I think I'm always adopting a persona. That's how I look at pop music. I don't feel like I have to be myself. I feel like I have to be true to myself, but I don't have to show an exact picture of who I am.
I think it's better when you're natural, when you just do whatever you want, instead of doing classes where I see all these other people holding back because they've been trained with certain skills or techniques. I'm like, whatever.
Well, I think that when I perform on the road I always thank the audience for buying a ticket because it's a big deal to buy a ticket for a live entertainment, get a baby-sitter and pay for the meal, the parking, whatever.
I do spend really focused time with my wife, my kids, grandkids, and so when I'm doing something or on a golf course, work has stopped. I'm not always thinking and working... I think a leader has to really be a balanced, whole and healthy person personally in order to be the best leader on the job.
I think, as musicians, our music should be who we are. Sometimes it's not - it's someone else's. All heartfelt music and all honest music, it's who we are. Of course, our upbringing has everything to do with it.
I do think that narrative is very important - I think that we use narrative to organize the world around us, and so it does matter a lot what kinds of narratives we have in our inventories and which ones are reinforced so often and so strongly that we habitually reach for them without thinking.
I think what people might not really know about me is that I'm really a shy individual.
I think novelists should be disciplined and self-imposed working hours. I work a lot, but I don't feel that I'm working. I always feel that there is a child in me, healthy, and I'm playing.
I think style is very different from fashion. Fashion was what I went after when I was feeling incredibly insecure and monstrous on the inside.
I've been to a couple of restaurants in L.A. that were so loud, I left there with a sore throat; you literally could not have a conversation. I think it's very deliberate: There's this idea that somehow it's more fun if there's a roar in the room.
I think of fiction as the highest calling. I'm kind of addicted to it. It's the thing that has gotten me through all the hard points in my life.
I don't think aggression works like thirst or sleep. I think aggression is more elicited by particular situations. I think it can be mitigated.
Rapping was a hobby; when I went to college, there were a ton of dudes rapping. I think that's where I got my rapping chops up.
I don't consider myself specifically political, you know? I think of working as an actor as being a human thing. The concerns I have that fall into politics are human concerns.
I think the best thing that can happen to the Republican Party is that it is identified as a party organized around a set of principles, ideals and ideas for our future.
Physically, you never get used to the cold. It's cold! If it's cold, it's cold! And you go out there, and your body feels it, but I think mentally, living in it, it's not such a shock to you.
I have a philosophy that white people would be interested in Native Americans because, first of all, it's probably the only group as a country we all study and know the history and then never study again past the age of 10. So I think we have these things we believe are true, that are just not true about what an audience wants.
But I think what made me go into theater was seeing my mother onstage. The first thing she did was Mrs. Frank in 'The Diary of Anne Frank.' The second thing she did was a play about Freud called 'The Far Country.' She played a paralyzed woman in Vienna who goes to see Freud.
I think anybody who's doing work in their teen years on TV or in the movies, you're a teen idol by default.
When you're spending eight to 10 hours out there, the homeless guy is no longer homeless; it's Dave. They become people to you. I think we're really good in this country about saying that they're homeless and, therefore, they don't exist.
I don't think that there's much that sets me apart from other musicians, but I think there are definitely things that set me apart from other kinds of artists. I feel that musicians do it their own way, write their own songs and put on a great live shows.
You know, I've always tried to look at things as just what the part was. I never tried to worry about whether it was the lead or not the lead, because I think you can really mess your mind up when you're too caught up in those things.
I think back a little bit when President Bush was elected President and what kind of economy he inherited from the Clinton administration. The economy was going down. It was not doing well.
I think the key is to give the reader characters they not only care about, but identify with, and to never take away all hope.
I do get scared, but I think - like it says in another book I've read - feel the fear and do it anyway. I try to have courage, pray a little bit and work through it. I'd rather try, even if I fail.
My debut feature, 'The Baby-Sitters Club,' got good reviews and made good money for what it cost. But it took me six years to get to direct my second feature. I think a guy would have had another movie out the same year.
I think I knew I was going to be a musician for the rest of my life kind of early. When I was in third grade, I was playing in a talent show, and my dad wrote a two- or three-minute boogie-woogie piece. I played it, everybody loved it, and I was like, 'Wow, this is great.'
I travel light. I think the most important thing is to be in a good mood and enjoy life, wherever you are.
I'm a massive fan of Brit Art in general and Damien Hirst in particular. I think he's an absolute genius and should be celebrated in every way.
Since 1987, there are now many more of us as at the higher levels with families, so I think, as role models, we are encouraging more women to stay within banking and rise up through the ranks.
I think when it came to music, it did feel quite natural because it was something that I was so passionate about.
I think there are always people who, when they get the bug to play an instrument, they want to get as good as they can with it rather than just be simply adequate at it. You run into them every once in a while - some kid who wants to be the next Stevie Ray Vaughan, for whatever reason, and plays exactly like him.
I think of Pope Gregory the Great. He wanted the cloister. He wanted to pray and study, and yet he was thrust into this administrative job, and he submitted to that. And in that submission, he became a great leader. You could say that the only person who is safe to lead is the person who is free to submit.
I think that Americans - and this is not true just now, but over the years - are not fundamentally opposed to war. They're fundamentally opposed to losing wars.
I think a part of the reason that those early plays were short was that I just kept having these ideas, and I'd just go off and write them. I wasn't trying to write one-act plays - it's just how the ideas would be expressed. Every condition I was in seemed like it could be a play.
There's a magical energy and power from the ocean. I was born in a room overlooking the sea, in the middle of a storm. Perhaps, then, it's not surprising that shores touch my soul. Science might disagree, but I think there's a difference in the air on a coast - the positive ions, perhaps.
