society. I write what I see. I am not a scholar, I am just an entertainer. I cannot change the way people think.
If you paint, write, do mosaics, knit - if it's solving that part of your brain saying, 'I need to do this,' you've won.
I write exactly what I think. If it's a raw subject, I write lots of things and then pull out all the fluff words.
I don't go into any album with pressing issues. I just try to write songs.
I just write books, and I do it without any notion of what I should do or shouldn't do.
There's really only three things you can write music about: girls, cars and surfing.