You know, differentiating between training and matches. If they are all matches it becomes very natural to shoot them, although Dan thinks I should shoot more of them. I think I shoot plenty of them.
God is not on the side of the big battalions, but on the side of those who shoot best.
With the fight scenes, they would take a video camera and shoot alongside the camera so we would piece it together on the computer and had an extremely rough cut of what we were doing.
We had two cameras, so they could turn it on and shoot as much as we wanted. You don't have to worry about wasting money on film. A lot more takes are possible.
I don't think Wisconsin should become known as a state where we shoot cats.
The very first big photo shoot I ever did was with Bruce Weber. I couldn't believe this guy was taking my picture, so when he told me to get in the bathtub, I just did. It's only now, looking back, that I realise, you don't have to do everything people tell you.
The way I work with my cinematographer is not based on general principles, but the ideas are triggered by the locations where we shoot.
You can't really measure your game. You can shoot seven under and lose and you can shoot even and win.
They often ask me to shoot for them. But I say no. I think an old guy like me ought not take pages away from young photographers who need the exposure.
I like to play golf. I like to shoot hoops.
I shoot an arrow into the air, where it lands I do not care: I get my arrows wholesale!
I try to do as much as I can, but I simply can't shoot two films at a time.
Shoot for the moon and if you miss you will still be among the stars.
When I started in the mid-'90s, the goal was really to shoot for a film career and stay there.
I worked with AXE Hair to do a promo shoot for the ESPYs and ESPN - it's all about having girl-approved hair. They have a newer product out there with the hair stuff - shampoo, conditioner and all the styling products that they have.
The way that I sort of direct the writers is, let's do the best story we can. Let's not worry about production issues. 'How much will that cost? How are we going to shoot that?' Let's not set up those constraints on the writing. I don't think it helps the project to work like that.
Directing television is really hard - it's so fast. You shoot an hour show in seven days.
The only thing I insist that everybody do is there has to be a basketball court in every game I do, and - with one exception, I let them get away with it once - you can actually shoot a ball through the basket in every game I've made.
You can be in Ohio and shoot your own web series, if you want. If this had been around when I was in high school, I can guarantee you that my friends and I would have been shooting our own television shows and putting them online and trying to get as many hits as possible.
Working out for me really depends on my shoot schedule, but I try to move my body every day. I really believe in exercise as an anti-depressant. It's a great way to feel better.
I shoot people in a way that makes the audience feel equal to them. And it's hard to express and it's hard to execute but I think it works on every level - the choice of the material the choice of the actor, my relationship with the actor, and so on.
Working with kids is always hard because you have to have very limited hours. They have to have breaks, and they have to have a tutor, and they have to have a lot of - good things! But it makes it hard to shoot.
I've heard that Alfred Hitchcock said that by the time he was ready to shoot a film, he didn't even want to do it any more because he'd already had all of the fun of working it out. It's the same thing with these Frank comics.
I've never put myself in the mindset that I'm actually any good at taking pictures, I just love to shoot things that catch my eye, whether it's landscapes or just my kids.
You have got to shoot, otherwise you can't score.
Every photo shoot, I'm always asking the makeup artist what they're using on me, and I'll go out and get it.
When you have to shoot, shoot, don't talk.
The enemies of freedom do not argue; they shout and they shoot.
If you can't eat it, shoot it, or wear it, don't bring it.
You see I'm against hunting, in fact I'm a hunt saboteur. I go out the night before and shoot the fox.
I can't shoot myself in the foot before I get in the chorus line.
If you shoot at mimes, should you use a silencer?
My dad and I used to shoot little one-stop animations on an old 8mm film camera when I was no more than 7 or 8, and when he was away at work, I would keep shooting nonsensical, short animated films using 'Star Wars' figures or Smurfs - depended what the narrative was.
It's sometimes tiring to get off a long-haul flight and go straight to the studio for a shoot, but if you really plan everything well, you can get so much out of combining travel with work.
I can be intimidating, but not within the confines of a film shoot.
The trend now is to shoot in Canada because it's cheaper, and they don't care what the location is.
