George W. Bush was good as his word. He visited the Gulf states 17 times; went 13 times to New Orleans. Laura Bush made 24 trips. Bush saw that $126 billion in aid was sent to the Gulf's residents, as some members of his own party in Congress balked.
I saw my potential as artistic director, which is very different from designer. Fashion companies might have $200 million to $300 million in annual sales - Hugo Boss has €2.5 billion. I have to create a world that is believable and also relevant in 7,000 sales points around the world.
Growing up in Harlem, I had the chance to practice with a Negro League team. At fifteen, I was over six feet tall and a fair athlete, but my skills didn't come close to some of the players I saw.
Experience was my only teacher; I knew little of the modern art movement. When I first saw the works of the Impressionists, van Gogh, van Dongen, and Fauves, I admired it. But I had to seek the true way alone.
Did a man really walk on the moon? I saw plenty of documentaries on it, and I really wondered.
I was never a villain on the stage. I always played strong, sympathetic types. My first stage role with a speaking part, believe it or not, was as a priest. It wasn't until I began acting in films that the producers and directors saw me primarily as a bizarre villain.
I spent 15 years on the road between touring and recording and I never saw anything. I want to enjoy life.
My only regret is that I signed away the world rights and in America they've been far and away my most successful books, but I never saw a cent from any of it.
Initially, I wanted to be an ice skater, but then when I was 13 I saw Bye Bye Birdie, and that was it - I wanted to be on Broadway.
I'm so excited. I love Peeta so much. I think that over the course of the next couple of books, he has so many interesting places to go to, character-wise. I'm ready to dive full-force into it. When I saw the movie actually, it got me energized. 'Let's go get some cameras! Let's go shoot the second one right now!'
Redd Foxx was the same gruff old codger you saw on television.
When I was in high school I got involved in the fringe theater scene in Chicago, and I met some openly gay people. I could see that it got better, that they were happy and loved and supported. I saw with my own eyes that it got better.
I'm quite sensitive to women. I saw how my sister got treated by boyfriends. I read this thing that said when you are in a relationship with a woman, imagine how you would feel if you were her father. That's been my approach, for the most part.
When we saw our plane on TV as breaking news, it was the most surreal experience. A lot of the women were crying. There was a gentleman who was writing in his journal and crying. Seeing that isn't easy.
I thought I saw him for what he was-or what I thought he was. And he was talented, no doubt about that. But, he thought his talent was based on misery and that if he became happy it would just go. He believed that.
I saw Mussolini tirelessly contemplate a parade of thousands of young men.
When Elvis came out on stage, it became electric. And the way people responded to him was such that, you know, I never saw that kind of response toward any other performer.
One of the biggest wake-up calls of my career was when I saw a record contract. I said, 'Wait - you sell it for $18.98 and I make 80 cents? And I have to pay you back the money you lent me to make it and then you own it?'
Well, you know, I was through the whole of the Second World War and saw all my friends killed.
One of the reasons I came to Berkeley was because I saw so many students of all different colors speaking so many different languages and ferociously presenting all these different views. I thought, this is the 21st century and I want to be here!
Even as a college professor at Carnegie Mellon and Stanford, I saw myself as an entrepreneur, and I went out, took risks, and tried to invent new things, such as participating in the DARPA Grand Challenge and working on self-driving cars.
You know, he would go and look at different funny books because he wanted his character to be different and make different faces. I saw a funny book in his room and it looked like the same character he was playing. It was about a duck.
Dracula, if he could see modern corporations, wouldn't like them much. He took care of his people, at least as he saw it. They had very little freedom, but they had a protector.
That was the first time I saw a horse start from a kneeling position!
Beginning with a trip out to Ellis Island, I saw for myself where thousands of European immigrants took their first steps onto American soil, bringing with them nothing but their ambition: people such as Erich von Stroheim and Adolph Zukor.
I was lucky to marry Paul. He was a great inspiration, his enthusiasm about wine and food helped to shape my tastes, and his encouragement saw me through discouraging moments. I never would have had my career without Paul Child.
I'm a woman who's been in a man's sport since the age of 15, and to see people finally seeing what I saw right from the start, that female fighters are just as good 'pound-for-pound' as our male counterparts.
I looked below and saw my people there, and all were well and happy except one, and he was lying like the dead - and that one was myself.
I loved movies as a teenager and saw as much American cinema as I could, but I hated the English films of the early '60s and had absolutely no point of identification with them.
I saw A Hard Day's Night 12 or 13 times.
I didn't connect with the kids. I was in the studio. I never saw the kids. I hoped they liked it, of course. And then I'd go write some more. And then I'd go buy me a home. Very American.
Take an exhibit, in the days when we saw the Pop art - Andy Warhol and all that - tomato soup cans, etc., and coming home, you saw everything like A. Warhol.
I wanted to do something raw and raucous and R-rated. But then 'Middle School: the Worst Years of My Life' came to me. One reason I took this movie on is because I saw it as a really great opportunity to revisit my own past through this character.
I was an actor for over a year before I ever saw a play.
I never saw myself so much as an actor. I wanted to be a cartoonist like Charles M. Schulz and create my own world and be able to have a studio at home and not commute and be able to be with my family.
When I went to Paris after graduating high school, I saw a model who was 12 years old without any supervision. That wouldn't happen in the acting world.
