Zitat des Tages über Kunstwerk / Artwork:
I love that fans feel comfortable enough to send us their artwork.
I always believed that my work should be unfinished in the sense that I encourage people to add their creativity to it, either conceptually or physically. Back in the 1960s, I was calling for 'Unfinished Music,' number one, and number two, with my artwork - I was taking unfinished work into the gallery. And that's how I was looking at it.
In an artwork you're always looking for artistic decisions, so an ashtray is perfect. An ashtray has got life and death.
Artwork is not like a commercial business; there is no such thing as a schedule for art. You can't hurry art.
The mystical poetry of William Blake's artwork also forms the basis for the album cover.
I wrote a graphic novel called 'Soul Stealer' with big, beautiful, epic artwork by Chris Shy. It grew into a trilogy.
I'm still trying to discover my position on my own artwork and hopefully at this exhibition someone will come and tell me. I'm open to listening to criticism.
I recently discovered Artkive, a wonderful app that allows you to archive your child's artwork and create cool gifts like photo albums, mugs, mousepads, etc. It's very easy to use, and since Arabella is such a talented artist, I'm a pro!
I never expected the White House to be warm, and the artwork on the walls was extraordinary. I am a fan of the Louvre, but being there it was almost just as good.
The beauty of any artwork is that it becomes the person that's watching it: What do you take out of it?
I personally really like getting a proper album with artwork and everything.
I enjoy being involved in making the artwork for albums and stupid stuff like that.
The thing that weighs the most on how your final artwork turns out is the amount of time you have and the speed at which you can move.
Frank is such a great visual storyteller, that if you study his artwork you see that his Sin City books are already the best movies never seen on the big screen.
The music industry is more singles-driven, and the attention span of culture becomes shorter and shorter, but we still grew up in the era where buying an album, looking at the artwork, putting it on and listening to it top to bottom, those were the experiences that really changed our lives. That's what we aim to make.
In the Seventies, album artwork became really beautiful items. The whole process of doing an album sleeve, it became a very artistic thing.
All my album artwork is body painting.
The only thing they really get to pick is the single. But I get to pick the producer, the songs on the record, the final masters, the artwork. Basically, I hand them a record.
I have to speak for myself. As far as videos go - casting, the artwork, everything - I'm completely hands-on. You have to be if you want your points across.
It's glorious to be able to go onto the Internet and hear any kind of music anywhere, from anywhere, and get it instantly. But there's also something glorious about having a record with a sleeve and looking at the artwork, putting it on the turntable and playing it, there's still something romantic to me about that.
It's a tough thing to know that when you're making your album, you're going to end up collaborating with, say, Wal-Mart, on your artwork. That just sucks. And the pressure behind getting the numbers real fast is, to me, dizzying.
Artificial light is used because you can control it better. Technically, it is more homogeneous, more delicate, and less damaging to artwork. But I think it's interesting when the visitor can see variations in the light, when it is not only technical or suitable.
I don't hate the music, but I hate the process. When I look at it, I don't see song titles and artwork, I see the fight - I see the emotions, the blood, sweat and tears. There are a couple of songs on there that I love; but 'Lasers' is a little bit of what you love, a little bit of what you like, and a lot of what you had to do.
I have been asked to collaborate with fashion houses using my artwork, which I will probably do.
I guess if you take yourself seriously as an artist there starts either the problem or the beauty of doing good artwork.
In creating the Harry Potter artwork, I try to bring a certain amount of realism and believability to the characters and setting, but still add an element of wonder and the unknown.
There ought to be an artistic depot where the artist need only hand in his artwork in order to receive what he asks for. As things are, one must be half a business man, and how can one understand - good heavens! - that's what I really call troublesome.
Any material may be used but the theme is the same and the response is the same for all artwork... we all have the same concern, but the artist must know exactly what the experience is. He must pursue the truth relentlessly.
I wish my artwork could persuade millions of people to join a global conversation about sustainability.
Being creative is my idea of heaven. I'm just incredibly fortunate that I can do it in artwork. Watercolor is what I started out with. What I love about watercolor is that a lot of happy accidents occur.
Artwork is a representation of our devotion to life.
I love working with rotoscopic animation because under the incredible handpainted artwork are real actors and real human performances.
When I started out, I wrote the songs, recorded the songs, mastered, mixed, did the artwork, made the packaging and did the distribution, all myself. Now I understand what everyone's jobs are, who is doing them right, and who isn't.
There's a tacit belief that actors shouldn't write books, they're sort of allowed to direct movies but there will be a lot of skepticism, and they shouldn't do artwork or music. There are these invisible roadblocks to gain entree to these areas for actors, and you kind of have to crash through those invisible barriers.
If you look at an old piece of sheet music, there's all kinds of text on it, there are ads, there are proclamations of the greatest songs' success, there's artwork. So there is a tactile, physical experience of learning the song and the way it's notated.
Jazz is very much a part of my life. I work with the Thelonious Monk Institute and do the artwork for their program every year.