Zitat des Tages von Jon Bellion:
If I can show people how vulnerable and how flawed I am, maybe others will relate.
You grow up listening to Eminem; your parents don't let you listen to it - you gotta sneak into a car to listen to this guy rap. He changed my whole life, my whole perspective on music, so to more or less co-sign something that I've done is the ultimate childhood goal.
I was raised on 'TRL' and listened to every genre that sounded good to me, from Sum 41 to Jay Z to Band of Horses to J. Dilla to Deathcab for Cutie to Pharrell.
As far as the U.K. goes, The 1975 is one of my favourite groups in a very long time. I love the sonics. I love everything they do.
Sometimes, people will fight over five, six percent, because if it's a smash record, that can mean a lot of money. I don't really care.
The first 12 bars of 'Pre-Occupied' explains my entire career.
My brother is 10 years older than me, so whatever he listened to is what I listened to, and it was all rap.
At the end of the day, we want love, and we want to feel loved.
I think some of the best music throughout the actual history of music itself came from cultures where they're not really looking for outside themes. It's developed from their hometowns - it's what they love and what they love to do.
The way Ben Gibbard paints a picture, you feel like, 'I was there that day with him.' You really feel the way he paints pictures and speaks and talks. It's almost like talk-singing. Paul Simon does that very well as well. He's a huge influence of mine.
A lot of the album 'The Definition' was made from two things: Pixar movies and J. Dilla.
People can relate more to being honest about your problems, your insecurities, and the things that you find wrong with yourself. Because that's how we really are.
I'm born and raised Long Island. Billy Joel, Paul Simon, Ben Gibbard - melody-driven guys... They shaped me, molded my music.
'Translations Through Speakers' was literally, I'm translating very spottily what my aspirations are.
Originally, 'The Monster' started out as this indie, Florence And The Machine, tribal-y, almost Spanish-esque dance record.
My artistry is my baby.
Rapping was a hobby; when I went to college, there were a ton of dudes rapping. I think that's where I got my rapping chops up.
I'm just a product of the '90s, to be honest.
I used to work at a catering hall in Hauppauge. Anybody who works as a server in a catering hall, more power to you, but I wanted to make music.
I wanna make music; that's all I wanna do.
I wrote 'Monster' and thought that it would solve a lot of my problems, that I'd have money in the bank, but I felt no different. I was still searching for something.