Zitat des Tages von Daniel Kaluuya:
I resent that I have to prove that I'm black.
A lot of times, the people who have the confidence to say, 'I don't know what the rules are, so I'm just going to do what I want,' are the most exciting people.
I've been to so many parties in England and in America that's exactly like that, where you're kind of, like, seen as Other. When you're just living your life, and you have to adopt the Other in order to understand and navigate the society.
I just like playing guys, normal dudes. That's the stuff that I really enjoy watching: when it feels grounded.
I think the traditional stereotypes are loaded in institutional racism.
The beauty of any artwork is that it becomes the person that's watching it: What do you take out of it?
I think that's all you do as an actor. You give ingredients for the edit, and the edit's the stew, and they try to make a meal out of it. That's all you are. You just throw things in. This is an idea, this is an idea.
Life ain't a drama. And life isn't just a comedy. Life is sometimes horrifying. Life is science-fiction. There are all elements and faculties that we navigate, so I just expect a script to reflect that. As long as it's truthful. I think genre-bending is just being honest.
I don't think you become a name with just one job.
I go to music festivals, and people want to talk to me about racism. I'm like, 'Bro, I'm trying to have fun!'
I know what it means to be stopped by police. I've been stopped by police a lot.
I wrote my first play when I was nine. It was performed at Hampstead Theatre.
I have to show off my struggle so that people accept that I'm black. No matter that every single room I go to, I'm usually the darkest person there... I kind of resent that mentality. I'm just an individual.
When work ends, I'd rather just be seen as Daniel - normal.
Giggs is the realest.
I did a play, back in the day, called 'Sucker Punch,' and it meant so much for me. I was 21. And I went, 'I just want to do work like that.' Stuff I believe in. And when I have compromised, I've never really felt good about it.
I think the 'sunken place' - that term is what I hear when I'm just casually living my life. People say it around me. Not because they're around me; they're saying it because it articulated a state of mind. Lil Wayne's rapped about it.
Some black women hug me and walk away. A lot of black men talk about dating white women and how they've been there, too. People open up about their racial experiences. I feel like I'm a walking therapy session. It's quite intense. But it means a lot to people.
Racism is like a horror movie. Black kids die because of racism. I don't know what's more horrifying than that.
When you're a young black man, you're not allowed to be emotional. One of the reasons I act is people pay me to be emotional.
I didn't take writing seriously at first - I didn't think I could do it. When I did, I fell in love with it. But writing is very lonely.
Even people who say that black people are minorities, there are a billion black people in the world. A billion white people. What part of that is a minority? If you separate yourself, then maybe. But I see black people as one man. When I see people beaten on the streets of America, that hurts me. I feel that.
Usually I do a job, and, like, two weeks later, it disappears and is replaced with something else, but 'Get Out' kept growing and growing and growing, and it keeps taking me to rooms I could never get in before.
Loads of stuff that I've done has always had a hint of comedy. I did this show called 'Psychoville' that's a horror-comedy. Because I just think that's what life's like.
I like three-dimensional characters - it's just more interesting when you get on set.
'Sucker Punch' was so demanding, it scared me a bit.
I think diverse stories are just stories. I don't think 'diverse' is an add-on package. Things that are not diverse are weird because that's not accurate.
People are decisions and actions.
In the real world, there's probably nothing more horrifying than racism. Living racism is a horrifying experience. And then, having to normalize it and internalize it.
I learned so much on 'Sicario' and working with that group of actors, where there was the audacity, the confidence, to do nothing.
Racism isn't just in America... Alienation is felt worldwide in different capacities.