I often play characters on TV shows that are more sweet and naive and just kind of puppy-dog eyes, and I don't think I am like that as a person.
When I was 16, 17, 18 years old, I felt like I had seen it all and done it all, and I was really kind of negative about everything.
In a lot of ways, it was a huge relief, not being a member of a troupe, being able to make your own decisions and kind of live your own life.
The idea that you must treat actors a certain way in order to get a performance out of them kind of disturbs me, and it's disregarding what we do. Our job is to do our job.
I get so disenfranchised reading the news, because global borders and lines we've created are completely unnecessary. That's just another person on the other side, and it's his bad luck that he was born there and it's my good fortune that I was born here. It's all kind of illogical.
You can see it on the Internet: There's an argument going on continually about, 'What is folk music?' And I don't really want to get involved in that. It's an endless argument, a 'How many angels can dance on the head of a pin?' kind of argument.
I am kind; I am humane. I open to you my fatherly arms. Come, all of you; I will receive you all - no less those of the South than those of the West, and of the North, who, gained over by Rigaud, have deserted your firesides, your wives, your children, to place yourselves at his side.
The person who lets them get you down, any kind of problem, is the person that fades out. So you've got to be strong enough; you don't like it, but you've got to be strong enough to accept what's going on and that you're going to fight it or whatever it takes to overcome this matter. That's the way I feel.
To characterize all Muslims as terrorists is fear-mongering of the worst kind.
I find the whole Blairish idea more and more repugnant every day. 'New Labour': the term itself is so trashy. Kind of ersatz.
Television is kind of a disappointment. I often want to watch it, but I find it quite hard - I don't like soaps, reality TV or celebrity chefs.
My laundry list of wants in a partner is basically kindness. I want someone who is kind, and that's kind of where it begins and ends. I'm open to being surprised.
The thing that's good about music-making software like the DAW-kinda systems is that they're all generally the same; the kind of interface is normally laid out in a similar way. Depending on the program, the sounds might be quite different, but they tend to all have a drum machine or synthesizer or a sampler.
I took a couple of classes in clowning, but that was more like Lucille Ball kind of slapstick, not Ringling Brothers. But we had to do things silently, and the teacher would do this running commentary. 'Does this make Clown sad? Oh, Clown doesn't like that, does Clown?' Always 'Clown.' Never a name.
Michael Jackson was the biggest star the world has ever seen - he put so much into everything; a lot of attention to detail. I want to do that. I want to pay that kind of attention to detail in everything - in music, visually - all of that.
That's one thing: When I left Notre Dame, when I left every school, what I'm the proudest of is we never compromised the rules, never were on probation, never had any major problems of any kind.
I've tried to bring the mentality of the outside linebacker to the inside and the rough, tough style of an inside linebacker to the outside. The middle linebacker always has been known as kind of a big plugger. Outside guys are known to be able to run. I just try to make big plays wherever I am.
I was struck by the way Europeans see history as something neatly linear. For me, it's not that; it's not some kind of straight railway.
I had about four days of like, 'Pity party, woe is me, it's all over.' Then I did some research and spoke with doctors and got in contact with people who have MS, and I soon realized it's actually a lot more manageable than the kind of public perception of it is, and that's part of the reason why I've been so outspoken about it.
I grew up in Harare, Zimbabwe. And I had a pretty idyllic childhood. I felt that I was kind of this outspoken girl, I was considered. I was a girl who talked a lot and didn't think my voice had any less value than anyone around me. Apparently, that was strange.
I'm a big foodie. Hyderabadi cuisine is amazing, and the kind of mutton dishes available at some restaurants in the Old City is incredible.
I love DJing, I do. I love everything that comes with it; it's fun and it's kind of glamorous.
I have a home in Orlando. That's kind of my default 'getaway' city.
Jeff Kinney is tall and has a great smile, but don't be fooled, he's as slick as they come. A real player. And how he came up with a book that appeals to kids ages 8-13 baffles me. He's an unbelievably kind man with a great family.
There are a lot of global decisions that you can make as a co-publisher, and only publishers can make those kind of decisions. At the same time, there are some things you can do only as a penciler or creator. I want to keep my hands in both pots, so to speak.
I think, with my cartoons, the parent-like figures are kind of my own archeypes of parents, and they're taken a little bit from my parents and other people's parents, and parents I have read about, and parents I dreamed about, and parents that I made up.
My father was a Party member and he was a pretty high rank military officer under the colonel, junior colonel, I don't know the term. He was a total Stalinist. A bit with a streak of anti-Semitism and very shrewd man, a very kind of nervous man.
Everybody kind of always bags on me because I use the word 'awesome' a lot.
What I really like is an intelligent review. It doesn't have to be positive. A review that has some kind of insight, and sometimes people say something that's startling or is so poignant.
I do feel like I have always, in my life, been inclined to be on the outside, walk a different path or something. Because of that, and increasingly over the years, my sense of distance from mainstream society or from the way culture works, I have a different kind of perception of it.
I loved the Scarecrow and the Tin Man and the Lion and you could kind of see the actors' faces in them. It wasn't an entirely new face sculpted around them. What made those characters so human and appealing to me was seeing those great actors underneath there. They weren't lost behind a bunch of appliances.
I want to liberate my imagination and my mind with every kind of movie. That is what I wanted to do all my life.
To me, most of life kind of lives in the grey and I don't just mean morally. I just mean kind of everything. If things were black and white it would be a lot clearer as to what to do all the time.
I went to film school at Columbia and did that for a couple years and really thought I was going to be a filmmaker, and then I kind of drifted over to the acting side after that. I'd been an actor in high school, and when I got to college, it was all about film.
Do the best that you can in the place where you are, and be kind.
A 97-percent win is the kind of result you get in a one-party regime.
