The American preoccupation with the law, which is certainly not past, was at its zenith in 1995. The 1980s, the late 1980s, had sort of begun to percolate up to public consciousness this enormous interest in the law.
Before breaking into music, I had various jobs: forklift driver, driving a courier. But I was forced into working rather than doing it off my own bat because that was my dad's way: you got a job and paid your way.
I loved operations, and I loved operations far from the headquarters. I had no passion for corporate.
Years ago I was at a function, and I must have said something really rude to Paul Daniels the magician. I can't recall what I said, but I remember him looking utterly crestfallen. I'm not that sort of person, but I must have said something very cutting and belittling. Our paths haven't crossed since, but if they had, I would have said sorry to him.
I lived in town until I was eight and then I moved nearer the farmland, so I had a mixture.
I had the good fortune to be raised in the 1940s and the 1950s. As I entered business in the late 1950s and 1960s, America was just coming into its own as a great industrial power. It allowed young entrepreneurs to start their engines, to start their businesses, to borrow a little money and to leverage what they had.
I had no work after 'Gangster' for two years, and my sister Rangoli met with an accident that destroyed her looks. My struggle with my parents combined with the industry not accepting me made me feel alienated.
After the Manchu government had carried on wars with foreign nations and had been defeated, China was forced to sign many unequal treaties. Foreign nations are still using these treaties to bind China, and as a result, China fails at whatever she attempts.
I had a somewhat religious upbringing. Not strict, but it was there, and I'm kind of thankful for that. If you grow up just watching MTV, that's its own form of religion, and it's not even based on happiness or communal responsibility. I mean, try to construct a worldview out of that.
I really haven't had that exciting of a life. There are a lot of things I wish I would have done, instead of just sitting around and complaining about having a boring life. So I pretty much like to make it up. I'd rather tell a story about somebody else.
We never had anybody who froze to death playing football. You probably had somebody who died from heat stroke playing football.
'Sleepless' was a script that had been written by three or four other writers before me, and it never really worked, but it had this amazing ending on the top of the Empire State Building that just worked, no matter what came before it.
At 11, 12, I thought I was clumsy, ugly, a mess, an unappealing person, but I did have the gift of the gab. I had the school record at Haberdashers for consecutive detentions for simply speaking out of turn.
They thought that athletes that worked out with my system wouldn't be able to throw a ball because they'd be too muscle bound. Those are the misconceptions I had to go through for about 40 years.
The writers of the French enlightenment had deliberately used blasphemy as a weapon, refusing to accept the power of the Church to set limiting points on thought.
I happened to the be the fifth child of my family, so everybody was already grown and had left home already.
If my name had not been cleared, it would have been difficult, perhaps impossible, to continue as a journalist.
By serializing two novels in 'Analog,' the world's No. 1, best-selling science fiction magazine, I've had 200,000 words of fiction and three cover stories in that magazine. Quite an enviable record.
My dad died when he was 60. I was only 17 and I think, psychologically, that had a huge impact on me, probably more than I realised.
I think the golden age of couture had some of the most incredible customers: women like Nan Kempner and all the icons.
Peter Fleming was a famous English traveler, explorer and adventurer, whose non-fiction books were hugely successful. My father owned signed copies of all of them - he and Peter Fleming had become acquainted over some detail of set design at the Korda film studio in Shepperton - and I had read each of them with breathless adolescent excitement.
I'm somebody who, as a child, had a lot of insecurity about stable housing, where I was going to be living, if I was going to have a roof over my head, all those types of things. And I know the impact it can have on you psychologically and emotionally.
I was trying to learn how to deal with the freedom that I had away from home for the first time. 'Long Black Train,' the song and the album, are very special to me. It was just one of those things that I felt like God gave to me for a purpose, and I've been out here promoting that purpose.
If I had to describe my sense of humor, I would say it's contemporary wit, you know what I'm saying?
I've always had a loud mouth, and for that I've gotten a lot of attention. I did falter in some big competitions in my career, but being counted out and not being seen as a threat is something I'm used to.
The only problem we've had is the amount of time it's taking people to develop titles.
I would replace most foreign aid with a tax credit for businesses to invest. I think U.S. bureaucrats giving foreign bureaucrats money is a guaranteed failure. And we've had about 50 years' experience at failing with foreign aid.
I've always had a chip on my shoulder. It kind of drives me. It's something that allows me to train harder, train longer, work better.
Country music's always had the best musicians in any format of music, and I always gravitated toward that, stuff that was musically interesting.
I looked on IMDB, at the message boards there, and someone had posted something about a sheep having more talent than me.
I loved cowboy films and TV series, and I learned bits of English from them. My favorite was 'Laramie', with Robert Fuller and John Smith. I used to watch 'The Lone Ranger', which had been famous in Japan as well. I idolized these cowboys.
I was a housewife, so I learned to write in times off, and I don't think I ever gave it up, though there were times when I was very discouraged because I began to see that the stories I was writing were not very good, that I had a lot to learn, and that it was a much, much harder job than I had expected.
When I was growing up, I felt like I had to qualify it and say I'm British-Pakistani. But now I kind of feel like, in this day in age, this is what British looks like. It looks like me; it looks like Idris Elba, and hopefully through Nasir Khan, people will see that that's what an American can look like as well.
When I had my first camera - I was a child of the '80s. I remember what it was like reusing the same tapes over and over again, and having really bad quality and images kind of bubbling up from under the surface.
I had this unusual mix of curiosity, the ability to write in ways people understood, and when I appeared, viewers seemed to trust me to get them through some cataclysmic changes.
On the day I became Soviet leader, in March 1985, I had a special meeting with the leaders of the Warsaw Pact countries and told them: 'You are independent, and we are independent. You are responsible for your policies, we are responsible for ours. We will not intervene in your affairs, I promise you.'
