Zitat des Tages von Sam Shepard:
What I like most about Bolano is his courage.
I used to work a lot on ranches where I grew up, and I had to rise at 5:30 in the morning.
Sides are being divided now. It's very obvious. So if you're on the other side of the fence, you're suddenly anti-American. It's breeding fear of being on the wrong side.
It's funny, in a way the actor is a writer. It's not like the two things are so separate as to be like apples and oranges. The writer and the actor are one.
People are starved for the truth, and when something comes along that even looks like the truth, people will latch onto it because everything's so false.
Film acting is really the trick of doing moments. You rarely do a take that lasts more than 20 seconds. You really earn your spurs acting onstage. I needed to do that for myself. I would hate to say at the end of everything that I never did a stage play.
More than anything, falling in love causes a certain female thing in a man to manifest, oddly enough.
I think Bolano had a generosity about him that was unique. He seemed to include so many people in the circle of his adventures, whereas I felt like I was pretty selfish.
Directing feels great; I'm really happy to be doing this.
The thing about American writers is that, as a group, they get stuck in the same idea: that we're a continent and the world falls away after us. And it's just nonsense.
I basically live out of my truck - I mean from place to place. I feel more at home in my truck than just about anywhere, which is a sad thing to say, but it's true.
You can write 16 plays and not make as much money as you did doing one movie.
Dialogue is like jazz. Dialogue is creative.
I feel like I've never had a home, you know? I feel related to the country, to this country, and yet I don't know exactly where I fit in... There's always this kind of nostalgia for a place, a place where you can reckon with yourself.
I don't belong much anywhere.
The funny thing about having all this so-called success is that behind it is a certain horrible emptiness.
I don't get offered leading parts. I suppose I've become a kind of character actor or sideman. I think it had to do with probably in the '90s, I refused so many leading roles that they gave up on me, or I just became unpopular, or I became old. All those reasons.
I've always felt a great affinity with music. I've felt myself to be more of a musician than anything else, though I'm not proficient in any one instrument. But I think I have a musical sense of things... and writing seems to me to be a musical experience - rhythmically and in many other ways.
Democracy's a very fragile thing. You have to take care of democracy. As soon as you stop being responsible to it and allow it to turn into scare tactics, it's no longer democracy, is it? It's something else. It may be an inch away from totalitarianism.
My father had a real short fuse. He had a tough life - had to support his mother and brother at a very young age when his dad's farm collapsed. You could see his suffering, his terrible suffering, living a life that was disappointing and looking for another one. My father was full of terrifying anger.
Guys like Clyde McPhatter used to sing their tail ends off!
I'm extremely grateful that I found writing, but it doesn't make it any more peaceful.
On stage, you're not limited at all because you're free in language: language is the source of the imagination. You can travel farther in language than you can in any film.
I feel very lucky and privileged to be a writer. I feel lucky in the sense that I can branch out into prose and tell different kinds of stories and stuff. But being a writer is so great because you're literally not dependent on anybody.
On every film, there are producers all over the place, and everyone's got to have an opinion. I think the screenplay is a beautiful form with great potential, but the environment around it is awful for a writer.
All of the great writers whom I admire have died. I guess the most recent one would be Marquez.
You don't have to do anything in the movies. You just sit there. Well, that's not entirely true. You do less.
I'm a writer. The more I act, the more resistance I have to it. If you accept work in a movie, you accept to be entrapped for a certain part of time, but you know you're getting out. I'm also earning enough to keep my horses, buying some time to write.
Men lie all the time.
I got to New York when I was eighteen. I was knocking around, trying to be an actor, writer, musician, whatever happened.
Grief is bizarre territory because there's no predicting how long it'll take to get over certain things. You just don't know how long it's going to resound in your life.
I didn't go out of my way to get into this movie stuff. I think of myself as a writer.
You can't make a living as a playwright. You can barely scrape by.
There are places where writing is acting and acting is writing. I'm not so interested in the divisions. I'm interested in the way things cross over.
It's very difficult to escape your background. You know, I don't think it's necessary to even try to escape it. More and more, I start to think that it's necessary to see exactly what it is that you inherited on both ends of the stick: your timidity, your courage, your self-deceit, and your honesty - and all the rest of it.
To sing a song is quite different than to write a poem. I'm not and never will be a novelist, but to write a novel is not the same thing as writing a play. There is a difference in form, but essentially what you're after is the same thing.