Zitat des Tages von Roger McGuinn:
Leadbelly's guitar is in the Rock n' Roll Hall of Fame.
People have told me that other artists have been influenced by my music, and it's flattering. It's a wonderful thing.
But in my imagination this whole thing developed and I started mixing up old folk songs with the Beatles beat and taking them down to Greenwich Village and playing them for the people there.
One of my favorite albums is Bob Gibson and Bob Camp, 'At the Gate of Horn.' It was a really dynamic album, almost like The Beatles, and way before its time... around 1960 or so.
That's my favorite subject because it really levels the playing field for artists these days. You don't have to sell out to the record company. You don't have to get a five hundred thousand dollars, or whatever, and pay them back for the rest of your life to record a record.
I play a couple basic folks songs and break them down. I did that on a six string. I can't recall all the songs on it. There's some finger picking on it.
I love being on the sea and the rolling of the ship, and for me, it's not really happening until we get a little wave action going, I love that feeling.
I don't want to be an oldies act, kind of dragging around on the road just for the money.
Now, you can just get a laptop, get some software, put a microphone on it and make a record. You have to know how to do it. It does help if you've had 35 or 40 years of experience in the studio. But, it still levels the playing field so artists can record their own stuff.
I open all my concerts with 'My Backpages,' written by Bob Dylan, and close them all with 'May the Road Rise to Meet You,' written by Roger McGuinn and Camilla McGuinn.
I don't really collect guitars.
Yes, basically, like you said, I'll work out a chord pattern and work out the lyrics over that.
I think Wilco is going to definitely stand the test of time - no question - and Uncle Tupleo, and the whole No Depression scene, which is now alt-country. I think that's going to be around a long time.
The first 12-string guitar I bought was probably around 1957.
I didn't really enjoy reading until I married my wife and we began reading the Bible out loud to each other every day. I enjoy reading now, and there is a whole world of books out there to explore.
To me, being in the big time is not that big of a deal. I've been there; I know what it is. It's exciting, but it's also a lot of work and pressure. I love sort of flying under the radar where we can play theaters and sell CD's on the Internet, and it's really kind of a cool time.
Once I've written a song, I sometimes refine them.
I was raised a Roman Catholic and had to go to the eight o'clock Mass every morning and have communion and wear a tie, kind of like a restricted life style. Then in the '60s, we got wild and let it go and started looking in other places to see where God really was, and I came back to the Christian thing.
You can see it on the Internet: There's an argument going on continually about, 'What is folk music?' And I don't really want to get involved in that. It's an endless argument, a 'How many angels can dance on the head of a pin?' kind of argument.
I'm not attracted to expensive things.
I've got an electric little motorcycle that I go to the supermarket with every day, and it's powered by the solar panels, so it's really got a zero carbon footprint.
I'm a huge fan of home recording. I think it levels the playing field. You don't need $100,000 to record a studio CD.
I'd like to be remembered as a keeper of the flame who kept traditional music alive, because I've been doing that twice as long as I was in the Byrds.
The wonderful thing about having your songs on the radio is that people are going to go out to your concerts and buy your merchandise and that sort of thing, and it feels good to get that level of name recognition.