I've got to hear the rhythm of the sentences; I want the music of the prose. I want to see ordinary things transformed not by the circumstances in which I see them but by the language with which they're described. That's what I love when I read.
Certain brief sentences are peerless in their ability to give one the feeling that nothing remains to be said.
The aphorism in which I am the first master among Germans, are the forms of 'eternity'; my ambition is to say in ten sentences what everyone else says in a book - what everyone else does not say in a book.
Whatever universe a professor believes in must at any rate be a universe that lends itself to lengthy discourse. A universe definable in two sentences is something for which the professorial intellect has no use. No faith in anything of that cheap kind!
Edith Wharton was a natural story-teller. As plots do in real life, hers flow directly from character. Her prose is so effortlessly elegant that you're rarely aware as they purl by that the sentences are so pretty. More concerned with what is put than how it is put, she also understood that you only say anything at all when you say it well.
I have always been of opinion that all the political workers should be indifferent and should never bother about the legal fight in the law courts and should boldly bear the heaviest possible sentences inflicted upon them. They may defend themselves but always from purely political considerations and never from a personal point of view.
I'm starting to think my narrators' sentences are getting too big for them, and they are getting to sound a bit samey and, more disturbingly, a bit too much like me.
It is my ambition to say in ten sentences what others say in a whole book.
These days, I like to think of sentences as workers. Only one of their jobs is to look and sound good. Sentences are the carriers of plot. They're the conjurers of images, the conveyors of tone and meaning and voice. The best sentences surprise us.
Actors don't need a lot of talk beyond the first few sentences. They may say they don't draw on their own life, but all actors do.
When I read a review, 90% of the review is about my lifestyle, and the last two sentences are about the record.
I sum up the prospects for 1967 in three short sentences. We are back on course. The ship is picking up speed. The economy is moving. Every seaman knows the command at such a moment: 'steady as she goes'.
Your writing voice is the deepest possible reflection of who you are. The job of your voice is not to seduce or flatter or make well-shaped sentences. In your voice, your readers should be able to hear the contents of your mind, your heart, your soul.
To show men that crimes can be pardoned, and that punishment is not their inevitable consequence, encourages the illusion of impunity and induces the belief that, since there are pardons, those sentences which are not pardoned are violent acts of force rather than the products of justice.
I guess I cringe when the discussion leads to, rather than books and sentences and characters and the stuff that writers are supposed to be concerned with, how to have an online presence and how many followers you have on Twitter. That stuff always makes me uncomfortable.
I have spent a lot of time listening to people who are serving life sentences and getting to know them and the circumstances of their lives. I have never met anyone serving a long prison sentence who had anything close to what I could call a childhood; instead, the upbringings always - always - involve extreme situations of poverty and abuse.
A short-story collection is harder to formulate pithy sentences about.
America has the longest prison sentences in the West, yet the only condition long sentences demonstrably cure is heterosexuality.
I don't believe we should allow thousands of violent felons to be released early from prison, nor do I believe we should reduce sentences for violent offenders in the future.
I was in prison with the assassins of the former president of Egypt, Anwar Sadat, who was killed in 1981. Those who weren't executed in that case were given life sentences, and two of those were with me in prison.
Every rustic who delivers in the village alehouse his slow, infrequent sentences, may help to kill or keep alive the fatal superstitions which clog his race.
Pithy sentences are like sharp nails which force truth upon our memory.
To love a person is to know and love the person. But we can pick up an enormous amount about another human being just by exchanging a couple of sentences. It's not yet knowledge; it's an intuition that motivates you to want to find out more.
I have written some of the clumsiest, most clogged-yet-vagrant, hobbledehoyish, hitch-slipping sentences ever conceived by the human mind.
All the lessons of history in four sentences: Whom the gods would destroy, they first make mad with power. The mills of God grind slowly, but they grind exceedingly small. The bee fertilizes the flower it robs. When it is dark enough, you can see the stars.
Some people write a thank you note for a gift, and it's three pages long, and some people write a thank you note, and it's five sentences - that's me. I like to pare away words because I don't want to waste anyone's time.
I've always seen myself in sentences. I begin to recognize myself, word by word, as I work through a sentence.
The job of the press is to speak truth to power. And yet, for doing our job, we are persecuted. I say that these aggressive and illegal tactics to silence us - inventing arbitrary legal interpretations, over-zealous charges and disproportionate sentences - must not be permitted to succeed.
When I get asked about novelists I like, they tend to be white, male, and British, like Graham Greene. They write the kind of declarative sentences I like. I don't like to be deflected by acrobatics.
Guys, there's only one thing I hate more than bloggers who start sentences with 'guys' - and it's those mealy-mouth hipsters who crochet codpieces and their ye-olde-sideburned friends who pickle stuff and slaughter their own gluten-free goats.
If the rules of a language are followed, words usually make sense. But these very rules can stir the impulse to rebel. We're obliged to keep trying to convey meaning through correct sentences. After a while, the good-soldier rigidity of polished prose can begin to seem dull, and it gets harder to resist the temptation of nonsense.
It is amazing how quickly a true talent can announce itself. In the case of Myla Goldberg, it is not even a matter of pages, but of sentences.
If writers, like comedians or singers, could only hear themselves bombing as they worked, it's likely that certain books would be cut short after the first few leaden sentences.
When you're on a submarine you're usually underwater for months at a time, and you don't get to Skype or make phone calls. When you get messages, they're maybe two sentences. They're very short.
I like to find music that shares a rhythm with the sentences I'm working on. And though I'll probably regret saying this, I think some songs actually don't sound too bad when they're played through lousy speakers.
I began by working in a study in an attic, but for many years, I've used a small room in a library. What matters to me isn't decor or comfort but only quiet. I need to hear the rhythms of phrases, the music of sentences. Any place that allows me to do that is good enough.